The NNEST Lens invites you to imagine how the field of TESOL and applied linguistics can develop if we use the multilingual, multicultural, and multinational perspectives of a NNEST (Non Native English Speakers in TESOL) lens to re-examine our assumptions, practices, and theories in the field. The NNEST lens as described in and developed through this volume is a lens of multilingualism, multinationalism, and multiculturalism through which NNESTs and NESTs—as classroom practitioners, researchers, and teacher educators—take diversity as a starting point in their understanding and practice of their profession. The 16 original contributions to this volume include chapters that question theoretical frameworks and research approaches used in studies in applied linguistics and TESOL, as well as chapters that share strategies and approaches to classroom teaching, teacher education, and education management and policy. As such, this volume will be of interest to a wide range of students, practitioners, researchers, and academics in the fields of education and linguistics.

Within the context of globalization, cultural transformations are increasingly analyzed as hybridization processes. Hybridity itself, however, is often treated as a specifically post-colonial phenomenon. The contributors in this volume assume the historicity of transcultural flows and entanglements; they consider the resulting transformative powers to be a basic feature of cultural change. By juxtaposing different notions of hybridization and specific methodologies, as they appear in the various disciplines, this volume’s design is transdisciplinary. Each author presents a disciplinary concept of hybridization and shows how it operates in specific case studies. The aim is to generate a transdisciplinary perception of hybridity that paves the way for a wider application of this crucial concept

Corpora are used widely in linguistics, but not always wisely. This book attempts to frame corpus linguistics systematically as a variant of the observational method. The first part introduces the reader to the general methodological discussions surrounding corpus data as well as the practice of doing corpus linguistics, including issues such as the scientific research cycle, research design, extraction of corpus data and statistical evaluation. The second part consists of a number of case studies from the main areas of corpus linguistics (lexical associations, morphology, grammar, text and metaphor), surveying the range of issues studied in corpus linguistics while at the same time showing how they fit into the methodology outlined in the first part.

While quill and ink were the writing implements of choice in the Anglo-Saxon scriptorium, other colouring and non-colouring writing implements were in active use, too. The stylus, among them, was used on an everyday basis both for taking notes in wax tablets and for several vital steps in the creation of manuscripts. Occasionally, the stylus or perhaps even small knives were used for writing short notes that were scratched in the parchment surface without ink. One particular type of such notes encountered in manuscripts are dry-point glosses, i.e. short explanatory remarks that provide a translation or a clue for a lexical or syntactic difficulty of the Latin text. The present study provides a comprehensive overview of the known corpus of dry-point glosses in Old English by cataloguing the 34 manuscripts that are currently known to contain such glosses. A first general descriptive analysis of the corpus of Old English dry-point glosses is provided and their difficult visual appearance is discussed with respect to the theoretical and practical implications for their future study.

"A lively and thought-provoking study of gender in the Arthurian community. It is at once theoretically sophisticated and highly readable, full of insightful close readings yet conscious of larger patterns of analysis."--Laurie Finke, Kenyon College Gender and the Chivalric Community in Malory's Morte d'Arthur reveals, for the first time in a book-length study, how Thomas Malory's unique approach to gender identity in his revisions of earlier Arthurian works produces a text entirely unlike others in the canon of medieval romance. Armstrong argues that issues of masculine and feminine gender identity play more critical, central roles in Le Morte d'Arthur than they do in Malory's sources or other chivalric literature. Effectively merging contemporary gender and feminist criticism with careful analysis of Malory's sources, Armstrong uncovers how gender ideals established in the early pages of the text subsequently inspire and mediate the action of the narrative; moreover, her analysis shows how such ideals become progressively more divisive and destructive as Le Morte d'Arthur moves toward its inevitable conclusion. Recent articles and essays have shed much-needed light on various individual aspects of gender in Malory's text. However, only a sustained, book-length analysis like Armstrong's can fully articulate the relationships of gender to other chivalric ideals, such as mercy and martial prowess, that become increasingly complex as the narrative progresses. This study examines not only the most frequently read portions of the Morte but also those sections that often are regarded as extraneous to the primary narrative, such as the Tristram, Gareth, and Roman War episodes. By showing how gender operates in both the well-known and the less-appreciated portions of Malory's work, Gender and the Chivalric Community demonstrates that his text possesses far more narrative unity than previously thought. Armstrong provides a sophisticated yet accessible approach to the study of gender and its relation to other chivalric ideals in Le Morte d'Arthur, offering important insights for scholars and students of medieval romance, Malory, Arthurian literature, and gender and feminist criticism. Dorsey Armstrong is assistant professor of medieval literature at Purdue University. Her work has most recently appeared in Arizona Studies in the Middle Ages and the Renaissance and On Arthurian Women: Essays in Honor of Maureen Fries.

