Walking Dead is the television and written world phenomenon that has come from the work of Robert Kirkman and his Image Comics series. Inside this book you'll find trivia and many interesting facts about the walkers, the characters and the actors, cast and crew that bring them to life on the hugely successful television series. This book is a must have for any fan who wants a little help traversing the post apocalyptic world of the Walking Dead.

Walking Dead is the television and written world phenomenon that has come from the work of Robert Kirkman and his Image Comics series. Inside this book you'll find trivia and many interesting facts about the walkers, the characters and the actors, cast and crew that bring them to life on the hugely successful television series. This book is a must have for any fan who wants a little help traversing the post apocalyptic world of the Walking Dead.

Published by Skybound & produced by AMC Networks Publishing, discover the behind-the-scenes pre-production & production art for AMC's THE WALKING DEAD shows: The Walking Dead, Fear the Walking Dead, and The Walking Dead: World Beyond, all in one incredible collection! Includes never-before-seen original sketches, concept art, storyboards, previs art, set concept and engineering art, promotional concept to completion key art, special product illustrations, in-world product art, and much more. Also includes a brand-new wraparound cover featuring over 50 characters from across all the shows. Features an introduction by Chief Content Officer, SCOTT M. GIMPLE, as well as other compelling anecdotes and fun facts from The Walking Dead creators and crew. A must-have for anyone who has ever shouted, "We are the Walking Dead!"

This Bible is designed to creatively engage Bible readers who have a passion for finding out interesting facts about the Bible. It features unique Bible book introductions that point to fascinating details that can be found in each of the Bible’s 66 books. At the end of each book is a full page of intriguing questions that will drive readers back into the text to discover the answers for themselves.

The figure of the zombie is a familiar one in world culture, acting as a metaphor for "the other," a participant in narratives of life and death, good and evil, and of a fate worse than death--the state of being "undead." This book explores the phenomenon from its roots in Haitian folklore to its evolution on the silver screen and to its radical transformation during the 1960s countercultural revolution. Contributors from a broad range of disciplines here examine the zombie and its relationship to colonialism, orientalism, racism, globalism, capitalism and more--including potential signs that the zombie hordes may have finally achieved oversaturation. Instructors considering this book for use in a course may request an examination copy here.

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Winner of the 2011 Diamond Gem Award for Trade Book of the Year In the Walking Dead universe, there is no greater villain than The Governor. The despot who runs the walled-off town of Woodbury, he has his own sick sense of justice: whether it's forcing prisoners to battle zombies in an arena for the townspeople's amusement, or chopping off the appendages of those who cross him. The Governor was voted "Villain of the Year" by Wizard magazine the year he debuted, and his story arc was the most controversial in the history of the Walking Dead comic book series. Now, for the first time, fans of The Walking Dead will discover how The Governor became the man he is, and what drove him to such extremes.

Funerary rituals and the cult of the dead are classics of research in religious studies, especially for ancient Egypt. Still, we know relatively little about how people interacted in daily life at the city of Memphis and its Saqqara necropolis in the late second millennium BCE. By focussing on lived ancient religion, we can see that the social and religious strategies employed by the individuals at Saqqara are not just means on the way to religious, post-mortem salvation, nor is their self-representation simply intended to manifest social status. On the contrary, the religious practices at Saqqara show in their complex spatiality a wide spectrum of options to configure sociality before and after one's own death. The analytical distinction between religion and other forms of human practices and sociality illuminates the range of cultural practices and how people selected, modified, or even avoided certain religious practices. As a result, pre-funerary, funerary and practices of the subsequent mortuary cults, in close connection with religious practices directed towards other ancestors and deities, allow the formation of imagined and functioning reminiscence clusters as central social groups at Saqqara, creating a heuristic model applicable also to other contexts.

The group has a visitor, but is she friend, foe or worse? Where did she come from? How did she survive? Can she be trusted? This is the beginning of a new story arc, an excellent jumping-on point for new readers. The quest to rebuild civilization starts here.

The group finds their footing on the road once more but is haunted by the memories of those they lost.