Division TEACCH, a statewide program in North Carolina, serves people with autism and their families through the School of Medicine at the University of North Carolina at Chapel Hill. TEACCH was one of the first, and remains one of the most comprehensive and effective, programs in the world working with this population. Over the years the puzzling and unusual behavior problems these children present have been among the most interesting and challenging of the enigmas parents and professionals confront. This book is designed to provide information on these behaviors that will be relevant and useful. As with the preceding books in our series, Current Issues in Autism, this volume is based in part on one of the annual TEACCH Conferences held in Chapel Hill in May. The books are not simply published proceedings of the conference papers. Instead, conference participants are asked to develop full-length chapters around their presentations. Other international experts, whose work is beyond the scope of each conference but related to its major theme, are asked to contribute chapters as well. These volumes provide the most up-to-date information on research and professional practice available on the most important issues in autism.

A Short History of My Philosophy is an autobiographic account of Agnes Heller's intellectual and academic career. While the narration mainly traces the development of ideas, we also learn how they occurred in the context of challenging life circumstances. Agnes Heller presents the life of her ideas is four stages: the first, 'years of apprenticeship,' details both the pre- and post-Hungarian revolution period during which she studied under György Lukács; the second, 'years of dialogue,' describes the relationships of the 'Budapest school' in terms of their shared work and contributions; the third, 'years of building and intervention,' gives insight into important works written while living in Australia, along with Agnes Heller's political engagements during this period; and finally, the fourth, 'years of wandering,' describes the various projects Agnes Heller has undertaken as a world-traveler at conferences since the departure of her late husband, Ferenc Fehér.

Early narratives have tended to be critiqued as novels, an approach that misses their distinctive Renaissance realism. Alastair Fowler surveys picturing and perspective from the fifteenth century to the eighteenth, drawing analogies between literature and visual art. The book is based on the history of the narrative imagination after single-point perspective. The habit of an older, multi-point perspective long continued, accounting for "anachronism," discontinuous realism, "double time-schemes," and depiction of different moments as simultaneous.

An anthology of eighteenth-century writing, selected according to literary merit including not only poetry and drama but works of theology, philosophy, criticism, polemic, practical advice, and travel, beginning with sufficient writers of the Restoration to imply the genealogy of eighteenth-century achievements and concluding with that part of Blake's work which most exemplifies the thematic and stylistic concerns of this century.

Includes sixteen essays that represent how challenging, stimulating, and far-ranging are the efforts to read Milton critically and deeply. This collection deals with the issue of evil, world of Milton's masque and the many worlds of his epic Paradise Lost.

This edition contains all Milton's English poems, with the exception of Paradise Lost, together with translations and texts of all his Latin, Italian and Greek poems. It provides explanatory notes and a summary of modern criticisms for each poem.

Walter Clyde Curry, a well-known student of Milton, analyzes the origins and unique construction of the grand stage upon which Milton presents the drama of human destiny in Paradise Lost. Through close examination of four entities—Heaven of Heavens, Hell, chaos, and the World—a greatly expanded view is provided of the poet's concept of space and God's relation to total creation. In facing structural and philosophical problems Milton is shown to be neither a materialist, nor an eclectic, nor a pantheist, as many scholars have insisted; he emerges rather as a master syncretist of widely divergent materials and as a devout theopantist. Curry has established a firm basis for a better understanding of the poet's methodology and for a clearer insight into his artistic accomplishments

Collection of international research surveying the reception of James Macpherson's Ossian poems in European literature and culture.