Musaicum Books presents to you this meticulously edited collection of world's greatest classics with the most influential female protagonists in literature: Camilla (Fanny Burney) Maria; Or, The Wrongs of Woman (Mary Wollstonecraft) Pride and Prejudice (Jane Austen) Jane Eyre (Charlotte Brontë) The Scarlet Letter (Nathaniel Hawthorne) Lady Macbeth of the Mzinsk District (Nikolai Leskov) Hester (Margaret Oliphant) Life in the Iron Mills (Rebecca Harding Davis) Little Women (Louisa May Alcott) Behind a Mask (Louisa May Alcott) The Portrait of a Lady (Henry James) Daisy Miller (Henry James) The Bostonians (Henry James) Anna Karenina (Leo Tolstoy) Tess of the d'Urbervilles (Thomas Hardy) North and South (Elizabeth Gaskell) Wives and Daughter (Elizabeth Gaskell) The Yellow Wallpaper (Charlotte Perkins Gilman) Herland (Charlotte Perkins Gilman) A Doll's House (Henrik Ibsen) Hedda Gabler (Henrik Ibsen) The Awakening (Kate Chopin) The Woman Who Did (Grant Allen) Miss Cayley's Adventures (Grant Allen) The Story of a Baby (Ethel Sybil Turner) New Amazonia (Elizabeth Burgoyne Corbett) Ann Veronica (H. G. Wells) A Girl of the Limberlost (Gene Stratton-Porter) A Daughter of the Land (Gene Stratton-Porter) The Iron Woman (Margaret Deland) O Pioneers! (Willa Cather) My Ántonia (Willa Cather) The Song of the Lark (Willa Cather) The House of Mirth (Edith Wharton) Summer (Edith Wharton) Sister Carrie (Theodore Dreiser) Jennie Gerhardt (Theodore Dreiser) Sisters (Ada Cambridge) Hagar (Mary Johnston) Samantha on the Woman Question (Marietta Holley) The Precipice (Elia Wilkinson Peattie) Voyage Out (Virginia Woolf) Parnassus on Wheels (Christopher Morley) The Job (Sinclair Lewis) Miss Lulu Bett (Zona Gale) The Rainbow (D. H. Lawrence) The Lost Girl (D. H. Lawrence) The Enchanted April (Elizabeth von Arnim) Fanny Herself (Edna Ferber) So Big (Edna Ferber)

e-artnow presents to you this meticulously edited collection of world's greatest classics with the most influential female protagonists in literature:_x000D_ Camilla (Fanny Burney)_x000D_ Maria; Or, The Wrongs of Woman (Mary Wollstonecraft)_x000D_ Pride and Prejudice (Jane Austen)_x000D_ Jane Eyre (Charlotte Brontë)_x000D_ The Scarlet Letter (Nathaniel Hawthorne)_x000D_ Lady Macbeth of the Mzinsk District (Nikolai Leskov)_x000D_ Hester (Margaret Oliphant)_x000D_ Life in the Iron Mills (Rebecca Harding Davis)_x000D_ Little Women (Louisa May Alcott)_x000D_ Behind a Mask (Louisa May Alcott)_x000D_ The Portrait of a Lady (Henry James)_x000D_ Daisy Miller (Henry James)_x000D_ The Bostonians (Henry James)_x000D_ Anna Karenina (Leo Tolstoy)_x000D_ Tess of the d'Urbervilles (Thomas Hardy)_x000D_ North and South (Elizabeth Gaskell)_x000D_ Wives and Daughter (Elizabeth Gaskell)_x000D_ The Yellow Wallpaper (Charlotte Perkins Gilman)_x000D_ Herland (Charlotte Perkins Gilman)_x000D_ A Doll's House (Henrik Ibsen)_x000D_ Hedda Gabler (Henrik Ibsen)_x000D_ The Awakening (Kate Chopin)_x000D_ The Woman Who Did (Grant Allen)_x000D_ Miss Cayley's Adventures (Grant Allen)_x000D_ The Story of a Baby (Ethel Sybil Turner)_x000D_ New Amazonia (Elizabeth Burgoyne Corbett)_x000D_ Ann Veronica (H. G. Wells)_x000D_ A Girl of the Limberlost (Gene Stratton-Porter)_x000D_ A Daughter of the Land (Gene Stratton-Porter)_x000D_ The Iron Woman (Margaret Deland)_x000D_ O Pioneers! (Willa Cather)_x000D_ My Ántonia (Willa Cather)_x000D_ The Song of the Lark (Willa Cather)_x000D_ The House of Mirth (Edith Wharton)_x000D_ Summer (Edith Wharton)_x000D_ Sister Carrie (Theodore Dreiser)_x000D_ Jennie Gerhardt (Theodore Dreiser)_x000D_ Sisters (Ada Cambridge)_x000D_ Hagar (Mary Johnston)_x000D_ Samantha on the Woman Question (Marietta Holley)_x000D_ The Precipice (Elia Wilkinson Peattie)_x000D_ Voyage Out (Virginia Woolf)_x000D_ Parnassus on Wheels (Christopher Morley)_x000D_ The Job (Sinclair Lewis)_x000D_ Miss Lulu Bett (Zona Gale)_x000D_ The Rainbow (D. H. Lawrence)_x000D_ The Lost Girl (D. H. Lawrence) _x000D_ The Enchanted April (Elizabeth von Arnim)_x000D_ Fanny Herself (Edna Ferber)_x000D_ So Big (Edna Ferber)

