This comprehensive approach to functional musicianship at the keyboard includes varied repertoire, theory, technique, sight-reading, harmonization from lead sheets, ear training and ensembles. Great for college non-music majors, continuing education classes, music dealer in-store programs and group piano classes at the middle and high school levels. Book 1 contains 15 units each with a variety of repertoire, exercises, unit review worksheets and an assignment page.

This book is based on performances and transcriptions from the DCI music videos Herlin Riley: Ragtime & beyond, and Johnny Vidacovich: Street beats modern applications. Additional interviews and essays on: Baby Dodds, Vernel Fournier, Ed Blackwell, James Black and Freddie Kohlman, Smokey Johnson, David Lee, and bassist Bill Huntington.

AN INTERACTIVE, SWING-ALONG PICTURE BOOK—WITH 12 SOUND CHIPS! Are you ready to swing? Discover the wonders of jazz: How to get in the groove, what it means to play a solo, and the joy of singing along in a call-and-response. In this interactive swing-along picture book with 12 sound chips, you’ll hear the instruments of jazz—the rhythm section with its banjo, drums, and tuba, and the leads, like the clarinet, trumpet, and trombone. And you’ll hear singers scat, improvising melodies with nonsense syllables like be-bop and doo-we-ah! Along the way, you’ll learn how this unique African American art form started in New Orleans, and how jazz changed over time as innovative musicians like King Oliver, Louis Armstrong, Duke Ellington, and Billie Holiday added their own ideas to it. Press the buttons to hear the band, the rhythms, and the singer calling out: “OH WHEN THE SAINTS—oh when the saints…”

Widely respected for his perspectives on faith in the modern world, Richard J. Mouw has long stood at the forefront of the Christ and culture debate. In When the Kings Come Marching In here revised and updated Mouw explores the religious transformation of culture as it is powerfully pictured in Isaiah 60. In Isaiah 60 the prophet envisions the future transformation of the city of Jerusalem, a portrayal of the Holy City that bears important similarities to John's vision of the future in Revelation 21 and 22. Mouw examines these and other key passages of the Bible, showing how they provide a proper pattern for cultural involvement in the present. Mouw identifies and discusses four main features of the Holy City: (1) the wealth of the nations is gathered into the city; (2) the kings of the earth march into the city; (3) people from many nations are drawn to the city; and (4) light pervades the city. In drawing out the implications of these striking features, Mouw treats a number of relevant cultural issues, including Christian attitudes toward the processes and products of commerce, technology, and art; the nature of political authority; race relations; and the scope of the redemptive ministry of Jesus Christ. The volume culminates in an invaluable discussion of how Christians should live in the modern world. Mouw argues that believers must go beyond a narrow understanding of the individual pilgrim's progress to a view of the Christian pilgrimage wherein believers work together toward solving the difficult political, social, and economic problems of our day.

Now updated to 2020, this is an account of the development and output of the great young traditional jazz band Tuba Skinny, which is based in New Orleans. Many recommendations are included of videos to watch and recordings available for purchase.

A groundbreaking history of African Americans in the early recording industry, Lost Sounds examines the first three decades of sound recording in the United States, charting the surprising roles black artists played in the period leading up to the Jazz Age and the remarkably wide range of black music and culture they preserved. Drawing on more than thirty years of scholarship, Tim Brooks identifies key black recording artists and profiles forty audio pioneers. Brooks assesses the careers and recordings of George W. Johnson, Bert Williams, George Walker, Noble Sissle, Eubie Blake, the Fisk Jubilee Singers, W. C. Handy, James Reese Europe, Wilbur Sweatman, Harry T. Burleigh, Roland Hayes, Booker T. Washington, and boxing champion Jack Johnson, plus a host of lesser-known voices. Many of these pioneers struggled to be heard in an era of rampant discrimination. Their stories detail the forces––black and white––that gradually allowed African Americans to enter the mainstream entertainment industry. Lost Sounds includes Brooks's selected discography of CD reissues and an appendix by Dick Spottswood describing early recordings by black artists in the Caribbean and South America.