Carla Sozzani opened Galleria Carla Sozzani in September 1990 as a space for art, photography, and design housed in a converted garage at 10 Corso Como in Milan. Along with American artist Kris Ruhs, Sozzani created a space like no other. Rejecting ordinary retail norms, this concept store has always promoted a different philosophy—that of slow shopping, a succession of spaces and events that prioritize lifestyle over object acquisition. In this book, Sozzani describes her world: her style, personal taste, and opinions on fashion, travel, design, and lifestyle. The Galleria now incorporates a bookshop, a fashion and design store, and a garden café, and it is one of Milan’s hippest and most exquisitely curated spaces—a destination in itself. 10 Corso Como has become the nexus of a global network of cultural exchange through fashion, food, art, and photography that continues to inspire fashion and design. In recent years, two additional locations have been added: 10 Corso Como–Comme des Garçons in Tokyo in 2002 and a Seoul branch in 2008.

Milan is the European fashion capital with one of the world’s most unique luxury fashion districts where the leaders of some of the most exclusive fashion houses are still living and working today. It’s the Italian city whose skyline has changed more than any, and whose fashion industry has extended to encompass the worlds of design, restaurants, bars, exhibition spaces, hotels and more. Whether you’re looking for designer labels within the city’s luxury fashion district, prefer to browse the city’s boutiques or pick up some quality vintage at the city’s vintage shops and markets, this is the guide that will tell you where to go. Split into geographical sections along with relevant maps, cultural highlights and suggestions for where to eat and drink, it places Milan as the city of fashion within the context of Italian fashion history and a city, and brings the stories of its people to life. Why did Milan become Italy’s fashion capital? And what does it offer the fashion lover as a city today?

Carla Sozzani opened Galleria Carla Sozzani in September 1990 as a space for art, photography, and design housed in a converted garage at 10 Corso Como in Milan. Along with American artist Kris Ruhs, Sozzani created a space like no other. Rejecting ordinary retail norms, this concept store has always promoted a different philosophy—that of slow shopping, a succession of spaces and events that prioritize lifestyle over object acquisition. In this book, Sozzani describes her world: her style, personal taste, and opinions on fashion, travel, design, and lifestyle. The Galleria now incorporates a bookshop, a fashion and design store, and a garden café, and it is one of Milan’s hippest and most exquisitely curated spaces—a destination in itself. 10 Corso Como has become the nexus of a global network of cultural exchange through fashion, food, art, and photography that continues to inspire fashion and design. In recent years, two additional locations have been added: 10 Corso Como–Comme des Garçons in Tokyo in 2002 and a Seoul branch in 2008.

"Described as "one of the greatest artistic personalities of this century" by Vogue Italia, Monica Bolzoni's designs anticipated many of the concepts of today's fashion, such as modularity and tailoring. Structured as an ABC book, this volume reflects the multiple facets of Bianca e Blu through a wealth of visual material from the company's archives: drawings, vintage images, fabrics, accessories, fashion stories, artworks, film stills, and stage images, accompanied by critical texts, press cuttings, and interviews." --Amazon.

A special twentieth anniversary edition of the only definitive publication on one of the most respected and influential fashion designers of our time. A new edition of the only major monograph published on Alaïa, which has been out of print for over a decade. Alaïa was renowned for highly intricate form fitting couture with a sculptural quality. More than a decade in the making, this book is a celebration of Alaïa's world, a collection of images of his haute couture creations worn by his muses and photographed by icons of twentieth century fashion. With archival photographs chronicling Alaïa's early years in Tunisia; excerpts from literary texts and other sources of inspiration for the couturier; and contributions from his closest friends, the reader is invited to discover an intimate world where creation was allowed to flourish. Alaïa features more than 200 photographs by Paolo Roversi, Annie Leibovitz, Steven Meisel, Helmut Newton, Patrick Demarchelier, Arthur Elgort, Ellen von Unwerth, Gilles Bensimon, and numerous other master photographers. With a new introduction by Carla Sozzani and Christoph von Weyhe from the Association Alaïa this book is a testament to a designer whose tremendous skill, unique vision, and independent spirit colored the fabric of the fashion industry forever.

