Cutting across class, race, religion, and gender, A Woman's Worth speaks powerfully and persuasively to a generation in need of healing, and in search of harmony. With A Woman's Worth, Marianne Williamson turns her charismatic voice—and the same empowering, spiritually enlightening wisdom that energized her landmark work, A Return to Love— to exploring the crucial role of women in the world today. Drawing deeply and candidly on her own experiences, the author illuminates her thought-provoking positions on such issues as beauty and age, relationships and sex, children and careers, and the reassurance and reassertion of the feminine in a patriarchal society.

What does the Bible say about the value of women? Does the Bible teach that women are as valuable as men or does it portray them as somehow more flawed, more suspect, or weak and easily deceived? Beginning from Genesis and working all the way through the storyline of the Bible, Worthy demonstrates the significant and yes, even surprising, ways that God has used women to accomplish His kingdom goals. Because, like men, they are created in His image, their lives reflect and declare His worth. Worthy will enable and encourage both men and women to embrace this true and lofty vision of God's creation, plan, and their value in His eyes. Bestselling author Elyse Fitzpatrick and pastor Eric Schumacher together invite women to embrace a transformative and empowering view of their Maker, themselves, and the church. But this isn't only a book for women. It is also a book for men, especially leaders, who want to grow in their understanding of God's perspective on women, people who normally make up the majority of their congregations; men who might be wondering if they've missed something amid the abuse scandals that are rocking the church. Might the headlines they're reading today about abuse have their roots in a denigration of the value and worth of women? Worthy: Celebrating the Value of Women will help every reader see the value, place, and calling of women through study questions and a "Digging Deeper" section that will help men and women discover how to cherish, value, and honor one another for God's glory.

Embracing the shattered pieces of the soul and championing the resilient nature of the heart, A Woman’s Worth takes readers on a journey of startling depth. From a speakeasy whorehouse in the bottoms of Alabama to a luxurious high-rise apartment in Kenya, acclaimed author Tracy Price-Thompson crosses boundaries of sexuality, gender, and culture to accentuate the core of black identity: the enormous strength of family. “Ain’t nothing like a Black man. No other man on the face of the earth can hold a light up to him, coming or going. Why do you think women are all the time chasing behind them? Smooth game and all, when a brotha loves you, he loves you right.” —from A Woman’s Worth Abeni Omorru is a stunning Kenyan woman who is haunted by piercing memories. Although her father’s wealth ensures her a life of prestige, childhood trauma has left her emotionally damaged and sexually promiscuous. While Abeni takes on many lovers, none come close to healing the wounds of her heart—and only a man who understands her worth can truly claim her soul. Bishop Johnson is also haunted by his past. Raised by prostitutes in a rural Alabama town, he is a promising teenage boxer—until his dreams are shattered when his parents are murdered during a violent robbery and he takes revenge on the perpetrators. Bishop goes to jail, and when he is released he has a volatile temper and a mean left hook to back it up. Trouble continues to find Bishop, and he is forced to leave Alabama and travel to Kenya with the Peace Corps. There he falls in love with Abeni, and they marry. When Bishop learns the secret of Abeni’s past, he is force to make a decision that may cost him more than one man should ever have to sacrifice.

God Made All Things Out of Love The joy of the Trinity—Father, Son, and Holy Spirit—has existed for all eternity. That indescribable joy bubbled over to make creation. God made so many wonderful things, but we are by far His greatest work of art. Share that precious truth with your little one with this unique children's book celebrating the miracle of God's creation. Boys and girls will learn about God as the Trinity, the Creator, and about how they are made in His image. Beautifully illustrated and lovingly written, Love Made will become a story time favorite for your child or makes a thoughtful gift to give a parent-to-be. Help your child discover that out of all the amazing things love made, the most amazing of all is them.

Those words take on a whole new meaning to a person who has been sexually abused. Suddenly your own body feels unnatural and uncomfortable. Self-worth is compromised, and the emotional stress of it all becomes burdensome due to the overwhelming paranoia that it might happen again. An average trip to the grocery store is torturous. Being left alone with a man is almost impossible. Intimacy with your husband will forever be different. The frustration of all the unwarranted changes ties a bow on an unwanted package deal that's now your life. Though she wasn't able to change what happened to her, author Pamela White offers an encouraging, heartbreaking, honest approach to overcoming a seemingly bleak and tarnished existence. Through her unyielding faith and tenacity, she builds herself back to the person she remembers with the help of her friends, family, and steadfast faith. Though her attacker might have stolen something from her, he could never take away This Woman's Worth.

