Witchcraft, dark secrets, and demons. No one is safe in White Haven. Avery, one of the five White Haven witches, practices her magic alone and spends her days working in her bookshop, refusing to join the coven. However, days away from Litha, the summer solstice, a deceased customer bequeaths her a rune covered box and an intriguing letter that reveals the witches are missing a vital part of their history. The news shatters her organised life completely. Five ancient family grimoires are hidden in the town, and within their pages lies a secret. Unable to resist a mystery, Avery is determined to find them. However, the tarot cards predict danger, and when another witch—the sexy, but annoying Alex Bonneville—shares the same premonition, they know that an unknown enemy is determined to stop them using any means necessary. Avery never backs down from a fight, and Alex refuses to let her fight alone. When White Haven turns into a battleground of magic and demons, the witches’ lives will never be the same again. Buried Magic is perfect for fans of paranormal mysteries who love authentic witchcraft and magic, a slow-burn romance, English humour, a gorgeous Cornish setting with lots of myths, and plenty of action. Join the coven and buy Buried Magic now! ***This story completes in book 2, Magic Unbound. All subsequent stories are complete. Keywords: Witchy fiction, witch mysteries, witch urban fantasy, paranormal fiction, paranormal fantasy series, paranormal mystery, supernatural suspense, occult fiction, magic, action and adventure, spirits, ghosts, mild romance, paranormal cozy mystery, mystery books, Cornish village mysteries, occult fiction, demons, contemporary fantasy, urban fantasy, humour, friendship, magic, spells, intrigue, English myths, legends and folklore, witchcraft, Wiccan fiction, grimoires and spell books.

Presents the practices, rituals, an roles of witches and magic makers around the world and throughout history.

Neither power nor morality but both. Moral power is what Sukuma farmers in Tanzania in times of crisis attribute to an unknown figure they call their witch. A universal process is involved, as much bodily as social, which obstructs the patient's recovery. Healers turn the table on the witch through rituals showing that the community and the ancestral spirits side with the victim. In contrast to biomedicine, their magic and divination introduce moral values that assess the state of the system and that remove the obstacles to what is taken as key: self-healing. The implied 'sensory shifts' and therapeutic effectiveness have largely eluded the literature on witchcraft. This book shows how to comprehend culture other than through the prism of identity politics. It offers a framework to comprehend the rise of witch killings and human sacrifice, just as ritual initiation disappears.

"Brujas, Witches of Color are ancestral magical beings and the world we live in has tried to silence our voices. . . . This book is such a beautiful tribute to the different stories and experiences we go through as brujas. . . . Amplify the voice of Witches of Color by reading their stories." —Juliet Diaz, author of Witchery and Plant Witchery There is a new kind of witch emerging in our cultural consciousness: the bruja. Witchcraft has made a comeback in popular culture, especially among feminists. A growing subculture of BIPOC witches, led by Afro-Caribbean immigrants, Indigenous Americans, and other witches of color, is reclaiming their ancestral traditions and contributing their voices to the feminist witchcraft of today. Brujas chronicles the magical lives of these practitioners as they develop their healing arts, express their progressive politics, and extend their personal rituals into community activism. They are destigmatizing the "witch" of their ancestries and bringing persecuted traditions to the open to challenge cultural appropriation and spiritual consumerism. Part memoir, part ritual guide, Brujas empowers readers to decolonize their spiritual practices and connect with their own ancestors. Brujas reminds us that witchcraft is more than a trend—it's a movement.

"This complete self-study course in modern Wicca is a treasured classic - an essential and trusted guide that belongs in every witch's library."---Back cover

A classic of practical magic that presents witchcraft as a life-affirming spiritual path—from one of the grand dames of witchcraft. Marion Weinstein was one of the founders of modern-day witchcraft. Personal Magic is her book of shadows, what they used to call a grimoire or book of spells. It presents her personal approach to witchcraft, what she learned over her many decades of practicing magic: How to invoke the deities or spirit powers, the gods and goddesses that inhabit our world The pagan holidays—what they mean and how to honor them Working with moon power throughout its phases The witch’s toolkit of spells and rituals for contacting one’s ancestors, seeking protection from malevolent forces, and practicing advanced manifestation An exploration of the principles of self-realization through witchcraft “In the old days,” she writes, “a ‘Book of Shadows’ was kept for joyful reasons—to pass on the work to others. Every witch who could write had one.” During times of repression, these works were a way of preserving the religion. “Today, we are back to the original purpose of sharing the craft with others.” This book is Marion’s gift to you. It is also an invitation to start creating your own book of shadows. Personal Magic is filled with how-tos and practical advice that shows readers how to unlock their psychic abilities to guide them in the creation of their own unique and personal magical work. Every technique is explained in detail, in keeping with Weinstein's proviso that one should never attempt to work any magic unless one understands it fully. Previously published as Earth Magic.

