Learn about animals, both domestic and wild, who have become heroes when they came to the rescue of humans.

Naturalist Ernest Thompson Seton created a new literary form when he began writing stories about his adventures with wild animals in the 1890s. His first stories were compiled in the book, "Wild Animals I Have Known," that became popular throughout the United States and Canada. The stories are spellbinding chronicles of wild animal courage, intelligence, and endurance as they valiantly attempt to escape the traps, poisons, guns, and lariats of their human pursuers. Seton was renowned for his scientific studies of American wildlife. His stories about wild animals, however, were a mix of fact and fiction that heightened the drama of each animals life or death struggle. During the 1890s Seton traveled to the American West and from his experiences wrote the thrilling tales contained in this collection. The exploits of Lobo (wolf), The Pacing Mustang, Tito (coyote), Monarch (grizzly), Coaly-Bay (horse), Johnny Bear, and Badlands Billy (wolf) are presented in their entirety along with many of Setons drawings. Stephen Zimmer was Director of the Seton Memorial Library at Philmont Scout Ranch at Cimarron, New Mexico for twenty years. For this collection he contributed a biographical introduction of Ernest Thompson Seton and the historical background for each story.

Themes of the American West have been enduringly popular, and 'The American West in Bronze' features sixty-five iconic bronzes that display a range of subjects, from portrayals of the noble Indian to rough-and-tumble scenes of rowdy cowboys to tributes to the pioneers who settled the lands west of the Mississippi. Fascinating texts offer a fresh look at the roles that artists played in creating interpretations of the "vanishing West"--Whether based on fact, fiction or something in-between. These artists, including Charles M. Russell and Frederic Remington, embody a range of life experiences and artistic approaches."'The American West in Bronze, 1850-1925' is the first full-scale exhibition to explore the aesthetic and cultural impulses behind the creation of statuettes with American western themes, which have been so popular with audiences then and now. Both the exhibition and this accompanying catalogue offer a fresh look at the multifaceted roles played by these sculptors in creating three-dimensional interpretations of western life, whether based on historical fact, mythologized fiction, or most often, something in-between. Examples by such archetypal representatives of the West as Frederic Remington and Charles M. Russell are complemented by the work of sculptors such as James Earle Fraser and Paul Manship, who contributed to the popularity of the American bronze statuette even though their western subjects were less frequent."--Publisher's description.

Through bravery, courage and strength of character these men and women stood head and shoulders above their contemporaries. They are our true Western American Heroes.

Bob Lemmons is famous for his ability to track wild horses. He rides his horse, Warrior, picks up the trail of mustangs, then runs with them day and night until they accept his presence. Bob and Warrior must then challenge the stallion for leadership of the wild herd. A victorious Bob leads the mustangs across the wide plains and for one last spectacular run before guiding them into the corral. Bob's job is done, but he dreams of galloping with Warrior forever to where the sky and land meet. This splendid collaboration by an award-winning team captures the beauty and harshness of the frontier, a boundless arena for the struggle between freedom and survival. Based on accounts of Bob Lemmons, a formerly enslaved person, Black Cowboy, Wild Horses has been rewritten as a picture book by Julius Lester from his story "The Man Who Was a Horse" in Long Journey Home, first published by Dial in 1972.

