Andrew D. Gordon, world renowned music educator, author of over 60 music educational products, has previously written numerous books on funk keyboard styles such as: “60 Of The Funkiest Keyboard Riffs Known To Mankind”, “Funky Organ Grooves”, “Outta Sight Funk & R&B Riffs For Piano/Keyboards” which have been well received by students, teachers and musicians all over the world. As playing funk styles is a passion of Andrew’s, he has written this instructional book “100 Ultimate Soul, Funk and R&B Grooves for Organ” based on the influences of the great Funk, Soul and R&B artists such as: James Brown, Herbie Hancock, The Crusaders, Average White Band, Marvin Gaye, Miles Davis, Stevie Wonder, Parliament, Ramsey Lewis, Booker T and The MG’s, MFSB, Billy Preston etc. Besides the afore-mentioned styles Andrew has also added a few grooves that are Afro-Caribbean such as: Latin, Reggae and Calypso. Each of the 100 grooves have been recorded with the organ part playing along with a rhythm section of guitar, bass, drums and in many of the grooves, percussion. There is also a three minute Play-A-Long track for each of the 100 grooves minus the keyboard part so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks.

(Easy Piano Songbook). Are you ready to try your piano chops on some R&B classics? Then this book is for you! 50 songs arranged at an easier level so developing players can sound great as they expand their repertoire. Songs include: Ain't No Sunshine * At Last * Dance to the Music * Everyday People * Green Onions * How Sweet It Is (To Be Loved by You) * I Got You (I Feel Good) * I Heard It Through the Grapevine * I Just Called to Say I Love You * I'll Be There * In the Midnight Hour * Just My Imagination (Running Away with Me) * Lean on Me * Let's Get It On * Love Train * Midnight Train to Georgia * My Girl * (You Make Me Feel Like) a Natural Woman * People Get Ready * Proud Mary * Respect * Rock with You * (Sittin' On) The Dock of the Bay * Soul Man * Stand by Me * What's Going On * What's Love Got to Do with It * When a Man Loves a Woman * You Can't Hurry Love * and more.

Due to the high demand of two of Andrew D. Gordon's blues piano/keyboard books, 100 Ultimate Blues Riffs and the 12 Bar Blues Bible, he has adapted examples from the two books along with new examples into a blues organ book and Ultimate Blues Organ Riffs is the result. There is an increased interest in playing the organ these days as many keyboard players are adding organ modules, organs, software etc., to their array of instruments. This book consists of 96 riffs, in many different keys, and covers a wide range of blues organ styles including Blues, Funk, Gospel, Jazz & Rock. The music notation consists of the right and left hand parts as well as a bass line. Although primarily written and recorded with the organ in mind, pianists and keyboard players will also find the material in this book very useful. All the 96 examples have been recorded twice, the first time with the organ right and left hand parts, guitar rhythm, bass and drums. The second time, has the rhythm guitar part, bass and drums so that the keyboard player can practice along with the rhythm tracks.

Andrew D. Gordon, world renowned music educator, author of over 60 music educational products, has previously written numerous books on funk keyboard styles such as: “60 Of The Funkiest Keyboard Riffs Known To Mankind”, “Funky Organ Grooves”, “Outta Sight Funk & R&B Riffs For Piano/Keyboards” which have been well received by students, teachers and musicians all over the world. As playing funk styles is a passion of Andrew’s, he has written this instructional book “100 Ultimate Soul, Funk and R&B Grooves” based on the influences of the great Funk, Soul and R&B artists such as: James Brown, Herbie Hancock, The Crusaders, Average White Band, Marvin Gaye, Miles Davis, Stevie Wonder, Parliament, Ramsey Lewis, Booker T and The MG’s, MFSB, Billy Preston etc. Besides the afore-mentioned styles Andrew has also added a few grooves that are Afro-Caribbean such as: Latin, Reggae and Calypso. Each of the 100 grooves have been recorded with the keyboard part playing along with a rhythm section of guitar, bass, drums, organ and in many of the grooves, percussion. There is also a three minute Play-A-Long track for each of the 100 grooves minus the keyboard part so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks.

This detailed guitar method builds the rhythmic and melodic skills you need to be an excellent funk guitar player

A photographic look into the world of vinyl record collectors—including Questlove—in the most intimate of environments—their record rooms. Compelling photographic essays from photographer Eilon Paz are paired with in-depth and insightful interviews to illustrate what motivates these collectors to keep digging for more records. The reader gets an up close and personal look at a variety of well-known vinyl champions, including Gilles Peterson and King Britt, as well as a glimpse into the collections of known and unknown DJs, producers, record dealers, and everyday enthusiasts. Driven by his love for vinyl records, Paz takes us on a five-year journey unearthing the very soul of the vinyl community.

Catalog Number: ADG206 Author: Andrew D. Gordon Publisher: ADG Productions Andrew D. Gordon, world renowned music educator, author of over 80 music educational products, has written a series of books called "100 Ultimate Soul, Funk and R&B Groves" for various instruments including Piano/Keyboards, Organ, Tenor and Alto Sax, Flute, Trumpet, Trombone, Guitar. This version is for Bass. As playing funk styles is a passion of Andrew’s, he has written this instructional book “100 Ultimate Soul, Funk and R&B Grooves” based on the influences of the great Funk, Soul and R&B artists such as: James Brown, Herbie Hancock, The Crusaders, Average White Band, Marvin Gaye, Miles Davis, Stevie Wonder, Parliament, Ramsey Lewis, Booker T and The MG’s, MFSB, Billy Preston etc. Besides the afore-mentioned styles Andrew has also added a few grooves that are Afro-Caribbean such as: Latin, Reggae and Calypso. Each of the 100 grooves have been recorded with the Bass part playing along with a rhythm section of guitar, drums, keyboards and in many of the grooves, percussion. There is also a three minute Play-A-Long track for each of the 100 grooves minus the Bass part so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks.

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"The Art Of Successful Rhythm Piano/Keyboard Playing" by Andrew Gordon is for keyboardists and pianists that need a practical approach to play in various styles such as: Blues, Rock, Jazz, Latin, Gospel and Rhythm and Blues , whether accompanying a singer, solo instrumentalist or playing in a band. There are 19 different 36 measure examples showing many great ways of voicing chords and playing various rhythmic patterns. The recording consists of rhythm keyboard part, organ, bass and drums so that you can hear how the rhythm keyboard part is played in conjunction with the other instruments. Free downloadable audio mp3 files details inside the book. The London College of Music in the U.K. is currently using examples from "The Art of Successful Rhythm Keyboard Playing" in their jazz program as part of their recommended learning materials from grade 3 through grade 8.

In this exploration of the funk groove and its unique sounds, author Anne Danielsen takes an in-depth look at this under-explored genre. Danielsen concentrates on the golden age of funk in the late 1960s and the 1970s, focusing on two of the era's artists who made a substantial impact on the landscape of popular music: James Brown and George Clinton/Parliament. Aiming to understand funk not only as objectified musical meaning but also as lived experience, she begins with the musical events themselves and draws on her experiences as both a fan and a scholar to capture how their particular organization creates the funk listener's pleasure. Danielsen further examines issues surrounding race in the construction and consumption of this music, focusing her study with how white listeners responded to funk in the 1970s, and arguing that African American music has remained a means of catharsis and of dealing with pleasures of the body. Funk's crossover to international success among listeners of pop and rock music affected both the music itself and audiences' understanding of it. Presence and Pleasure shows us how.