A showcase of Britain's most extraordinary gardens and landscapes from the twentieth century to present day. 100 20th-Century Gardens and Landscapes highlights the evolution of gardens and landscapes over the past century, tracing how these distinctive creations complemented buildings of their period. Entries in this book are grouped in chronological periods, documenting changing styles and techniques in a visual timeline. The examples chosen take the story from the Arts and Crafts garden and the garden city, through the landscapes created for mid-century housing and the new towns, to the low-maintenance gardens of the 1980s and contemporary trends for community and wildlife gardens. Designed landscapes were often integral to the conception of twentieth-century developments; the inclusion of a handful of particularly successful landscapes for memorial gardens, offices, industry, transport and parks demonstrate a changing attitude to public green space during the century and its increasing importance as private gardens have become ever smaller. Designers and architects such as Piet Oudolf, Charles Jencks, Frederick Gibberd, Geoffrey Jellicoe, Vita Sackville-West and Gertrude Jekyll are all featured, alongside more detailed essays on the history of gardens, planting styles, the importance of modern landscapes, and the career of Geoffrey Jellicoe. The text is written by architectural, landscape and garden historians including Elain Harwood, Barbara Simms and Alan Powers. Beautifully illustrated throughout with photography, illustrations and garden plans, this book is ideal for gardeners and landscape lovers alike.

A showcase of Britain's most extraordinary gardens and landscapes from the twentieth century to present day. 100 20th-Century Gardens and Landscapes highlights the evolution of gardens and landscapes over the past century, tracing how these distinctive creations complemented buildings of their period. Entries in this book are grouped in chronological periods, documenting changing styles and techniques in a visual timeline. The examples chosen take the story from the Arts and Crafts garden and the garden city, through the landscapes created for mid-century housing and the new towns, to the low-maintenance gardens of the 1980s and contemporary trends for community and wildlife gardens. Designed landscapes were often integral to the conception of twentieth-century developments; the inclusion of a handful of particularly successful landscapes for memorial gardens, offices, industry, transport and parks demonstrate a changing attitude to public green space during the century and its increasing importance as private gardens have become ever smaller. Designers and architects such as Piet Oudolf, Charles Jencks, Frederick Gibberd, Geoffrey Jellicoe, Vita Sackville-West and Gertrude Jekyll are all featured, alongside more detailed essays on the history of gardens, planting styles, the importance of modern landscapes, and the career of Geoffrey Jellicoe. The text is written by architectural, landscape and garden historians including Elain Harwood, Barbara Simms and Alan Powers. Beautifully illustrated throughout with photography, illustrations and garden plans, this book is ideal for gardeners and landscape lovers alike.

“Rich with photographs and descriptions of how landscape design has shaped and reflected culture over time.” —The American Gardener The History of Landscape Design in 100 Gardens explores the defining moments in garden design. Through profiles of 100 of the most influential gardens, Linda Chisholm explores how social, political, and economic influences shaped garden design principles. The book is organized chronologically and by theme, starting with the medieval garden Alhambra and ending with the modern naturalism of the Lurie Garden. Sumptuously illustrated, The History of Landscape Design in 100 Gardens is a comprehensive resource for garden designers and landscape architects, design students, and garden history enthusiasts.

100 water-wise plants for gardens and landscapes.

A collection of Hunt's essays, many previously unpublished, dealing with the ways in which men and women have given meaning to gardens and landscapes, especially with the ways in which gardens have represented the world of nature "picturesquely".

While there’s no shortage of information on restoring and maintaining the historical integrity of period homes, until now there has been no authoritative reference that provides comparable information for landscapes. American Home Landscapes is a comprehensive, fully illustrated guide to recreating nearly 400 years of historical landscape design and adapting them to modern needs. You will first learn how to research design elements for a particular property. Each of the following chapters focuses on the design characteristics of six well-defined historical periods, beginning with the Colonial period and ending with the last decades of the twentieth century. Each section features the most prominent landscape features of each era, such as paths, driveways, fences, hedges, seating, and accessories. Extensive bibliographic resources and historically accurate plant lists round out the text. Whether the goal is to create a meticulously accurate period landscape or simply to evoke the look of a bygone era, you’ll find the tools you need in American Home Landscapes.

