"A collection of carefully selected genealogies and biographies of families and persons where were closely related with early Texas history."--From the preface

Recounts the events of six historic festivals in San Antonio, Texas, at the end of the nineteenth century, describing each event's pageantry, parades, competitions, and participants.

Art Martínez de Vara’s Tejano Patriot: The Revolutionary Life of José Francisco Ruiz, 1783–1840 is the first full-length biography of this important figure in Texas history. Best known as one of two Texas-born signers of the Texas Declaration of Independence, Ruiz’s significance extends far beyond that single event. Born in San Antonio de Béxar into an upwardly mobile family, during the war for Mexican independence Ruiz underwent a dramatic transformation from a conservative royalist to one of the staunchest liberals of his era. Steeped in the Spanish American liberal tradition, his revolutionary activity included participating in three uprisings, suppressing two others, and enduring extreme personal sacrifice for the liberal republican cause. He was widely respected as an intermediary between Tejanos and American Indians, especially the Comanches. As a diplomat, he negotiated nearly a dozen peace treaties for Spain, Mexico, and the Republic of Texas, and he traveled to the Imperial Court of Mexico as an agent of the Comanches to secure peace on the northern frontier. When Anglo settlers came by the thousands to Texas after 1820, he continued to be a cultural intermediary, forging a friendship with Stephen F. Austin, but he always put the interests of Béxar and his fellow Tejanos first. Ruiz had a notable career as a military leader, diplomat, revolutionary, educator, attorney, arms dealer, author, ethnographer, politician, Indian agent, Texas ranger, city attorney, and Texas senator. He was a central figure in the saga that shaped Texas from a remote borderland on New Spain’s northern frontier to an independent republic.

The story of how the multicultural identity of San Antonio, Texas, has been shaped and polished through its annual fiesta since the late nineteenth century.

Although relatively unknown in modern day San Antonio, John H. Kampmann was an imposing force during his lifetime (1819-1885). Maggie Valentine explores the lasting legacy Kampmann had as a craftsman, builder, contractor, stonemason, construction supervisor, building designer, materials supplier, and business and civic leader for thirty-five years in San Antonio. He changed the face of the city from an adobe Spanish village to a city of stone and mortar. The book also looks at what it meant to be an architect, the business of building, and the role of immigrants. John and Caroline Bonnet Kampmann's descendants contributed much to the history of the city for generations. His client list reads like a Who's Who in 19th-century San Antonio. His work included the Menger Hotel, St. Joseph's Catholic Church, St. Mark's Episcopal Church, and the German-English School, as well as the Steves, Eagar, Halff, Groos, and Oppenheimer Houses. In addition he ran businesses from a bank to a brewery, and served as city alderman and fire captain. This study brings to light an important chapter in the formation of the urban fabric of San Antonio and its evolution into a multi-cultural community. Valentine explores the built environment as it exemplified the social, political, and economic history.

In 1927, when his letters to two Texas governors about the assassination of Mexican Americans in police custody in South Texas were ignored, Alonso S. Perales wrote to President Coolidge, asking for the Justice Department to conduct an official investigation into their deaths. Perales believed US citizens of Mexican descent had an obligation to their country, “including offering our lives for this Nation when necessary.” He also believed adamantly that the United States had a duty to protect the rights of all its people. Originally published in Spanish in 1936 and 1937, In Defense of My People contains articles, letters and speeches written by one of the most influential civil rights activists of the early twentieth century. When Mexican-American veterans of World War II were denied service in a South Texas pool hall, even while wearing their uniforms, Perales wrote about the incident for The San Antonio Express. He also exhorted his community to secure an education and participate in civic duties. His form letter, “How to Request School Facilities for Our Children,” helped parents secure schools “equal to those furnished children of Anglo-American descent.” Alonso S. Perales was the co-founder of the League of United Latin American Citizens (LULAC), an attorney, activist and US diplomat. He has been largely forgotten, in part because his writings were in Spanish. This first-ever English translation of his two-volume publication, En defensa de mi raza, will make Perales’ contributions to equal rights for Mexicans and Mexican Americans available to a much larger audience. A long-lost gem of the civil rights movement, this book is a must-read for historians and anyone interested in the Latino community’s fight for rights, dignity and respect.

This history of secession in the Lone Star State offers both a vivid narrative and a powerful case study of the broader secession movement. In 1845, Texans voted overwhelmingly to join the Union. Then, in 1861, they voted just as overwhelmingly to secede. The story of why and how that happened is filled with colorful characters, raiding Comanches, German opponents of slavery, and a border with Mexico. It also has important implications for our understanding of secession across the South. Combining social and political history, Walter L. Buenger explores issues such as public hysteria, the pressure for consensus, and the vanishing of a political process in which rational debate about secession could take place. Drawing on manuscript collections and contemporary newspapers, Buenger also analyzes election returns, population shifts, and the breakdown of populations within Texas counties. Buenger demonstrates that Texans were not simply ardent secessionists or committed unionists. At the end of 1860, the majority fell between these two extremes, creating an atmosphere of ambivalence toward secession which was not erased even by the war.

The first complete history of the nineteenth-century revolt, drawing on original Texan and Mexican sources and on-site inspections of almost every battlefield. Hardly were the last shots fired at the Alamo before the Texas Revolution entered the realm of myth and controversy. French visitor Frederic Gaillardet called it a “Texian Iliad” in 1839, while American Theodore Sedgwick pronounced the war and its resulting legends “almost burlesque.” In this highly readable history, Stephen L. Hardin discovers more than a little truth in both of those views. Drawing on many original Texan and Mexican sources and on-site inspections of almost every battlefield, he offers the first complete military history of the Revolution. From the war’s opening in the “Come and Take It” incident at Gonzales to the capture of General Santa Anna at San Jacinto, Hardin clearly describes the strategy and tactics of each side. His research yields new knowledge of the actions of famous Texan and Mexican leaders, as well as fascinating descriptions of battle and camp life from the ordinary soldier's point of view. This award-winning book belongs on the bookshelf of everyone interested in Texas or military history. Winner, T. R. Fehrenbach Book Award, Texas Historical Commission Summerfield G. Roberts Award, Sons of the Republic of Texas Honorable Mention, Certificate of Commendation, American Association for State and Local History “In Texian Iliad you smell the smoke of battle.” —Texas Monthly “Hardin has succeeded admirably in writing a balanced military history of the revolution, making an important contribution to the extensive body of work on the struggle that eventually led to Texas' becoming part of the United States.” —Austin American-Statesman “I look forward to consulting this book for the rest of my career!” —David J. Weber, Robert and Nancy Dedman Professor of History, Southern Methodist University

Photographic compilation of the art and history of San Antonio published by the San Antonio Museum Association.