This is a true account of the outrageous, unbelievable, and often hilarious incidents that occurred during my career teaching high school. It begins with my teaching in my bra in front of a class and ends with my retirement thirty-five years later. It will appeal to anyone who ever sat behind a desk in a classroom and who knew no one would believe him if he went home and told what really happened! Joan Brock taught for thirty-odd years before retiring in 1998. She lives in Rockland County, NY, where she resides with her husband Howard and where she raised her two daughters Pamela and Stacy. Her new career is serving as the Deputy Mayor of the Village of Chestnut Ridge.

Welcome to Lemon Bliss, Louisiana where an abandoned lemon tea factory is the most happening place in town and witches secretly rule the roost. Violet Broussard gets called back to the hometown she left in the dust when a dead body is found in the abandoned factory bequeathed to her by her grandmother. Violet has plans, big plans, and they most definitely don’t involve staying in Lemon Bliss any longer than necessary. The town is mostly famous for its lemon tea infused with enough alcohol to make one experience bliss, hence the town’s name. Yet, once she’s there, things get a tad wacky. There’s the old factory, which has amateur supernatural investigators sneaking into it, there’s the fact that the moment Violet sets foot in town, no one wants her to leave, and then things get plain crazy. Violet’s mother announces she’s a witch, and so is Violet and apparently half the freakin’ town. Violet’s busy trying to absorb this astonishing fact—who knew?!—and gets caught up in sorting out exactly how a dead body ended up in the factory. Fending off the opinions of her mother and a gaggle of coven witches, Violet finds herself falling for Gabriel, a too-handsome-for-his-own-good sort who happens to be descended from witches as well. As if she doesn’t have enough going on already. Loopy lemon tea, witches and wackiness abound in this cozy mystery.

It's a romantic tale with a dramatic twist. Clarice is a phenomenal business tycoon with a creative genius like no other. She is a truly a jack of all trades. One would think she has it all together. Think again our leading lady has some real personal issues that she just can not shake. The main one being her former lover.Nai is married to Clarice. He is truly a wonderful specimen of a man. Nai has his own corporation an accounting and investment firm. Nai struggles with finding the root of his wife's self-esteem issues. There is one issue he did not expect. As he encourages his wife to let go of the past he encounters an unexpected visitor from his past as well. Drama, drama and more drama, the married couples' past problems become their present problem. Good things come to pass in the mist of all the turmoil. There may be hope for the couple when time and wisdom become a key factor to bring the couple back to each other and love can be restored or can it?

(Vocal Selections). Jason Robert Brown, the creator of Parade and Songs for a New World , has written a distinctive new Off-Broadway musical. The Last Five Years tells the story of a failed marriage of 20-somethings: he a successful novelist, she a struggling actress. Her story is told in reverse, his conventionally moving forward. They meet in the middle at the point of their wedding. Brown's strong writing has found a solid following among musical theatre fans. Our songbook features piano/vocal arrangements of 12 songs: Goodbye Until Tomorrow * I Can Do Better Than That * If I Didn't Believe in You * Moving Too Fast * The Next Ten Minutes * Nobody Needs to Know * A Part of That * The Schmuel Song * Shiksa Goddess * Still Hurting * A Summer in Ohio * When You Come Home to Me. "Short, bittersweet and nearly perfect, Brown has come up with a winning combination of music and book." Variety

NEW YORK TIMES BESTSELLER • Change can begin right now. Learn to bring about dynamic personal growth using five uniquely effective tools—from psychotherapist Barry Michels and psychiatrist Phil Stutz, subject of the Netflix documentary Stutz. “These tools are emotional game changers. They do nothing less than deliver you to your best and most powerful self.”—Kathy Freston, author of Quantum Wellness How long does therapy take? The Tools offers a solution to the biggest complaint patients have about therapy: the interminable wait for change to begin. The traditional therapeutic model sets its sights on the past, but psychiatrist Phil Stutz and psychotherapist Barry Michels employ an arsenal of techniques—“the tools”—that allow patients to use their problems as levers that access the power of the unconscious and propel them into action. Suddenly, through this transformative approach, obstacles become new chances—to find courage, embrace discipline, develop self-expression, deepen creativity. A dynamic, results-oriented practice, The Tools aims to deliver relief from persistent problems and restore control and hope right away. Every day presents challenges—big and small—that the tools transform into opportunities to bring about bold and dramatic change in your life. Stutz and Michels teach you how to: • Get Unstuck: Master the things you are avoiding and live in forward motion. • Control Anger: Free yourself from out-of-control rage and never-ending grudges. • Express Yourself: Learn the secret of true confidence and find your authentic voice. • Combat Anxiety: Stop obsessive worrying and negative thinking. • Find Discipline: Activate willpower and make the most of every minute. With The Tools, Stutz and Michels allow you to realize the full range of your potential. Their goal is nothing less than for your life to become exceptional—exceptional in its resiliency, in its experience of real happiness, and in its understanding of the human spirit.

NOW AN ABC TELEVISION DRAMA STARRING DAVID WENHAM AND REBEL WILSON You Wouldn't Be Dead For Quids is a series of adventures involving Les Norton, a big red-headed country boy from Queensland who is forced to move on the big smoke when things get a little hot for him in his hometown. Working as a bouncer at an illegal casino up at the Cross, Les gets to meet some fascinating characters who make up the seamier side of one of the most exciting cities in the world-gamblers, conmen, bookies, bouncers, hookers and hitmen, who ply their respective trades from the golden sands of Bondi to the tainted gutters of King's Cross. . . usually on the wrong side of the law. As raw as a greyhound's dinner, Les is nevertheless a top bloke-fond of a drink, loves a laugh and he's handy with his fists. And, just quietly, he's a bit of a ladies man too. . . Les Norton is undoubtedly an Australian cult figure.

Whose truth is the lie? Stay up all night reading the sensational psychological thriller that has readers obsessed, from the #1 New York Times bestselling author of Too Late and It Ends With Us. #1 New York Times Bestseller · USA Today Bestseller · Globe and Mail Bestseller · Publishers Weekly Bestseller Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of bestselling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity’s notes and outlines, hoping to find enough material to get her started. What Lowen doesn’t expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read. Page after page of bone-chilling admissions, including Verity's recollection of the night her family was forever altered. Lowen decides to keep the manuscript hidden from Jeremy, knowing its contents could devastate the already grieving father. But as Lowen’s feelings for Jeremy begin to intensify, she recognizes all the ways she could benefit if he were to read his wife’s words. After all, no matter how devoted Jeremy is to his injured wife, a truth this horrifying would make it impossible for him to continue loving her.