This thoughtful, poetic book uses metaphors and beautiful imagery to explore the reasons for our tears. In a soft voice, Mario asks, “Mother, why do we cry?” And his mother begins to tell him about the many reasons for our tears. We cry because our sadness is so huge it must escape from our bodies. We cry because we don’t understand the world, and our tears go in search of an answer. Most important, she tells him, we cry because we feel like crying. And, as she shows him then, sometimes we feel like crying for joy. This warm, reassuring hug of a book makes clear that everyone is allowed to cry, and that everyone does.

As his fifth birthday party approaches, Little Rabbit decides to invite only those friends who are also too old to cry until he learns that others of all ages weep for all sorts of reasons.

A tragicomic story of bad dates, bad news, bad performances, and one girl's determination to find the funny in high school from the author of Denton Little's Deathdate. Winnie Friedman has been waiting for the world to catch on to what she already knows: she's hilarious. It might be a long wait, though. After bombing a stand-up set at her own bat mitzvah, Winnie has kept her jokes to herself. Well, to herself and her dad, a former comedian and her inspiration. Then, on the second day of tenth grade, the funniest guy in school actually laughs at a comment she makes in the lunch line and asks her to join the improv troupe. Maybe he's even . . . flirting? Just when Winnie's ready to say yes to comedy again, her father reveals that he's been diagnosed with ALS. That is . . . not funny. Her dad's still making jokes, though, which feels like a good thing. And Winnie's prepared to be his straight man if that's what he wants. But is it what he needs? Caught up in a spiral of epically bad dates, bad news, and bad performances, Winnie's struggling to see the humor in it all. But finding a way to laugh is exactly what will see her through. **A Junior Library Guild Selection**

"In 2011 and 2012, while more than 900 people were being murdered on the streets of Chicago, creative-writing students from DePaul University fanned out all over the city to interview people whose lives have been changed by the bloodshed. The result is How Long Will I Cry?: Voices of Youth Violence, an extraordinary and eye-opening work of oral history. Told by real people in their own words, the stories in How Long Will I Cry? are at turns harrowing, heartbreaking and full of hope."--Publisher's website.

A firsthand, personal view of a family on the front lines of war in Israel “An outstanding work . . . powerfully and movingly written.”—Jerusalem Post WINNER OF THE “BOOKS FOR A BETTER LIFE” AWARD In the summer of 1998, Daniel Gordis and his family moved to Israel from Los Angeles. They planned to be there for a year, but a few months into their stay, Daniel and his wife decided to remain in Jerusalem permanently, confident that their children would be among the first generation of Israelis to grow up in peace. Immediately after arriving in Israel, Daniel had started sending out e-mails about his life to friends and family abroad. These missives—passionate, thoughtful, beautifully written, and informative—began reaching a much broader readership than he’d ever envisioned, eventually being excerpted in The New York Times Magazine to much acclaim. An edited and finely crafted collection of Daniel’s original e-mails, If a Place Can Make You Cry is a first-person, immediate account of Israel’s post-Oslo meltdown that cuts through the rhetoric and stridency of most dispatches from that country or from the international media. Above all, If a Place Can Make You Cry tells the story of a family that must cope with the sudden realization that they took their children from a serene and secure neighborhood in Los Angeles to an Israel not at peace but mired in war. This is the chronicle of a loss of innocence—the innocence of Daniel and his wife, and of their children. Ultimately, through Daniel’s eyes, Israel, with all its beauty, madness, violence, and history, comes to life in a way we’ve never quite seen before.

This bestselling "lyrical, moving book: part essay, part memoir, part surprising cultural study" is an examination of why we cry, how we cry, and what it means to cry from a woman on the cusp of motherhood confronting her own depression (The New York Times Book Review). Heather Christle has just lost a dear friend to suicide and now must reckon with her own depression and the birth of her first child. As she faces her grief and impending parenthood, she decides to research the act of crying: what it is and why people do it, even if they rarely talk about it. Along the way, she discovers an artist who designed a frozen–tear–shooting gun and a moth that feeds on the tears of other animals. She researches tear–collecting devices (lachrymatories) and explores the role white women’s tears play in racist violence. Honest, intelligent, rapturous, and surprising, Christle’s investigations look through a mosaic of science, history, and her own lived experience to find new ways of understanding life, loss, and mental illness. The Crying Book is a deeply personal tribute to the fascinating strangeness of tears and the unexpected resilience of joy.

