As a member of a tight-knit, extended family full of tough, sometimes-violent men, Flynn McCassey is no saint. But he is smart. The one his cousins call quiet and mysterious, his keen observation skills allow him to see things that other's don't. Twenty-year-old Missy Grace has lost everyone she's ever loved. When her best friend, Georgia McCassey, unexpectedly re-enters her life, Missy is presented with an opportunity to start a new life in Hagerstown, Maryland. Flynn and Missy's budding relationship comes to a screeching halt with one suspicious phone call. When she announces her need to return to Virginia and her ailing mother, her explanation does nothing to mask her fear. To make sure she stays safe, Flynn offers to drive Missy home. Thrilled by his offer, she accepts his generosity without considering the danger. Halfway home, the truth comes out...giving Flynn just hours to figure out how to keep Missy alive.

Consciousness is a hugely important brain phenomenon, but until now it has been a very poorly understood one in conceptual terms. However, a major breakthrough in our conceptual understanding has been made, and a radical new school of philosophical thought on the subject has arisen; and what we are now discovering consciousness to be, is truly mind-blowing! WHEN NIGHT FALLS explains this new school of philosophical thought on what conscious-mind is, how it relates to the brain, to our memory, and to the external world; and also discusses its existential implications, especially concerning the issue of conscious Life-After-Death.

Sharie Kohler returns to the shadowy world of the Moon Chasers, where a seductive witch stalked by demons finds protection in the arms of a lycan on a mission of blood vengeance. . . . Darby lives her life below the radar, moving from town to town in the coldest climates, eluding the demons that hunt her—and never allowing herself to get close to anyone. Now, in frigid isolation, Darby waits tables in a small town and tries to forget who she is—what she is—and the danger forever nipping at her heels. Until a new danger finds her—a lycan pack whose distant howls have the locals on edge. But the call of the lycans has also drawn a handsome, menacing stranger. . . . For years, Niklas has searched for the bloodthirsty pack that murdered his mother and infected him. Darby is overwhelmed by his raw appeal and dangerous strength. Niklas senses her need and vulnerability . . . and together they give in to the hungry attraction blazing between them—but desire this fierce brings dangers of its own. When Darby is targeted by the lycans, the stakes are higher than ever—and Niklas is not about to lose another woman he loves to their evil bloodlust.

n poem after piercing poem—“The Light Here,” “An Ocean Sound,” “Nancy’s Sandwich Shop Heightened Consciousness”—Grigsby weaves our intense human moments of love, sorrow, or joy into the beauty and grandeur of our indifferent earth. The art of his vision is unique and invaluable. —Julian Markels, author of The Marxian Imagination Like James Wright before him, Gordon Grigsby is an essential Mid-Western poet, a hard-scrabbled farmer of words, a steel-worker tending to the furnaces of an imagination that flares in darkness: "the praised madness that trembles the air." The geography of Ohio, the names of its vanished Indian tribes, the smell of a dead child and the poisoned rain, are here given their full measure of terrible beauty. —Michael Salcman, author of The Clock Made of Confetti and The Enemy of Good Is Better Dawn Night Fall explores the interplay between sorrow and hope, tragic realities and the mind’s freedom, through startlingly original images and ideas. As in Walden, Grigsby uses his house on a small river in Mt. Air, Ohio as a way into the natural world, ancient and personal history, world travels, and complex combinations of pain and luminosity: ashes of a premature baby, woman and children waiting in corrugated tin shanties, a loved father lonely in Sun City, the glow of needles on a forest floor, streetlamp glint on everyone’s hair. Readers are richly rewarded for his extraordinary vision. —Jan Schmittauer, Associate Professor, Ohio University

Sophie and her friends face battles unlike anything they've experienced before in this thrilling sixth book of Messenger's New York Times- and USA Today-bestselling series. 5 1/2 x 8 5/16.

THE NIGHTFALL MCQ (MULTIPLE CHOICE QUESTIONS) SERVES AS A VALUABLE RESOURCE FOR INDIVIDUALS AIMING TO DEEPEN THEIR UNDERSTANDING OF VARIOUS COMPETITIVE EXAMS, CLASS TESTS, QUIZ COMPETITIONS, AND SIMILAR ASSESSMENTS. WITH ITS EXTENSIVE COLLECTION OF MCQS, THIS BOOK EMPOWERS YOU TO ASSESS YOUR GRASP OF THE SUBJECT MATTER AND YOUR PROFICIENCY LEVEL. BY ENGAGING WITH THESE MULTIPLE-CHOICE QUESTIONS, YOU CAN IMPROVE YOUR KNOWLEDGE OF THE SUBJECT, IDENTIFY AREAS FOR IMPROVEMENT, AND LAY A SOLID FOUNDATION. DIVE INTO THE NIGHTFALL MCQ TO EXPAND YOUR NIGHTFALL KNOWLEDGE AND EXCEL IN QUIZ COMPETITIONS, ACADEMIC STUDIES, OR PROFESSIONAL ENDEAVORS. THE ANSWERS TO THE QUESTIONS ARE PROVIDED AT THE END OF EACH PAGE, MAKING IT EASY FOR PARTICIPANTS TO VERIFY THEIR ANSWERS AND PREPARE EFFECTIVELY.

Following the death of her father, a twelve-year-old girl takes a summer job instead of going to camp with a friend as planned.

A fascinating and vivid picture of the perils and promises of nocturnal life in cities in the early modern Middle East.

This is a meditation on memory and on the ways in which memory has operated in the work of writers for whom the Holocaust was a defining event. It is also an exploration of the ways in which fiction and drama have attempted to approach a subject so resistant to the imagination. Beginning with W. G. Sebald, for whom memory and the Holocaust were the roots of a special fascination, Bigsby moves on to consider those writers Sebald himself valued, including Arthur Miller, Anne Frank, Primo Levi and Peter Weiss, and those whose lives crossed in the bleak world of the camps, in fact or fiction. The book offers a chain of memories. It sets witness against fiction, truth against wilful deceit. It asks the question who owns the Holocaust - those who died, those who survived to bear witness, those who appropriated its victims to shape their own necessities.