"This book will delight both animal lovers and military buffs!" — Elizabeth Letts, bestselling author of The Eighty Dollar Champion Millions rallied to the cause of freedom against Nazism and the menace of Imperial Japan. But did you know that some of those heroes had fur, or feathers? War animals guarded American coasts against submarine attack, dug out Londoners trapped in bomb wreckage, and carried vital messages under heavy fire on Pacific islands. They kept up morale, rushed machine gun nests, and even sacrificed themselves picking up live grenades. Now Robin Hutton, the bestselling author of Sgt. Reckless: America’s War Horse, tells the heart-warming stories of the dogs, horses, mules, pigeons—and even one cat—who did their bit for the war effort. American and British families volunteered beloved family pets and farm dogs to aid in the war effort; Americans, including President Roosevelt, bought honorary commissions in the reserves for lapdogs and other pets not suitable for military duties to “exempt” them from war service and raise money to defeat Hitler and Tojo. Many of these gallant animals are recipients of the prestigious PDSA Dickin Medal, the “Animals’ Victoria Cross.” In War Animals: The Unsung Heroes of World War II you’ll meet: -Judy, the POW dog who helped her beloved human survive brutal Japanese prison camps -Cher Ami, the pigeon who nearly died delivering a message that saved American troops from death by friendly fire -Beauty, the “digging dog” who sniffed out Londoners buried in the wreckage of the Blitz—along with pets, including one goldfish still in its bowl! -Olga, the horse who braved shattering glass to do her duty in London bombings -Smoky, the Yorkshire terrier who did parachute jumps, laid communications wire through a pipe so small only she could navigate it, became the first therapy dog—and starred on a weekly TV show after the War -Simon, the war cat whose campaign against the “Mao Tse Tung” of the rat world saved food supplies and his ship’s crew -Chips, who guarded Roosevelt and Churchill during the Casablanca Conference, and the only dog to earn a Silver Star for his heroics The shining loyalty and courage of these heroes is a testimony to the enduring bond between us and the animals we love.

Signed copy by artist Jon Van Zyle and dog sled musher Jona Stokes.

When William F. Cody introduced his Wild West exhibition to European audiences in 1887, the show soared to new heights of popularity and success. With its colorful portrayal of cowboys, Indians, and the taming of the North American frontier, Buffalo Bill’s Wild West popularized a myth of American national identity and shaped European perceptions of the United States. The Popular Frontier is the first collection of essays to explore the transnational impact and mass-cultural appeal of Cody’s Wild West. As editor Frank Christianson explains in his introduction, for the first four years after Cody conceived it, the Wild West exhibition toured the United States, honing the operation into a financially solvent enterprise. When the troupe ventured to England for its first overseas booking, its success exceeded all expectations. Between 1887 and 1906 the Wild West performed in fourteen countries, traveled more than 200,000 miles, and attracted a collective audience in the tens of millions. How did Europeans respond to Cody’s vision of the American frontier? And how did European countries appropriate what they saw on display? Addressing these questions and others, the contributors to this volume consider how the Wild West functioned within social and cultural contexts far grander in scope than even the vast American West. Among the topics addressed are the pairing of William F. Cody and Theodore Roosevelt as embodiments of frontier masculinity, and the significance of the show’s most enduring persona, Annie Oakley. An informative and thought-provoking examination of the Wild West’s foreign tours, The Popular Frontier offers new insight into late-nineteenth-century gender politics and ethnicity, the development of American nationalism, and the simultaneous rise of a global mass culture.

For more than a century, American communities erected monuments to western pioneers. Although many of these statues receive little attention today, the images they depict—sturdy white men, saintly mothers, and wholesome pioneer families—enshrine prevailing notions of American exceptionalism, race relations, and gender identity. Pioneer Mother Monuments is the first book to delve into the long and complex history of remembering, forgetting, and rediscovering pioneer monuments. In this book, historian Cynthia Culver Prescott combines visual analysis with a close reading of primary-source documents. Examining some two hundred monuments erected in the United States from the late nineteenth century to the present, Prescott begins her survey by focusing on the earliest pioneer statues, which celebrated the strong white men who settled—and conquered—the West. By the 1930s, she explains, when gender roles began shifting, new monuments came forth to honor the Pioneer Mother. The angelic woman in a sunbonnet, armed with a rifle or a Bible as she carried civilization forward—an iconic figure—resonated particularly with Mormon audiences. While interest in these traditional monuments began to wane in the postwar period, according to Prescott, a new wave of pioneer monuments emerged in smaller communities during the late twentieth century. Inspired by rural nostalgia, these statues helped promote heritage tourism. In recent years, Americans have engaged in heated debates about Confederate Civil War monuments and their implicit racism. Should these statues be removed or reinterpreted? Far less attention, however, has been paid to pioneer monuments, which, Prescott argues, also enshrine white cultural superiority—as well as gender stereotypes. Only a few western communities have reexamined these values and erected statues with more inclusive imagery. Blending western history, visual culture, and memory studies, Prescott’s pathbreaking analysis is enhanced by a rich selection of color and black-and-white photographs depicting the statues along with detailed maps that chronologically chart the emergence of pioneer monuments.