Follow the historical changes, events and scandals that the railroad brought to Southern Oregon in the late 1880s-1920s through the life story of a pioneer woman. Alice was a woman of exceptional resourcefulness and perseverance, reveals her story in the face of upheaval, betrayal, and divorce, always supported by the deep love of her family.

When the New Testament speaks of slaves and masters, is it affirming an institution that we find reprehensible? Biblical scholars across the theological and political spectrum generally conclude that the answer is "yes." And in the same passages the Bible seems to affirm male dominance in marriage, if not in society at large. This book meticulously places these passages, the Bible's "household codes," in their historical and literary context, focusing on 1 Peter's extensive code. A careful side-by-side reading with Rome's cultural equivalent (Aristotle's household code) reveals both the brilliance of the biblical author and the depth of 1 Peter's antipathy toward slavery and misogyny.

His Master had died, leaving behind his beautiful mistress. A bunch of people were scheming on how to save her.

As his letters attest, for nearly forty years Henry James enjoyed a warm and gratifying friendship with Britain's foremost soldier of the last quarter of the nineteenth century and his wife. The Wolseleys were notable figures. Lord Wolseley, the field marshal who became Britain's commander in chief of the British army, was a national hero. Both a bibliophile and an author, Wolseley was described by Henry James to his brother William as an "excellent example of the cultivated British soldier." Lady Wolseley was also well-read, as well as stylish, strong-willed, and shrewd, and in Henry's view, a delightful correspondent--in short, as the editor writes, "precisely the kind of woman James most admired." In The Master, the Modern Major General, and His Clever Wife, Alan James offers a collection of more than one hundred letters--most of them published here for the first time--that Henry James wrote to the Wolseleys, the majority to Lady Wolseley. Included are an overall introduction to the letters; separate introductory profiles of Lord and Lady Wolseley along with commentaries on the factors that drew James and the Wolseleys together; introductions to each of four sections of the letters, divided chronologically; and annotations throughout, identifying the notable men and women to whom James refers as well as comparing what James and the Wolseleys thought of them and their work.

Through some arrangement, she was married to a man with a crippled leg who wielded boundless influence. “I, Mason Yeich, will not accept a woman who bears the child of another man.”In what was initially thought to be a loveless marriage, she ended up accidentally giving her heart away. After a series of pushing and pulling, she eventually left him. Many years later a child who shares Mason’s face will be the one to land a slap on him.“Useless father, watch who you’re talking about!”

Who was designed by his stepmother to marry into a marriage that no woman in Qingcheng dared to marry. Everyone thought that she would fall to the ground and live in misery for the rest of her life. She wanted to cry at first, but there were no tears. Who would have thought that after the marriage, Third Master Mo would appear with his wife? The ugly man who was rumored to be ruthless was so solemn and reserved. Yet, he still protected her to the extreme without making a sound ... Mo has never thought of him as a superior being, One day, he would willingly bow down to a little woman!

From the New York Times bestselling author of House of Eve—a 2023 Reese’s Book Club Pick! *A Best Book of the Year by NPR and Christian Science Monitor* Called “wholly engrossing” by New York Times bestselling author Kathleen Grissom, this “fully immersive” (Lisa Wingate, #1 bestselling author of Before We Were Yours) story follows an enslaved woman forced to barter love and freedom while living in the most infamous slave jail in Virginia. Born on a plantation in Charles City, Virginia, Pheby Delores Brown has lived a relatively sheltered life. Shielded by her mother’s position as the estate’s medicine woman and cherished by the Master’s sister, she is set apart from the others on the plantation, belonging to neither world. She’d been promised freedom on her eighteenth birthday, but instead of the idyllic life she imagined with her true love, Essex Henry, Pheby is forced to leave the only home she has ever known. She unexpectedly finds herself thrust into the bowels of slavery at the infamous Devil’s Half Acre, a jail in Richmond, Virginia, where the enslaved are broken, tortured, and sold every day. There, Pheby is exposed not just to her Jailer’s cruelty but also to his contradictions. To survive, Pheby will have to outwit him, and she soon faces the ultimate sacrifice.

In this paean to the pleasures of language, Gass equates his text with the body of Babs Masters, the lonesome wife of the title, to advance the conceit that a parallel should exist between a woman and her lover and a book and its reader. Disappointed by her inattentive husband/reader, Babs engages in an exuberant display of the physical charms of language to entice an illicit new lover: a man named Gelvin in one sense, but more importantly, the reader of this "essay-novella" which, in the years since its first appearance in 1968 as a supplement to TriQuarterly, has attained the status of a postmodernist classic. Like Laurence Sterne and Lewis Carroll before him, Gass uses a variety of visual devices: photographs, comic-strip balloons, different typefaces, parallel story lines (sometimes three or four to the page), even coffee stains. As Larry McCaffery has pointed out, "the lonesome lady of the book's title, who is gradually revealed to be lady language herself, creates an elaborate series of devices which she hopes will draw attention to her slighted charms [and] force the reader to confront what she literally is: a physically exciting literary text."

An immensely talented writer whose work has been described as "incandescent" (Kirkus) and "poetic" (Booklist), Thomas Christopher Greene pens a haunting and deeply affecting portrait of one couple at their best and worst. Inspired by a personal loss, Greene explores the way that tragedy and time assail one man's memories of his life and loves. Like his father before him, Arthur Winthrop is the Headmaster of Vermont's elite Lancaster School. It is the place he feels has given him his life, but is also the site of his undoing as events spiral out of his control. Found wandering naked in Central Park, he begins to tell his story to the police, but his memories collide into one another, and the true nature of things, a narrative of love, of marriage, of family and of a tragedy Arthur does not know how to address emerges. Luminous and atmospheric, bringing to life the tight-knit enclave of a quintessential New England boarding school, the novel is part mystery, part love story and an exploration of the ties of place and family. Beautifully written and compulsively readable, The Headmaster's Wife stands as a moving elegy to the power of love as an antidote to grief. "A truly remarkable novel, I read the second half of The Headmaster's Wife with my mouth open, my jaw having dropped at the end of the first half. Thomas Christopher Greene knows how to hook a reader and land him." --Richard Russo, Pulitzer Prize winning author of Empire Falls "An accomplished and artful storyteller, Greene has surprises in store as he unspools a plot that becomes as poignant as it is unpredictable." --Wally Lamb, New York Times bestselling author of The Hour I First Believed "Greene's genre-bending novel of madness and despair evokes both the predatory lasciviousness of Nabokov's classic, Lolita, and the anxious ambiguity of Gillian Flynn's contemporary thriller, Gone Girl (2012)." --Booklist