BEYOND SPACESHIP EARTH: 50+ Sci-Fi Books in One Volume is a monumental anthology that encapsulates the breadth and diversity of early science fiction literature. This collection showcases a range of literary stylesfrom sweeping intergalactic adventures to meticulous utopian explorations, highlighting the genre's capacity to both entertain and prognosticate. The works included navigate the intersection of technology, ethics, and the human spirit, underlying the speculative essence that defines science fiction. Standout pieces, without focusing on a single author, illustrate the genres evolution and its pivotal role in addressing perennial human questions through the lens of the extraordinary. The contributing authors, including luminaries like Jules Verne, H.G. Wells, and lesser-known yet significant figures such as Stanley G. Weinbaum and Malcolm Jameson, bring a rich palette of cultural, historical, and philosophical perspectives. Their collective contributions trace the genre's lineage from fanciful tales of exploration to sophisticated narratives exploring societal structures and the human condition. This assembly underlines key movements within science fiction, showcasing its growth from mere escapism to a critical tool for societal critique and envisioning future paradigms. BEYOND SPACESHIP EARTH is an essential volume for readers seeking to immerse in the science fiction genre's vast universe. It offers a unique opportunity to explore a multiplicity of voices, themes, and speculative visions within a single compendium. This anthology is not only an educational journey through the history and evolution of science fiction but also a profound exploration of the human experience as envisaged through the prism of different eras and imaginations. It invites readers to engage in a dialogue with the past, presented through the speculative futures of its contributors.

Half a century after the publication of The Feminine Mystique, have women really exchanged purity and maternity to become desiring machines inspired only by variations of sex, shopping and masochism - all coloured a brilliant neuro-pink? In this volume, fifty women young and old - writers, politicians, actors, scientists, mothers - reflect on the shades that inspired them and what being woman means to them today. Contributors include: Margaret Atwood, Joan Bakewell, Bidisha, Lydia Cacho, Shami Chakrabarti, Lennie Goodings, Linda Grant, Natalie Haynes, Siri Hustvedt, Kathy Lette, Kate Mosse, Pussy Riot, Bee Rowlatt, Elif Shafak, Ahdaf Soueif, Sandi Toksvig, Natasha Walter, Timberlake Wertenbaker Jeanette Winterson - alongside the three editors.

Abolition Feminisms: Organizing, Survival, and Transformative Practice, offers wide-ranging feminist abolitionist methods for liberation forged in collectivity, radical care, and transformation.

DigiCat presents to you this meticulously edited collection of feminist masterpieces - from fictional protagonists who influenced generations of young women to the real heroines of the past, their life stories and their legacy. Fiction: Camilla (Fanny Burney) Maria; Or, The Wrongs of Woman (Mary Wollstonecraft) Pride and Prejudice (Jane Austen) Jane Eyre (Charlotte Brontë) The Scarlet Letter (Nathaniel Hawthorne) Lady Macbeth of the Mzinsk District (Nikolai Leskov) Hester (Margaret Oliphant) Life in the Iron Mills (Rebecca Davis) Little Women (Louisa May Alcott) The Portrait of a Lady (Henry James) Anna Karenina (Leo Tolstoy) Tess of the d'Urbervilles (Thomas Hardy) North and South (Elizabeth Gaskell) The Yellow Wallpaper (Charlotte Perkins Gilman) Herland (Charlotte Perkins Gilman) A Doll's House (Henrik Ibsen) Hedda Gabler (Henrik Ibsen) The Awakening (Kate Chopin) The Woman Who Did (Grant Allen) Miss Cayley's Adventures (Grant Allen) New Amazonia (Elizabeth Corbett) A Girl of the Limberlost (Gene Stratton-Porter) The Iron Woman (Margaret Deland) My Ántonia (Willa Cather) The House of Mirth (Edith Wharton) Summer (Edith Wharton) Sister Carrie (Theodore Dreiser) Sisters (Ada Cambridge) Hagar (Mary Johnston) Samantha on the Woman Question (Marietta Holley) The Precipice (Elia Wilkinson Peattie) To the Lighthouse (Virginia Woolf) Miss Lulu Bett (Zona Gale) Lady Chatterley's Lover (D. H. Lawrence) The Enchanted April (Elizabeth von Arnim) Gone with the Wind (Margaret Mitchell) Emily of New Moon (Lucy Maud Montgomery) Memoirs: Madame Vigée Lebrun Jane Austen Caroline Herschel Mrs. Seacole Elizabeth Cady Stanton Emmeline Pankhurst Biographies: Lucretia Sappho Aspasia of Cyrus Portia Octavia Cleopatra Julia Domna Zenobia Valeria Hypatia Roswitha the Nun Marie de France Mechthild of Magdeburg Joan of Arc Catharine of Arragon Anne Boleyn Queen Elizabeth Mary, Queen of Scots Queen Anne Maria Theresa Marie Antoinette Madame de Stael Augustina Saragoza Charlotte Brontë Florence Nightingale Harriet Tubman