Discover the beguiling history of witchcraft, magic, and superstition through the centuries in this stunningly illustrated title. A History of Magic, Witchcraft and the Occult charts the extraordinary narrative of one of the most interesting and often controversial subjects in the world, covering everything from ancient animal worship and shamanism, through alchemy and divination to modern Wicca and the resurgence of the occult in 21st-century literature, cinema, and television. Providing readers with a comprehensive account of everything from Japanese folklore and Indian witchcraft to the differences between black and white magic, and dispelling myths such as those surrounding the voodoo doll and Ouija, the book explores the common human fascination with spells, superstition, and the supernatural. This riveting read on witchcraft further includes: - Engaging text and lavish illustrations with over 500 full-color images that bring the subject to life. - Special features on aspects of magic, such as oracle bones of ancient China, the Knights Templar, and magic at the movies, and “plants and potions”, such as mandrake and belladonna examine topics in great detail. - Quick-fact panels explore magic origins, key figures, key deities, uses in spells, structures of religions, and more. The perfect introduction to magic and the occult, it explores forms of divination from astrology and palmistry to the Tarot and runestones and offers key insights into the ways in which magic has interacted with religion. The most comprehensive illustrated history of witchcraft available, A History of Magic, Witchcraft and the Occult will enthral and fascinate anyone interested in spiritualism and the occult.

In the 1600s, Maria was abandoned in a snowy field in rural England as a baby. Under the care of Hannah Owens, who recognizes that Maria has a gift, she learns about the 'Unnamed Arts.' When Maria is abandoned by the man who has declared his love for her, she follows him to Salem, Massachusetts. She invokes a curse that will haunt her family for generations. And she learns the lesson that she will carry with her for the rest of her life: Love is the only thing that matters.

An exploration of the historical origins of the “witches’ ointment” and medieval hallucinogenic drug practices based on the earliest sources • Details how early modern theologians demonized psychedelic folk magic into “witches’ ointments” • Shares dozens of psychoactive formulas and recipes gleaned from rare manuscripts from university collections all over the world as well as the practices and magical incantations necessary for their preparation • Examines the practices of medieval witches like Matteuccia di Francisco, who used hallucinogenic drugs in her love potions and herbal preparations In the medieval period preparations with hallucinogenic herbs were part of the practice of veneficium, or poison magic. This collection of magical arts used poisons, herbs, and rituals to bewitch, heal, prophesy, infect, and murder. In the form of psyche-magical ointments, poison magic could trigger powerful hallucinations and surrealistic dreams that enabled direct experience of the Divine. Smeared on the skin, these entheogenic ointments were said to enable witches to commune with various local goddesses, bastardized by the Church as trips to the Sabbat--clandestine meetings with Satan to learn magic and participate in demonic orgies. Examining trial records and the pharmacopoeia of witches, alchemists, folk healers, and heretics of the 15th century, Thomas Hatsis details how a range of ideas from folk drugs to ecclesiastical fears over medicine women merged to form the classical “witch” stereotype and what history has called the “witches’ ointment.” He shares dozens of psychoactive formulas and recipes gleaned from rare manuscripts from university collections from all over the world as well as the practices and magical incantations necessary for their preparation. He explores the connections between witches’ ointments and spells for shape shifting, spirit travel, and bewitching magic. He examines the practices of some Renaissance magicians, who inhaled powerful drugs to communicate with spirits, and of Italian folk-witches, such as Matteuccia di Francisco, who used hallucinogenic drugs in her love potions and herbal preparations, and Finicella, who used drug ointments to imagine herself transformed into a cat. Exploring the untold history of the witches’ ointment and medieval hallucinogen use, Hatsis reveals how the Church transformed folk drug practices, specifically entheogenic ones, into satanic experiences.