A useful and fun book for any woman who has ever wanted, needed, lost, quit, hated, or loved a job. "Working Girl" (a.k.a. Karen Burns) has held a total of 59 jobs (so far), including housekeeper, cigarette girl, paper "boy", model, ditch-digger, bank teller, editor, brochure writer, artist, and corporate drone. She made mistakes along the way, but extracted one important lesson from each job she has held. Working Girl now shares her hard-earned wisdom for the modern working woman with this series of 59 humorous yet practical vignettes, including guidance on: Risk-taking and why it's good How to build self-confidence Tips for managing your boss When you're not appreciated Causes and cures for burnout Balancing baby and boss When it's time to say adieuand 52 more! Whimsically illustrated with Working Girl cartoons, this is a fun, accessible advice book that deals with the real issues that are on the minds of working women (and not just those who are striving for the corner office!). No matter where a girl finds herself on the job ladder (from the bottom to the top), she'll find that The Amazing Adventures of Working Girl will give her both perspective and a plan for success.

From Working Girl to Working Mother: The Female Labor Force in the United States, 1820-1980

A struggling freelance writer desperate to sell an article to pay her rent, Lane Silverman makes a successful pitch to Cosmopolitan on how to find true love in the workplace, and now all she has to do is to meet a successful eligible man who will find her irresistible--in the next two months. Original. 40,000 first printing.

Working Girls: Fiction, Sexuality, and Modernity investigates the significance of a new form of sexual identity at the end of the nineteenth and beginning of the twentieth century. Young women of the lower-middle and working classes were increasingly abandoning domestic service in favour of occupations of contested propriety. They inspired both moral unease and erotic fascination. Working Girls considers representations of four highly glamorised yet controversial types of women worker: telegraphists and typists (in newly-feminised offices), shop assistants (in the new department stores), and barmaids (in the new 'gin palaces' of major British cities). Economically emancipated (more or less) and liberated (more or less) from the protection and constraints of home and family, shop-girls, barmaids, typists, and telegraphists became mass media sensations. They energised a wide range of late-Victorian and Modernist fiction. This study will bring late-Victorian and Modernist British writers into intimate conversation with a substantial new archive of ephemeral sources often regarded as remote from high art and its concerns: popular fiction; music hall and musical comedy; beauty pageants and fairground exhibitions; visual art and early film; careers manuals; magazine and periodical journalism; moral reform crusades, Royal Commissions, and attempts at protective legislation. Working Girls argues that these seductive yet perilous young women helped writers negotiate anxieties about the state of literary culture in the United Kingdom. Crucially, they preoccupy novelists who were themselves beleaguered by anxieties over cultural capital, the shifting pressures of the literary marketplace, or controversies about the morality of fiction (often leading to the threat of censorship). In articulating questions about sexual integrity, Working Girls articulate often submerged questions about textual integrity and the role of the modern novel.

The first in a five-volume best-of series, featuring an introduction from Margaret Atwood! Lulu Moppet is an outspoken and brazen young girl who doesn’t follow any rules—whether they’ve been set by her parents, the neighborhood boys, or society itself. In 2019 D+Q begins a landmark full-color reissue series collecting five volumes of Lulu’s funniest suburban hijinks: she goes on picnics, babysits, and attempts to break into the boys’ clubhouse again and again. Cartoonist John Stanley’s expert timing and constant gags made these stories unbelievably enjoyable, ensuring that Marge’s Little Lulu was a defining comic of the post-war period. First released in the 1940s and 1950s as Dell comics, Little Lulu as helmed by Stanley remains one of the most entertaining works in the medium. In this first volume, Little Lulu: Working Girl, we meet the series’ mainstay characters: Lulu, Tubby, Alvin, and oodles more neighbourhood kids. Little Lulu’s comedy lies in the hilarious dynamic between its cast of characters. Lulu’s assertiveness, individuality, and creativity is empowering to witness—the series is powerfully feminist despite the decades in which the stories were created. It’s the character’s strong personality that made her beloved by such feminist icons as Patti Smith, Eileen Myles, and more. Lovingly restored to its original full color, complete with knee-slapping humor and an introduction by Margaret Atwood that explains the vitality of Lulu herself, Little Lulu: Working Girl is a delight for classic comics fans and the uninitiated.

As the twentieth century got under way in Canada, young wage-earning women � "working girls" � embodied all that was unnerving and unnatural about modern times: the disintegration of the family, the independence of women, and the unwholesomeness of city life. Long after eastern Canada was considered settled and urbanized, the West continued to be represented as a frontier where the idea of the region as a society in the making added resonance to the idea of the working girl as social pioneer. Using an innovative interpretive approach that centres on literary representation, Lindsey McMaster heightens our understanding of a figure that fired the imagination of writers and observers.

Confessions of a Working Girl is the true and intimate diary of Miss S.'s extraordinary first year in a brothel, revealing what goes on behind the secret curtains of sex for hire.

Trixie Mattel and Katya Zamolodchikova took the world by storm with their Guide to Modern Womanhood, a book of expert advice on beauty, homemaking, and relationships. Now they’re tackling an even bigger challenge: finding success in the modern workplace. In Working Girls, Trixie and Katya dole out both savvy and satirical advice for every stage of working life, from choosing a career path to sailing into a blissful retirement, in step-by-step guides, quizzes, the world’s most bizarre aptitude test, and more. Searching for the perfect interview outfit? Agonizing over how to get that raise? Suspicious that your colleague doesn’t really hope their email “finds you well”? Trixie and Katya have got you covered. They also share personal stories from their own remarkable careers and their philosophies on everything from mastering office lingo to getting fired with dignity, all alongside hilarious, gorgeous photos. Witty, beautiful, and packed with wisdom, Working Girls is the ultimate guide for the working woman.

Working Girls investigates the thematic concerns of contemporary Hollywood cinema, and its ambivalent articulation of women as both active, and defined by sexual performance, asking whether new Hollywood cinema has responded to feminism and contemporary sexual identities. Whether analysing the rise of films centred around female friendships, or the entrance of pop stars such as Whitney Houston and Madonna into film, Working Girls is an authoritative investigation of the presence of women both as film makers and actors in contemporary mainstream cinema.