The feminist thinkers in this collection are the designated "fifty-one key feminist thinkers," historical and contemporary, and also the authors of the entries. Collected here are fifty-one key thinkers and fifty-one authors, recognizing that women are fifty-one percent of the population. There are actually one hundred and two thinkers collected in these pages, as each author is a feminist thinker, too: scholars, writers, poets, and activists, well-established and emerging, old and young and in-between. These feminists speak the languages of art, politics, literature, education, classics, gender studies, film, queer theory, global affairs, political theory, science fiction, African American studies, sociology, American studies, geography, history, philosophy, poetry, and psychoanalysis. Speaking in all these diverse tongues, conversations made possible by feminist thinking are introduced and engaged. Key figures include: Simone de Beauvoir Doris Lessing Toni Morrison Cindy Sherman Octavia Butler Marina Warner Elizabeth Cady Stanton Chantal Akerman Betty Friedan Audre Lorde Margaret Fuller Sappho Adrienne Rich Each entry is supported by a list of the thinker’s major works, along with further reading suggestions. An ideal resource for students and academics alike, this text will appeal to all those interested in the fields of gender studies, women’s studies and women’s history and politics.

A women's spirituality classic now back in print! The Holy Book of Women's Mysteries is essential for Pagans, feminists, and women seeking to learn more about the spiritual path as it relates to the feminine and the Goddess aspects of witchcraft and Wicca. This book is not about reinstating a matriarchy or tearing down patriarchy; it is about women's spirituality and its relationship with politics and lifestyle. Z. Budapest is one of the founding mothers of modern women's witchcraft, beginning with the establishment of Susan B. Anthony Coven in Los Angeles in 1971. She catapulted herself into the media spotlight when she was tried as a witch and found guilty in 1975 after being arrested on Venice Beach for reading tarot cards. She fought the charges and, after a nine year battle, won the right for every tarot reader to do so legally. The Holy Book of Women's Mysteries is a seminal text that contains invaluable information on Dianic witchcraft and spells, including everyday magick, sabbat rituals, and divination methods; a section on how vegetarian theories and politics relate to witchcraft and the feminine aspect; and a good deal of information on goddesses and how the patriarchal religions distorted old myths to serve their own needs. There are several unique and beautiful Rites of Passage for women and men that you don't often find, and Budapest's personal life stories are an equally valuable read, from her escape across the mountains from Communist Hungary to her fight for women's religious freedom upon moving to America. * This reprint features a new introduction by Z. Budapest, in addition to essays by luminaries such as Starhawk and Merlin Stone.

This Book is Feminist is a stylishly illustrated introduction to intersectional feminism and its roots for young feminists in training.

DIVDIVSusan Brownmiller’s groundbreaking bestseller uncovers the culture of violence against women with a devastating exploration of the history of rape—now with a new preface by the author exposing the undercurrents of rape still present today/divDIV Rape, as author Susan Brownmiller proves in her startling and important book, is not about sex but about power, fear, and subjugation. For thousands of years, it has been viewed as an acceptable “spoil of war,” used as a weapon by invading armies to crush the will of the conquered. The act of rape against women has long been cloaked in lies and false justifications./divDIV It is ignored, tolerated, even encouraged by governments and military leaders, misunderstood by police and security organizations, freely employed by domineering husbands and lovers, downplayed by medical and legal professionals more inclined to “blame the victim,” and, perhaps most shockingly, accepted in supposedly civilized societies worldwide, including the United States./divDIV Against Our Will is a classic work that has been widely credited with changing prevailing attitudes about violence against women by awakening the public to the true and continuing tragedy of rape around the globe and throughout the ages./divDIV Selected by the New York Times Book Review as an Outstanding Book of the Year and included among the New York Public Library’s Books of the Century, Against Our Will remains an essential work of sociological and historical importance./divDIV/div/div