She's about to make a deal with the college bad boy... Hannah Wells has finally found someone who turns her on. But while she might be confident in every other area of her life, she's carting around a full set of baggage when it comes to sex and seduction. If she wants to get her crush's attention, she'll have to step out of her comfort zone and make him take notice...even if it means tutoring the annoying, childish, cocky captain of the hockey team in exchange for a pretend date. ...and it's going to be oh so good All Garrett Graham has ever wanted is to play professional hockey after graduation, but his plummeting GPA is threatening everything he's worked so hard for. If helping a sarcastic brunette make another guy jealous will help him secure his position on the team, he's all for it. But when one unexpected kiss leads to the wildest sex of both their lives, it doesn't take long for Garrett to realize that pretend isn't going to cut it. Now he just has to convince Hannah that the man she wants looks a lot like him.

Four Queens. A divided nation. A ruthless pickpocket. A noble messenger. And the murders that unite them. Seventeen-year-old Keralie Corrington is one of Quadara's most skilled thieves, but when she steals an unexpectedly valuable package from a messenger she is soon entangled in a conspiracy that leads to all four of Quadara's queens being murdered. With no other choices and on the run from her former employer, Keralie teams up with Varin Bollt, the Eonist messenger she stole from, and together they race to discover who has killed the queens. But when dark secrets threaten their reluctant partnership and put everything at stake, Keralie and Varin must use all their daring to stay alive and untangle the mysteries behind the nation's four dead queens. An enthralling fast-paced murder mystery where competing agendas collide with deadly consequences, Four Dead Queens heralds the arrival of an exciting new YA talent.

“Impressive . . . [Cristina García’s] story is about three generations of Cuban women and their separate responses to the revolution. Her special feat is to tell it in a style as warm and gentle as the ‘sustaining aromas of vanilla and almond,’ as rhythmic as the music of Beny Moré.”—Time Cristina García’s acclaimed book is the haunting, bittersweet story of a family experiencing a country’s revolution and the revelations that follow. The lives of Celia del Pino and her husband, daughters, and grandchildren mirror the magical realism of Cuba itself, a landscape of beauty and poverty, idealism and corruption. Dreaming in Cuban is “a work that possesses both the intimacy of a Chekov story and the hallucinatory magic of a novel by Gabriel García Márquez” (The New York Times). In celebration of the twenty-fifth anniversary of the novel’s original publication, this edition features a new introduction by the author. Praise for Dreaming in Cuban “Remarkable . . . an intricate weaving of dramatic events with the supernatural and the cosmic . . . evocative and lush.”—San Francisco Chronicle “Captures the pain, the distance, the frustrations and the dreams of these family dramas with a vivid, poetic prose.”—The Washington Post “Brilliant . . . With tremendous skill, passion and humor, García just may have written the definitive story of Cuban exiles and some of those they left behind.”—The Denver Post

The most authoritative and comprehensive book available on dreams and dreaming. Enter the fascinating world of dreams, their mysteries, their meanings: to dream of a bird flying freely represents hopes and aspirations; to dream of winter means a time in life that is not fruitful; to be visited by someone in a dream can mean that there is information, warmth, or love available; to be searching in a dream is an attempt to find an answer to a problem. These are just a few of the 10,000 dream images and interpretations contained in this volume, a book that can bring insight, clarification, and guidance.

This is Volume XX of thirty-eight in the General Psychology series. First published in 1942 by the author, one of the younger neuropsychiatrists working in Czechoslovakia, this is psychobiological approach to the meaning and purpose of dream-interpretation and the science of dreams.

15,000 entries—from abduction to zebra . . . Everybody dreams—and now there’s a dream dictionary for everyone! With 15,000 entries, this reference showcases the most up-to-date vocabulary of dream symbols, such as cell phones. It also includes a dream thesaurus with handy list collections of entries by topic; a dream quiz that offers revealing insights into your dream personality; a section called “Tuck-in Time,” which provides terrific strategies for inviting, inducing, and remembering dreams; and a dream interpretation checklist, helping readers interpret their dreams step–by–step. • Popular reference dictionary format • Focuses on symbols, meanings, and interpretations

Enter the fascinating world of dreams, their mysteries, their meanings: To dream of a bird flying freely represents hopes and aspirations To dream of winter means a time in life that is not fruitful To be visited by someone in a dream can mean that there is information, warmth, or love available To be searching in a dream is an attempt to find an answer to a problem These are just a few of the 10,000 dream images and interpretations contained in this volume, a book that can bring insight, clarification, and guidance.

Originally published in 1978, this concordance to Conrad's Almayer’s Folly includes a verbal index and field of reference, along with some notes on why they are useful. This volume is part of an experimental series which produced verbal indexes, concordances, and related data for all of Conrad’s works.

The history and literature of the Roman Empire is full of reports of dream prophecies, dream ghosts and dream gods. This volume offers a fresh approach to the study of ancient dreams by asking not what the ancients dreamed or how they experienced dreaming, but why the Romans considered dreams to be important and worthy of recording. Dream reports from historical and imaginative literature from the high point of the Roman Empire (the first two centuries AD) are analysed as objects of cultural memory, records of events of cultural significance that contribute to the formation of a group's cultural identity. The book also introduces the term 'cultural imagination', as a tool for thinking about ancient myth and religion, and avoiding the question of 'belief', which arises mainly from creed-based religions. The book's conclusion compares dream reports in the Classical world with modern attitudes towards dreams and dreaming, identifying distinctive features of both the world of the Romans and our own culture.