Set in the 1920's Jazz Age on Long Island, The Great Gatsby chronicles narrator Nick Carraway's interactions with the mysterious millionaire Jay Gatsby and Gatsby's obsession to reunite with his former lover, the beautiful Daisy Buchanan. First published in 1925, the book has enthralled generations of readers and is considered one of the greatest American novels.

Who feels like a grown up when they're twenty-one? Or, well, ever? With a significant birthday fast approaching, journalist and agony aunt Daisy Buchanan found herself worrying about whether or not she was a 'proper' adult yet. Her twenties had been a familiar tale of bad boyfriends, worse jobs, money worries, and mistakes. But was she getting it so wrong? Or was she learning vital life lessons along the way? In her unstintingly honest and hilarious account of a defining decade, Daisy shares her personal highs and lows in order to show us that there is no perfect path to adulthood - but we're all far stronger, smarter, and closer to being a grown-up than we realise...

SHORTLISTED FOR THE 2018 MAN BOOKER PRIZE An eerie, watery reimagining of the Oedipus myth set on the canals of Oxford, from the author of Fen The dictionary doesn’t contain every word. Gretel, a lexicographer by trade, knows this better than most. She grew up on a houseboat with her mother, wandering the canals of Oxford and speaking a private language of their own invention. Her mother disappeared when Gretel was a teen, abandoning her to foster care, and Gretel has tried to move on, spending her days updating dictionary entries. One phone call from her mother is all it takes for the past to come rushing back. To find her, Gretel will have to recover buried memories of her final, fateful winter on the canals. A runaway boy had found community and shelter with them, and all three were haunted by their past and stalked by an ominous creature lurking in the canal: the bonak. Everything and nothing at once, the bonak was Gretel’s name for the thing she feared most. And now that she’s searching for her mother, she’ll have to face it. In this electrifying reinterpretation of a classical myth, Daisy Johnson explores questions of fate and free will, gender fluidity, and fractured family relationships. Everything Under—a debut novel whose surreal, watery landscape will resonate with fans of Fen—is a daring, moving story that will leave you unsettled and unstrung.

Featured in the Netflix series Love, Death & Robots Bestselling author Ken Liu selects his multiple award-winning stories for a groundbreaking collection—including a brand-new piece exclusive to this volume. With his debut novel, The Grace of Kings, taking the literary world by storm, Ken Liu now shares his finest short fiction in The Paper Menagerie and Other Stories. This mesmerizing collection features many of Ken’s award-winning and award-finalist stories, including: “The Man Who Ended History: A Documentary” (Finalist for the Hugo, Nebula, and Theodore Sturgeon Awards), “Mono No Aware” (Hugo Award winner), “The Waves” (Nebula Award finalist), “The Bookmaking Habits of Select Species” (Nebula and Sturgeon Award finalists), “All the Flavors” (Nebula Award finalist), “The Litigation Master and the Monkey King” (Nebula Award finalist), and the most awarded story in the genre’s history, “The Paper Menagerie” (The only story to win the Hugo, Nebula, and World Fantasy awards). Insightful and stunning stories that plumb the struggle against history and betrayal of relationships in pivotal moments, this collection showcases one of our greatest and original voices.

An account of the decade-long conflict between humankind and hordes of the predatory undead is told from the perspective of dozens of survivors who describe in their own words the epic human battle for survival, in a novel that is the basis for the June 2013 film starring Brad Pitt. Reissue. Movie Tie-In.

At the little town of Vevey, in Switzerland, there is a particularly comfortable hotel. There are, indeed, many hotels, for the entertainment of tourists is the business of the place, which, as many travelers will remember, is seated upon the edge of a remarkably blue lake-a lake that it behooves every tourist to visit. The shore of the lake presents an unbroken array of establishments of this order, of every category, from the "grand hotel" of the newest fashion, with a chalk-white front, a hundred balconies, and a dozen flags flying from its roof, to the little Swiss pension of an elder day, with its name inscribed in German-looking lettering upon a pink or yellow wall and an awkward summerhouse in the angle of the garden. One of the hotels at Vevey, however, is famous, even classical, being distinguished from many of its upstart neighbors by an air both of luxury and of maturity. In this region, in the month of June, American travelers are extremely numerous; it may be said, indeed, that Vevey assumes at this period some of the characteristics of an American watering place. There are sights and sounds which evoke a vision, an echo, of Newport and Saratoga. There is a flitting hither and thither of "stylish" young girls, a rustling of muslin flounces, a rattle of dance music in the morning hours, a sound of high-pitched voices at all times. You receive an impression of these things at the excellent inn of the "Trois Couronnes" and are transported in fancy to the Ocean House or to Congress Hall. But at the "Trois Couronnes," it must be added, there are other features that are much at variance with these suggestions: neat German waiters, who look like secretaries of legation; Russian princesses sitting in the garden; little Polish boys walking about held by the hand, with their governors; a view of the sunny crest of the Dent du Midi and the picturesque towers of the Castle of Chillon. I hardly know whether it was the analogies or the differences that were uppermost in the mind of a young American, who, two or three years ago, sat in the garden of the "Trois Couronnes," looking about him, rather idly, at some of the graceful objects I have mentioned. It was a beautiful summer morning, and in whatever fashion the young American looked at things, they must have seemed to him charming. He had come from Geneva the day before by the little steamer, to see his aunt, who was staying at the hotel-Geneva having been for a long time his place of residence. But his aunt had a headache- his aunt had almost always a headache-and now she was shut up in her room, smelling camphor, so that he was at liberty to wander about. He was some seven-and-twenty years of age; when his friends spoke of him, they usually said that he was at Geneva "studying." When his enemies spoke of him, they said-but, after all, he had no enemies; he was an extremely amiable fellow, and universally liked.

