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Beckford's Gothic novel Vathek, an Arabian tale, was originally written in French when the author was twenty-one. Published in English in 1786, it was one of the most successful of the oriental tales then in fashion. This edition makes available to a new generation of scholars and general readers, the originality of Beckford's ideas, and the excellence of his prose.

Fonthill, in Wiltshire, is traditionally associated with the writer and collector William Beckford who built his Gothic fantasy house called Fonthill Abbey at the end of the eighteenth century. The collapse of the Abbey’s tower in 1825 transformed the name Fonthill into a symbol for overarching ambition and folly, a sublime ruin. Fonthill is, however, much more than the story of one man’s excesses. Beckford’s Abbey is only one of several important houses to be built on the estate since the early sixteenth century, all of them eventually consumed by fire or deliberately demolished, and all of them oddly forgotten by historians. Little now remains: a tower, a stable block, a kitchen range, some dressed stone, an indentation in a field. Fonthill Recovered draws on histories of art and architecture, politics and economics to explore the rich cultural history of this famous Wiltshire estate. The first half of the book traces the occupation of Fonthill from the Bronze Age to the twenty-first century. Some of the owners surpassed Beckford in terms of their wealth, their collections, their political power and even, in one case, their sexual misdemeanours. They include Charles I’s Chancellor of the Exchequer, and the richest commoner in the nineteenth century. The second half of the book consists of essays on specific topics, filling out such crucial areas as the complex history of the designed landscape, the sources of the Beckfords’ wealth and their collections, and one essay that features the most recent appearance of the Abbey in a video game.

The Gothic novel, which flourished from about 1765 until 1825, revels in the horrible and the supernatural, in suspense and exotic settings. This volume, with its erudite introduction by Mario Praz, presents three of the most celebrated Gothic novels: The Castle of Otranto, published pseudonymously in 1765, is one of the first of the genre and the most truly Gothic of the three. Vathek (1786), an oriental tale by an eccentric millionaire, exotically combines Gothic romanticism with the vivacity of The Arabian Nights and is a narrative tour de force. The story of Frankenstein (1818) and the monster he created is as spine-chilling today as it ever was; as in all Gothic novels, horror is the keynote.

DigiCat Publishing presents to you this special edition of "Dreams, Waking Thoughts, and Incidents" by William Beckford. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

Seminar paper from the year 2011 in the subject English Language and Literature Studies - Literature, grade: 1,0, University of Passau, language: English, abstract: Die vorliegende Arbeit behandelt den Gothic Novel "Vathek" von William Beckford und analysiert die ambivalenten Moralvorstellungen in dem Roman, die insbesondere durch den Erzähler geprägt werden. Dabei wird der Text auf seine moralphilosophische Positionierung untersucht und kommt zu dem Schluss, dass es sich bei Beckfords Erzählung um eine ausgeklügelte "Auto-Satire" handelt. Die Interpretation wird in umfassendere Kontexte (Zeitalter der Aufklärung und Gattungsgeschichte der Gothic Novel) eingebettet.

William Beckford had two lives: one real and sensational, the other an elegant forgery he invented in retirement after the young Disraeli mischievously sent him a homoerotic epic based loosely on Beckford's own career. Biographers have been bemused by Beckford's faked letters and dream encounters with celebrities, but his real life was far more significant: he is the pivotal Romantic between Horace Walpole and Byron. Beckford was reared in exotic isolation in a Palladian palace where he grew up obsessed with dark grottoes, towers and images of the living dead. Rushed into marriage by an apprehensive mother, he indulged his actual passions (both legal and paedophile) until a Tory administration staged a sex scandal that exiled him. In his absence his novel, Vathek was treacherously pirated. Returned to England, Beckford flung his wealth into the creation of Fonthill Abbey, which, by its shadowy vistas and glamorous camp furnishings, paved the way for the wildest excesses of Victorian taste.

Macabre and melodramatic, set in haunted castles or fantastic landscapes, Gothic tales became fashionable in the late eighteenth century with the publication of Horace Walpole's The Castle of Otranto (1764). Crammed with catastrophe, terror, and ghostly interventions, the novel was an immediate success, and influenced numerous followers. These include William Beckford's Vathek (1786), which alternates grotesque comedy with scenes of exotic magnificence in the story of the ruthless Caliph Vathek's journey to damnation. The Monk (1796), by Matthew Lewis, is a violent tale of ambition, murder, and incest, set in the sinister monastery of the Capuchins in Madrid. Frankenstein (1818, 1831) is Mary Shelley's disturbing and perennially popular tale of young student who learns the secret of giving life to a creature made from human relics, with horrific consequences. This collection illustrates the range and the attraction of the Gothic novel. Extreme and sensational, each of the four printed here is also a powerful psychological story of isolation and monomania.

"Beckford, well read in Eastern romance, caught the atmosphere with unusual receptivity." -- H.P. Lovecraft THE VISION is a most unusual book by a most unusual young man. William Beckford (1760-1844) was about seventeen when he wrote this strange, surreal tale of mystic revelation. He may have written it to impress a tutor, the St. Petersburg born Alexander Cozens, who encouraged Beckford's delvings into the weird and fantastic. Five years later, Beckford was to pen his Oriental romance VATHEK, which has made his name immortal. From his earliest years he had shown himself to be an amazing prodigy, writing and speaking French at age three, learning Latin and Greek by the time he was seven. He was also the richest commoner in Britain, who, in the course of his tour of the Continent to complete his education (the tour during which THE VISION was written) moved in such state that he was mistaken for the Holy Roman emperor traveling incognito. He became, ultimately, one of the most spectacular and eccentric aesthetes of all time, and a great connoisseur of all that is rare and beautiful.