Edited by iconic musician Kim Gordon and esteemed writer Sinéad Gleeson, this powerful collection of award-winning female creators shares their writing about the female artists that matter most to them. This book is for and about the women who kicked in doors, as pioneers of their craft or making politics central to their sound: those who offer a new way of thinking about the vast spectrum of women in music. This Woman’s Work: Essays on Music is edited by iconic musician Kim Gordon and esteemed writer Sinéad Gleeson and features an array of talented contributors, including: Anne Enright, Fatima Bhutto, Jenn Pelly, Rachel Kushner, Juliana Huxtable, Leslie Jamison, Liz Pelly, Maggie Nelson, Margo Jefferson, Megan Jasper, Ottessa Moshfegh, Simone White, Yiyun Li, and Zakia Sewell. In this radical departure from the historic narrative of music and music writing being written by men, for men, This Woman’s Work challenges the male dominance and sexism that have been hard-coded in the canons of music, literature, and film and has forced women to fight pigeon-holing or being side-lined by carving out their own space. Women have to speak up, to shout louder to tell their story—like the auteurs and ground-breakers featured in this collection, including: Anne Enright on Laurie Anderson; Megan Jasper on her ground-breaking work with Sub Pop; Margo Jefferson on Bud Powell and Ella Fitzgerald; and Fatima Bhutto on music and dictatorship. This Woman’s Work also features writing on the experimentalists, women who blended music and activism, the genre-breakers, the vocal auteurs; stories of lost homelands and friends; of propaganda and dictatorships, the women of folk and country, the racialized tropes of jazz, the music of Trap and Carriacou; of mixtapes and violin lessons.

These days women are so busy about so many things that it's easy to lose sight of one's being in the midst of One's doing. Any woman wondering about her worth to her family, to her colleagues, to herself, and to God will find much to rejoice in here. Each chapter takes a verse or two from Proverbs 31 and offers a personal story, a reflection on the verse, a portrait of a woman saint who exemplifies the verse, some questions designed for discussion or contemplation, and a prayer. Read it from beginning to end or dip in here or there as a verse strikes you-there's no wrong way to read this book! The clear, affirming message is that God loves you and you ARE a woman of worth, no matter where you find yourself in life. Book jacket.

Originally published in 1981, Woman’s Worth takes up the challenge to the male preserve of economics – which was raised nearly a century ago by Charlotte Perkins Gilman in her classic work Women and Economics. Patriarchal economic systems – socialist as well as capitalist – are founded upon women’s unpaid labour. On this premise, Lisa Leghorn and Katherine Parker base their exploration of the economic basis of women’s culture across cultures: from the USA to South America, the Middle East, socialist countries, Africa and Europe. Women’s Worth is accessible and informative to those who have been intimidated by the term ‘international economics’. Its sources are women’s perspective and experience in many countries, in their words and in their writings, published and unpublished. Thus the authors are able to reveal the economic nature of facets of women’s lives which have hitherto been dismissed by traditional economics as features of family or personal life, and to build a new vision of an economics based in female values.

Gender equality and the responsibility of husbands and fathers: issues that loom large today had currency in Renaissance Venice as well, as evidenced by the publication in 1600 of The Worth of Women by Moderata Fonte. Moderata Fonte was the pseudonym of Modesta Pozzo (1555–92), a Venetian woman who was something of an anomaly. Neither cloistered in a convent nor as liberated from prevailing codes of decorum as a courtesan might be, Pozzo was a respectable, married mother who produced literature in genres that were commonly considered "masculine"—the chivalric romance and the literary dialogue. This work takes the form of the latter, with Fonte creating a conversation among seven Venetian noblewomen. The dialogue explores nearly every aspect of women's experience in both theoretical and practical terms. These women, who differ in age and experience, take as their broad theme men's curious hostility toward women and possible cures for it. Through this witty and ambitious work, Fonte seeks to elevate women's status to that of men, arguing that women have the same innate abilities as men and, when similarly educated, prove their equals. Through this dialogue, Fonte provides a picture of the private and public lives of Renaissance women, ruminating on their roles in the home, in society, and in the arts. A fine example of Renaissance vernacular literature, this book is also a testament to the enduring issues that women face, including the attempt to reconcile femininity with ambition.