THE MOST TALKED ABOUT BOOK OF THE YEAR ''As filthy as it is funny, you won''t be able to put it down'' Dolly Alderton ''Extremely funny, touching and wonderfully refreshing on women and sexual desire'' Marian Keyes ''You will be intoxicated by this witty and honest exploration of female desire'' Elle ''Insatiable is a story about loneliness and trying to fit in, about our desire to be loved and included, how it''s easy to confuse being wanted with being used. It''ll draw people in with the shagging, but people will stay because they''re rooting for Violet.'' Evening Standard Stuck in a dead-end job, broken-hearted, broke and estranged from her best friend: Violet''s life is nothing like she thought it would be. She wants more - better friends, better sex, a better job - and she wants it now. So, when Lottie - who looks like the woman Violet wants to be when she grows up - offers Violet the chance to join her exciting start-up, she bites. Only it soon becomes clear that Lottie and her husband Simon are not only inviting Violet into their company, they are also inviting her into their lives. Seduced by their townhouse, their expensive candles and their Friday-night sex parties, Violet cannot tear herself away from Lottie, Simon or their friends. But is this really the more Violet yearns for? Will it grant her the satisfaction she is so desperately seeking? Insatiable is about women and desire - lust, longing and the need to be loved. It is a story about being unable to tell whether you are running towards your future or simply running away from your past. The result is at once tender and sad, funny and hopeful. * ''This novel shines with dark humour, sharp intelligence, sizzling sex scenes, and a piercing portrayal of loneliness. Not even the most insatiable reader could ask for more.'' Katherine Heiny ''Filthy, funny, and raw, Insatiable is utterly addictive'' Louise O''Neill ''Come for the absolute filth and stay for the empathetic and sensitive way that Daisy Buchanan writes about all the chaos and conflict of being a young woman in a hard-edged, hard-faced world.'' Red ''A piercing insight into the unreal demands modern women place on themselves and told with real humour and energy, we love this book so much'' Stylist ''A raucous unravelling of female desire and bodily pleasures, in all their maddening complexity'' Emma Jane Unsworth ''Few books out in the early half of the year are as flat-out entertaining as Buchanan''s fizzy, filthy story of a young woman''s sexual awakening.'' i paper ''I''d call Insatiable Jilly Cooper for the Instagram generation, but that wouldn''t do this book justice'' Lauren Bravo ''Daisy brings characters to life like no other writer, pumping them full of humour, vulnerability and sexy sexy sex'' Lucy Vine ''Gloriously rude and brave about the nature of women''s desire'' Sophia Money-Coutts ''I raced through this funny, filthy and utterly compelling debut about female sexuality, ambition and vulnerability... I''m still thinking about it long after turning the final page.'' Daily Mail ''I can''t believe this is a fiction debut - she writes stories like she''s been doing it for fifty years'' Laura Jane Williams ''Insatiable is an unashamedly filthy and yet deeply sensitive exploration of female desire, aspiration and vulnerability, and Daisy is an exciting new voice in contemporary fiction.'' Hannah Beckerman ''It reminded me of Bridget Jones''s Diary - if Bridget were bisexual and Daniel Cleaver were a couple who were into group sex.'' Julie Cohen ''Erica Jong for the Instagram age.'' Keith Stuart ''Intelligent, observant prose that gives a snap-shot of life experienced by millennial women.'' Kate Sawyer ''Like going for a drink with your wisest and smuttiest friend'' Jessica Moor ''Funny, filthy ... Buchanan offers astute social observation, while the development of Violet as an ardent yet vulnerable heroine to root for makes her a millennial counterpart to Jilly Cooper''s Bella or Octavia.'' The Sunday Times

First appearing in the pages of Seventeen Magazine, “Teenage Wasteland” has become one of Anne Tyler’s most widely beloved short stories—an affecting and masterful portrait of a life interrupted and a family come undone. Daisy Coble had been a good mother, and so she was ashamed to find out from Donny’s teacher that he had been misbehaving. He was noisy, lazy, disruptive, and he was caught smoking. At night, she lay awake wondering where she had gone wrong, and how she could have failed as a parent. Unsure of herself, Daisy follows the advice of professionals, and hires Donny a tutor with some unusual ideas to set the boy straight. But, has the gap between them grown too wide to bridge? A Vintage Short.

Winner of the 2012 Randolph Caldecott Medal This New York Times Bestseller and New York Times Best Illustrated Book relates a story about love and loss as only Chris Rashcka can tell it. Any child who has ever had a beloved toy break will relate to Daisy's anguish when her favorite ball is destroyed by a bigger dog. In the tradition of his nearly wordless picture book Yo! Yes?, Caldecott Medalist Chris Raschka explores in pictures the joy and sadness that having a special toy can bring. Raschka's signature swirling, impressionistic illustrations and his affectionate story will particularly appeal to young dog lovers and teachers and parents who have children dealing with the loss of something special.

The Rich Boy is a short story by American writer F. Scott Fitzgerald. It was included in his 1926 collection All the Sad Young Men. The Fitzgerald scholar Matthew Bruccoli describes the story as "an extension of The Great Gatsby, enlarging the examination of the effects of wealth on character.