Western admirers have long seen the Islamic garden as an earthly reflection of the paradise said to await the faithful. However, such simplification, Ruggles contends, denies the sophistication and diversity of the art form. Islamic Gardens and Landscapes immerses the reader in the world of the architects of the great gardens of the Islamic world, from medieval Morocco to contemporary India. Just as Islamic culture is historically dense, sophisticated, and complex, so too is the history of its built landscapes. Islamic gardens began from the practical need to organize the surrounding space of human civilization, tame nature, enhance the earth's yield, and create a legible map on which to distribute natural resources. Ruggles follows the evolution of these early farming efforts to their aristocratic apex in famous formal gardens of the Alhambra in Spain and the Taj Mahal in Agra. Whether in a humble city home or a royal courtyard, the garden has several defining characteristics, which Ruggles discusses. Most notable is an enclosed space divided into four equal parts surrounding a central design element. The traditional Islamic garden is inwardly focused, usually surrounded by buildings or in the form of a courtyard. Water provides a counterpoint to the portioned green sections. Ranging across poetry, court documents, agronomy manuals, and early garden representations, and richly illustrated with pictures and site plans, Islamic Gardens and Landscapes is a book of impressive scope sure to interest scholars and enthusiasts alike.

Medici Gardens challenges the common assumption that such gardens as Trebbio, Cafaggiolo, Careggi, and Fiesole were the products of an established design practice whereby one client commissioned one architect or artist. The book suggests that in the case of the gardens in Florence garden making preceded its theoretical articulation.

Geoffrey Jellicoe has long been regarded internationally as the pre-eminent landscape architect of our time. The recipient of many honors, including a knighthood, he now ranks among the century's leading artists in any medium. His working career spans more than six decades, and embraces a truly staggering variety of landscapes and gardens. Project by project, this authoritative monograph examines the definitive canon of Jellicoe's work. Divided into three major sections, the book chronicles Jellicoe's progress towards his remarkable late flowering after 1964, when he finally freed himself from the demands of running a formal practice to concentrate on developing his own unique vision and philosophy of man's relationship to his environment. The author's introduction provides an invaluable guide to the underlying vocabulary and idioms of Jellicoe's work: water, viewpoints, axes, paths, routes, groves, landmarks, secret gardens, elevation and gradation. Over fifty projects, both planned and fully realized, are described in detail, often with a preamble by the author, followed by Jellicoe's own comments, either drawn from his own unpublished papers or from his classic texts on landscape design. The projects include his masterworks: Shute House, Sutton Place, the Moody Gardens and the Atlanta Historical Gardens. Several complete designs have been specially photographed by Hugh Palmer to show the development of Geoffrey Jellicoe's work over years of growth and change, notably at Ditchley, St. Paul's Walden Bury and Shute. Where available, Geoffrey Jellicoe's own plans have been reprinted in full color, some on 6-page foldouts; many of these have never been reproduced in book form before.Michael Spens has enjoyed the benefit of considerable assistance from Geoffrey Jellicoe, whose own contribution to the book has been substantial. As a survey of the work of the century's foremost landscape architect, this volume is as important a contribution to the literature of landscape and garden design as his own The Landscape of Man, also published by Thames and Hudson.

Explore 100 gardens from around the world with this illustrated guide to the design elements of each—from historical style to planting and landscape design. This comprehensive reference offers gardens from many periods of history—Islamic, Renaissance, English Landscape, Arts & Crafts, and more—and geographically diverse environments—from a nighttime sculpture garden on the Oregon coast, to a sustainable water garden in the mountains of Vermont, and the Mughal garden at the Indian president’s palace in New Delhi. They are inspirational works made by both talented amateurs and major international garden designers—including Britain’s Christopher Bradley Hole, Italy’s Luciano Giubbilei and Paolo Pejrone, and Americans Isabelle Green, Raymond Jungles, and Martha Schwartz. In this affordable volume boasting 500 illustrations, readers are led through the details of each garden and provided with the tools needed to understand and replicate each exemplary design—whether the site is rural or urban, a backyard or a beach, in any climate, and on any budget. Each beautiful project photo is followed by a list of key concepts, numbered close-ups that highlight aspects of the design, and expert write-ups to explain how each element serves the garden as a whole. Whether looking for a whole landscaping scheme, or simply an individual idea for a water feature or a wall, readers will find a wealth of ideas to choose from. Both experienced and armchair gardeners will find that Gardens in Detail will enhance their appreciation of how good design decisions are made at every scale.