Essays on the many key aspects of medieval literature, reflecting the significant impact of Professor Derek Brewer. Derek Brewer (1923-2008) was one of the most influential medievalists of the twentieth century, first through his own publications and teaching, and later as the founder of his own academic publishing firm. His working life of some sixty years, from the late 1940s to the 2000s, saw enormous advances in the study of Chaucer and of Arthurian romance, and of medieval literature more generally. He was in the forefront of such changes, and his understandings ofChaucer and of Malory remain at the core of the modern critical mainstream. Essays in this collection take their starting point from his ideas and interests, before offering their own fresh thinking in those key areas of medieval studies in which he pioneered innovations which remain central: Chaucer's knight and knightly virtues; class-distinction; narrators and narrative time; lovers and loving in medieval romance; ideals of feminine beauty; love, friendship and masculinities; medieval laughter; symbolic stories, the nature of romance, and the ends of storytelling; the wholeness of Malory's Morte Darthur; modern study of the medieval material book; Chaucer's poetic language and modern dictionaries; and Chaucerian afterlives. This collection builds towards an intellectual profile of a modern medievalist, cumulatively registering how the potential of Derek Brewer's work is being reinterpreted and is renewing itself now and into the future of medieval studies. Charlotte Brewer is Professor of English Language and Literature at Oxford University and a Fellow of Hertford College, Oxford; Barry Windeatt is Professor of English in the University of Cambridge and a Fellow of Emmanuel College, Cambridge. Contributors: Elizabeth Archibald, Charlotte Brewer, Mary Carruthers, Christopher Cannon, Helen Cooper, A.S.G. Edwards, Jill Mann, Alastair Minnis, Derek Pearsall, Corinne Saunders, James Simpson, A.C. Spearing, Jacqueline Tasioulas, Robert Yeager, Barry Windeatt.

A lively hands-on introduction to the use ofelectronic corpora in the description and analysis of English, this bookprovides an ideal introduction for university students of English at theintermediate level. Students planning papers, dissertations or theses willfind the book a particularly valuable guide.After introducing corpora andthe rationale and basic methodology of corpus linguistics, the authorpresents a number of case studies providing new insights into vocabulary,collocations, phraseology, metaphor and metonymy, syntactic structures, maleand female language, and language change. In a final chapter it is shown howthe web can be used as a source for linguistic investigations. Each chapterhas study questions, exercises and suggestions for further reading.Studentswill benefit from the book's*Clear language and structure *Well-definedterminology *Step-by-step instructions *Generous, up-to-date exemplificationfrom different varieties of English around the world *Accompanying web-pagewith exercises and updated information about freely accessiblecorpora.

The book introduces the reader to the central areas of English linguistics. The main sections are: the English language and linguistics - sounds - meaning-carrying units - sentences: models of grammar - meaning - utterances - variation. Notably, the book is written from a foreign student's perspective of the English language, i.e. aspects relevant to foreign language teaching receive particular attention. A great deal of emphasis is put on the insights to be gained from the analysis of corpora, especially with respect to the idiomatic character of language (idiom principle, valency approach). In addition, the text offers basic facts about the history of the language and elaborates on the differences between British and American English. The author demonstrates that a linguistic fact can usually be described in more than one way. To this end, each section contains a chapter written for beginners providing a broad outline and introducing the basic terminology. The remaining chapters in each section highlight linguistic facts in more detail and give an idea of how particular theories account for them. The book can be used both from the first semester onwards and as perfect study aid for final B.A.-examinations.

Horace has long been revered as the supreme lyric poet of the Augustan Age. In his perceptive introduction to this translation of Horace's Odes and Satires, Sidney Alexander engagingly spells out how the poet expresses values and traditions that remain unchanged in the deepest strata of Italian character two thousand years later. Horace shares with Italians of today a distinctive delight in the senses, a fundamental irony, a passion for seizing the moment, and a view of religion as aesthetic experience rather than mystical exaltation--in many ways, as Alexander puts it, Horace is the quintessential Italian. The voice we hear in this graceful and carefully annotated translation is thus one that emerges with clarity and dignity from the heart of an unchanging Latin culture. Alexander is an accomplished poet, novelist, biographer, and translator who has lived in Italy for more than thirty years. Translating a poet of such variety and vitality as Horace calls on all his literary abilities. Horace (Quintus Horatius Flaccus, 65-8 bce), was born the son of a freed slave in southern rural Italy and rose to become one of the most celebrated poets in Rome and a confidante of the most powerful figures of the age, including Augustus Caesar. His poetry ranges over politics, the arts, religion, nature, philosophy, and love, reflecting both his intimacy with the high affairs of the Roman Empire and his love of a simple life in the Italian countryside. Alexander translates the diverse poems of the youthful Satires and the more mature Odes with freshness, accuracy, and charm, avoiding affectations of archaism or modernism. He responds to the challenge of rendering the complexities of Latin verse in English with literary sensitivity and a fine ear for the subtleties of poetic rhythm in both languages. This is a major translation of one of the greatest of classical poets by an acknowledged master of his craft.

Exploring Science Communication demonstrates how science and technology studies approaches can be explicitly integrated into effective, powerful science communication research. Through a range of case studies, from climate change and public parks to Facebook, museums, and media coverage, it helps you to understand and analyse the complex and diverse ways science and society relate in today’s knowledge intensive environments. Notable features include: A focus on showing how to bring academic STS theory into your own science communication research Coverage of a range of topics and case studies illustrating different analyses and approaches Speaks to disciplines across Media & Communication, Science & Technology Studies, Health Sciences, Environmental Sciences and related areas. With this book you will learn how science communication can be more than just about disseminating facts to the public, but actually generative, leading to new understanding, research, and practices.