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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

A scholarly biography of the author.

George Orwell once said of Dickensâe(tm) work: âeoeIt is not so much a series of books, it is more like a world.âe In this book, J. Hillis Miller attempts to identify this âeoeworld,âe to show how a single view of life pervades every novel that Dickens wrote, and to trace the development of this view throughout the chronological span of Dickensâe(tm) career. There are full critical analyses of six of the novelsâe"Pickwick Papers, Oliver Twist, Martin Chuzzlewit, Bleak House, Great Expectations, and Our Mutual Friendâe"and shorter discussions of many of the others. Each novel has been viewed as the transformation of the real world of Dickensâe(tm) experience into an imaginary world with certain special qualities of its own. Certain elements persist through all the novels, the most important of which are the general situation of the hero at the beginning of the story and the general nature of the world in which he lives. Each of Dickensâe(tm) heroes begins his life cut off from other people, in a world which seems menacing and unfriendly and, on the social side, composed of inexplicable rituals and mysterious conventions; each lives, like Paul Dombey, âeoewith an aching void in his young heart, and all outside so cold, and bare, and strange.âe The heroes then move through successive adventures in an attempt to understand the world, to integrate themselves into it, and thus to find their true identity. Initially creatures of poverty and indigence, those characters reach out for something which transcends the material world and the self, something other than human, which will support and maintain the self without engulfing it. Within the totality of Dickens' novels this problemâe"the search for selfhoodâe"is stated and restated, until, in the later novels, the answer is found to line in a rejections of the past, the given, and the exterior, and a reorientation toward the future and the free human spirit itself as the only true sources of value. With a real understating and sympathy for his subject, Miller manages to transport us into the midst of Dickensâe(tm) âeoeworldâe and to bring alive for us the whole strange and wonderful tribe that people his novels. This is an enlightening, well-written, enjoyable book for anyone who has ever had an interest in Dickens and his work.