A revelatory study of one of the 18th century's greatest artists, which places him in relation to the darker side of the English Enlightenment Joseph Wright of Derby (1734-1797), though conventionally known as a 'painter of light', returned repeatedly to nocturnal images. His essential preoccupations were dark and melancholy, and he had an enduring concern with death, ruin, old age, loss of innocence, isolation and tragedy. In this long-awaited book, Matthew Craske adopts a fresh approach to Wright, which takes seriously contemporary reports of his melancholia and nervous disposition, and goes on to question accepted understandings of the artist. Long seen as a quintessentially modern and progressive figure - one of the artistic icons of the English Enlightenment - Craske overturns this traditional view of the artist. He demonstrates the extent to which Wright, rather than being a spokesman for scientific progress, was actually a melancholic and sceptical outsider, who increasingly retreated into a solitary, rural world of philosophical and poetic reflection, and whose artistic vision was correspondingly dark and meditative. Craske offers a succession of new and powerful interpretations of the artist's paintings, including some of his most famous masterpieces. In doing so, he recovers Wright's deep engagement with the landscape, with the pleasures and sufferings of solitude, and with the themes of time, history and mortality. In this book, Joseph Wright of Derby emerges not only as one of Britain's most ambitious and innovative artists, but also as one of its most profound. Distributed for the Paul Mellon Centre for Studies in British Art

"This illustrated book examines Wright's decisive impact on the artistic climate of the expanding port town of Liverpool and on the other artists working there. The Merseyside network of merchants, bankers, and amateur and professional artists that Wright encountered in the years around 1770 is identified as his true historical milieu. The book serves as the catalogue of the exhibition of the same name shown at the Walker Art Gallery, Liverpool, and the Yale Center for British Art, New Haven in 2007-8."--BOOK JACKET.

This title examines Joseph Wright's little-known Bath period, places the artist in the context of a city then at the height of its unique cultural significance. Using rarely-seen illustrations of his work, it considers his attempts to conquer a saturated portrait market with images of local celebrities, and his use of domestic spaces for public exhibition.

Features photographs and anecdotes from the famous Hollywood Brown Derby during its heyday in the 1930s and 1940s, and includes many of the restaurant's recipes.

The New York Times bestseller! “A warm and loving reflection that, like good bourbon, will stand the test of time.” —Eric Asimov, The New York Times “Bourbon is for sharing, and so is Pappyland.”—The Wall Street Journal The story of how Julian Van Winkle III, the caretaker of the most coveted cult Kentucky Bourbon whiskey in the world, fought to protect his family's heritage and preserve the taste of his forebears, in a world where authenticity, like his product, is in very short supply. Following his father’s death decades ago, Julian Van Winkle stepped in to try to save the bourbon business his grandfather had founded on the mission statement: “We make fine bourbon—at a profit if we can, at a loss if we must, but always fine bourbon.” With the company in its wilderness years, Julian committed to safeguarding his namesake’s legacy or going down with the ship. Then he discovered that hundreds of barrels from the family distillery had survived their sale to a multinational conglomerate. The whiskey that Julian produced after recovering those barrels would immediately be hailed as the greatest in the world—and soon would be the hardest to find. Once they had been used up, a fresh challenge began: preserving the taste of Pappy in a new age. Wright Thompson was invited to ride along as Julian undertook the task. From the Van Winkle family, Wright learned not only about great bourbon but about complicated legacies and the rewards of honoring your people and your craft—lessons that he couldn’t help but apply to his own work and life. May we all be lucky enough to find some of ourselves, as Wright Thompson did, in Pappyland.

Joseph Wright (1734-1797), commonly known as "Wright of Derby," painted some of the most powerful works of eighteenth-century British art: blacksmiths hammering a glowing bar of iron, dramatic demonstrations on scientific apparatus, erupting volcanoes, gloomy prisons, a fashionably dressed gentleman reclining full-length in a forest. Stephen Daniels addresses this unusual diversity by looking closely at the inextricable links between Wright's art and the different worlds of the Enlightenment movement that so fascinated and inspired him. Wright's unique connection with the innovations of his age and his use of a wide range of pictorial and written sources, together with his interest in new techniques, single him out as one of the most original and enterprising artists of his time.