This work takes its title from the richly symbolic creation legend of the Navaho people, which they incorporated into their blessing ceremony for tribe members headed to battle. Having observed this rite during World War II, when native Americans were for the first time drafted into the U.S. military, ethnologist Maud Oakes recorded the legend and made reproductions of the beautiful ceremonial paintings, given to her by the medicine man Jeff King. Originally printed separately in a portfolio, the text and eighteen paintings are now available as a bound book.

Explores the circularity of Navajo thought through studies of sandpaintings, chantway myths, and stories reflected in the constellations.

A Jungian-trained psychiatrist explores ancient Navaho methods of healing that use vibrant imagery to bring the psyche into harmony with natural forces.

In Northrop Frye and the Phenomenology of Myth, Glen Robert Gill compares Frye's theories about myth to those of three other major twentieth-century mythologists: C.G. Jung, Joseph Campbell, and Mircea Eliade. Gill explores the theories of these respective thinkers as they relate to Frye's discussions of the phenomenological nature of myth, as well as its religious, literary, and psychological significance. Gill substantiates Frye's work as both more radical and more tenable than that of his three contemporaries. Eliade's writings are shown to have a metaphysical basis that abrogates an understanding of myth as truly phenomenological, while Jung's theory of the collective unconscious emerges as similarly problematic. Likewise, Gill argues, Campbell's work, while incorporating some phenomenological progressions, settles on a questionable metaphysical foundation. Gill shows how, in contrast to these other mythologists, Frye's theory of myth – first articulated in Fearful Symmetry (1947) and culminating in Words with Power (1990) – is genuinely phenomenological. With excursions into fields such as literary theory, depth psychology, theology, and anthropology, Northrop Frye and the Phenomenology of Myth is essential to the understanding of Frye's important mythological work.

In a gathering of griot traditions fusing storytelling, cultural history, and social and literary criticism, Put Your Hands on Your Hips and Act Like a Woman “re-members” and represents how women of the African diaspora have drawn on ancient traditions to record memory, history, and experience in performance. These women’s songs and dances provide us with a wealth of polyphonic text that records their reflections on identity, imagination, and agency, providing a collective performed autobiography that complements the small body of pre-twentieth-century African and African American women’s writing. Gale P. Jackson engages with a range of vibrant traditions to provide windows into multiple discourses as well as “new” and old paradigms for locating the history, philosophy, pedagogy, and theory embedded in a lineage of African diaspora performance and to articulate and address the postcolonial fragmentation of humanist thinking. In lyrically interdisciplinary movement, across herstories, geographies, and genres, cultural continuities, improvisation, and transformative action, Put Your Hands on Your Hips and Act Like a Woman offers a fresh perspective on familiar material and an expansion of our sources, reading, and vision of African diaspora, African American, and American literatures.

This previously unpublished title shows Campbell's remarkable mind engaged with a favorite topic, the myths and metaphors of Asian religions. The book collects seven lectures and articles ranging from the ancient Hindu Vedas to Zen koans, Tantric yoga, and the Tibetan Book of the Dead. Campbell conveys complex insights through warm, accessible storytelling, revealing the intricacies and secrets of his subjects with his typical enthusiasm.--From publisher description.

Since its publication in 1939, countless would-be readers of "Finnegans Wake" - James Joyce's masterwork, which consumed a third of his life - have given up after a few pages, dismissing it as a "perverse triumph of the unintelligible." In 1944, a young professor of mythology and literature named Joseph Campbell, working with Henry Morton Robinson, wrote the first "key" or guide to entering the fascinating, disturbing, marvelously rich world of "Finnegans Wake." The authors break down Joyce's "unintelligible" book page by page, stripping the text of much of its obscurity and serving up thoughtful interpretations via footnotes and bracketed commentary. They outline the book's basic action, and then simplify -- and clarify -- its complex web of images and allusions. "A Skeleton Key to Finnegans Wake" is the latest addition to the "Collected Works of Joseph Campbell" series.

Suggests that the laws of physics that govern the universe are also at play within the human consciousness.

These 12 eclectic essays explore the topic for which Campbell was best known: myth and its fascinating context within the human imagination in the arts, literature, and culture, as well as in everyday life.