For Fauziya Kassindja, an idyllic childhood in Togo, West Africa, sheltered from the tribal practices of polygamy and genital mutilation, ended with her beloved father's sudden death. Forced into an arranged marriage at age seventeen, Fauziya was told to prepare for kakia, the ritual also known as female genital mutilation. It is a ritual no woman can refuse. But Fauziya dared to try. This is her story--told in her own words--of fleeing Africa just hours before the ritual kakia was to take place, of seeking asylum in America only to be locked up in U.S. prisons, and of meeting Layli Miller Bashir, a law student who became Fauziya's friend and advocate during her horrifying sixteen months behind bars. Layli enlisted help from Karen Musalo, an expert in refugee law and acting director of the American University International Human Rights Clinic. In addition to devoting her own considerable efforts to the case, Musalo assembled a team to fight with her on Fauziya's behalf. Ultimately, in a landmark decision in immigration history, Fauziya Kassindja was granted asylum on June 13, 1996. Do They Hear You When You Cry is her unforgettable chronicle of triumph.

Between 1929 and 1934, women in American cinema were modern! For five short years women in American cinema were modern! They took lovers, had babies out of wedlock, got rid of cheating husbands, enjoyed their sexuality, led unapologetic careers and, in general, acted the way many think women only acted after 1968. Before then, women on screen had come in two varieties - good or bad - sweet ingenue or vamp. Then two stars came along to blast away these common stereotypes. Garbo turned the femme fatale into a woman whose capacity for love and sacrifice made all other human emotions seem pale. Meanwhile, Norma Shearer succeeded in taking the ingenue to a place she'd never been: the bedroom. Garbo and Shearer took the stereotypes and made them complicated. In the wake of these complicated women came others, a deluge of indelible stars - Constance Bennett, Ruth Chatterton, Mae Clarke, Claudette Colbert, Marlene Dietrich, Kay Francis, Ann Harding, Jean Harlow, Miriam Hopkins, Dorothy Mackaill, Barbara Stanywyck, Mae West and Loretta Young all came into their own during the pre-Code era. These women pushed the limits and shaped their images along modern lines. Then, in July 1934, the draconian Production Code became the law in Hollywood and these modern women of the screen were banished, not to be seen again until the code was repealed three decades later. Mick LaSalle, film critic for the San Francisco Chronicle, takes readers on a tour of pre-Code films and reveals how this was the true golden age of women's films and how the movies of the pre-Code are still worth watching. The bold, pioneering and complicated women of the pre-Code era are about to take their place in the pantheon of film history, and America is about to reclaim a rich legacy.

If you’re feeling sad, cheer up! This amusing and imaginative lift-the-flap book guaranteed to bring a smile to a teary face. You’ve found the perfect book to put a smile on your face and turn a frown upside-down. Look at the rainbow of colors on every page … put them all together and you’ll find a happy surprise! Little kids have big feelings! Lots of tears call for lots of reassurance that everything's going to be okay. What better way to cheer someone up and change the mood than with a lovely surprise! This little board book is perfect for little hands and sure to coax a smile from little ones—page by page the colors behind these crying faces build up into a wonderful rainbow. This clever die-cut design will have young children smiling in no time!

Only once in a lifetime does a war so brutal erupt. A war that becomes an official genocide, causes millions to run from their homes, compels the slaughtering of thousands in the most horrific of ways, and inspires terrorist attacks to transpire across the world. That is the chilling legacy of the ISIS onslaught, and Only Cry for the Living takes a profoundly personal, unprecedented dive into one of the most brutal terrorist organizations in the world. Journalist Hollie S. McKay offers a raw, on-the-ground journey chronicling the rise of ISIS in Iraq—exposing the group’s vast impact and how and why it sought to wage terror on civilians in a desperate attempt to create an antiquated “caliphate.”