“This book is not for you. It is not for architectural academic elites. It is not for those who have gentrified our neighborhoods, overly intellectualized the profession, and ignored all contemporary Black theory within the discipline. You have made architecture a symbol of exclusion, oppression, and domination rather than expression, aspiration, and inspiration. This book is not for conformists-Black, White, or other.” As architecture grapples with its own racist legacy, Hip-Hop Architecture outlines a powerful new manifesto-the voice of the underrepresented, marginalized, and voiceless within the discipline. Exploring the production of spaces, buildings, and urban environments that embody the creative energies in hip-hop, it is a newly expanding design philosophy which sees architecture as a distinct part of hip-hop's cultural expression, and which uses hip-hop as a lens through which to provoke new architectural ideas. Examining the present and the future of Hip-Hop Architecture, the book also explores its historical antecedents and its theory, placing it in a wider context both within architecture and within Black and African American movements. Throughout, the work is illustrated with inspirational case studies of architectural projects and creative practices, and interspersed with interludes and interviews with key architects, designers, and academics in the field. This is a vital and provocative work that will appeal to architects, designers, students, theorists, and anyone interested in a fresh view of architecture, design, race and culture. Includes Foreword by Michael Eric Dyson.

MAGGIE ALDERSON, novelist, philosopher of fashion and arbiter of style, brings us a new collection of her much-loved Style Notes column. Find out why men hate shopping and why women love wearing clothes men hate. Share the frustration of the search for the perfect Walkable Heeled Shoe and consider whether a size 'large' item of clothing is acceptable as a gift. Learn why it's good if your child is too embarrassed to be seen with you, and how to harness your life force through the power of yoga – and liberally applied make-up. Discover some key terms for the fashion addicted – Show Crow, Bag Hag and Fleabag – and work out where you fit on the spectrum. Warm, witty and wise, Style Notes is the ultimate insider's guide – a knowledgeable but not-too-serious take on the wonders and weirdness of the world of fashion, style and life beyond.

Made in Italy holds a highly significant position in the global luxury market, as an economic, cultural, and social phenomenon, and the textbook example of the country-of-origin effect. Whilst in the past luxury was conceptualized as an exclusive benefit of the few, it is now a highly diversified ecosystem with disruptive challenges to its identity and authenticity, led by new customer segments. This book – through an analysis of diverse cases – answers the key issues in the industry of the new Made in Italy luxury, with a particular focus on sustainability. The book provides an in-depth view into luxury Made in Italy, from historical roots, heritage, and tradition to major forces of change and innovative, entrepreneurial adaptations in the 21st century. It situates Made in Italy in the broader global context of change, with regards to the call for sustainable manufacturing and consumption. Written by an international pool of academics and experts in luxury brand management, the book presents a series of case studies to explore how the industry is responding to new consumer expectations and demand to maintain competitive advantage. This unique collection will be of interest for academics, scholars, and upper-level students across the fields of luxury management and marketing, brand management, consumer behavior as well as sustainability.

Brimming with Steve Hiett's riotously colorful photographs that evoke the trends and styles of their eras, this retrospective volume features images--most of which have never been published in book form--from a career that spans five decades. Since the late 1960s Steve Hiett has been capturing the changing world of fashion through his distinctive, eye-catching photography. Arranged by decades, this collection of Hiett's work is filled with images that belie the photographer's nonchalance. Saturated with color, lighted by dazzling flash work, and often off-center, Hiett's photographs contain brilliantly composed worlds. They tell stories--and the stories change with time. Whether it's 1970s Miami, France in the 1980s, or New York at the end of the 20th century, Hiett creates an of-the-moment impression that feels neither contrived nor self-conscious. Of his illustrious career, Hiett has said "I don't think of myself as 'a photographer.' I think of myself as someone who uses the camera to create images that I see in my head." A brief introduction provides an insightful contrast to Hiett's description of himself. The beautifully reproduced images in this book are further testament to Steve Hiett's enduring imprint on the world of fashion photography.