“[An] incisive, personal mediation.” —New York Times Book Review Mark Doty has always felt haunted by Walt Whitman’s perennially new American voice, and by his equally radical claims about body and soul. In What Is the Grass, Doty effortlessly blends biography, criticism, and memoir to keep company with Whitman and his Leaves of Grass, tracing the resonances between his own experience and the legendary poet’s life and work.

One of the Greatest Poems in American Literature Walt Whitman (1819-1892) was considered by many to be one of the most important American poets of all time. He had a profound influence on all those who came after him. “Song of Myself”, a portion of Whitman’s monumental poetry collection “Leaves of Grass”, is one of his most beloved poems. It was through this moving piece that Whitman first made himself known to the world. One of the most acclaimed of all American poems, it is written in Whitman’s signature free verse style, without a regular form, meter, or rhythm. His lines have a mesmerizing chant-like quality, as he sought to make poetry more appealing. Few poems are as fun to read aloud as this one. Considered to be the core of his poetic vision, this poem is an optimistic and inspirational look at the world in 1855. It is exhilarating, epic, and fresh in its brilliant and fascinating diction and wordplay as it tries to capture the unique meaning of words of the day, while also embracing the rapidly evolving vocabularies of the sciences and the streets. Far ahead of its time, it was considered by many social conservatives to be scandalous and obscene for its depiction of sexuality and desire, while at the same time, critics hailed the poem as a modern masterpiece. This first version of “Song of Myself” is far superior to the later versions and will delight readers with the playfulness of its diction as it glorifies the self, body, and soul. “I am large, I contain multitudes,”

Walt Whitman is widely regarded as one of the masters of American poetry. Here are collected his finest poems, a perfect companion for any fan of Whitman's work.

Pulitzer Prize–winning poet C. K. Williams's personal reflection on the art of Walt Whitman In this book, Pulitzer Prize–winning poet C. K. Williams sets aside the mass of biography and literary criticism that has accumulated around Walt Whitman and attempts to go back to Leaves of Grass as he first encountered it—to explore why Whitman's epic "continues to inspire and sometimes daunt" him. The result is a personal reassessment and appreciation of one master poet by another, as well as an unconventional and brilliant introduction to Whitman. Beautifully written and rich with insight, this is a book that refreshes our ability to see Whitman in all his power.

A 2018 Notable Poetry Book for Children (National Council of Teachers of English) Introduce your children to the beautiful words of classic American poet, Walt Whitman. Poetry for Kids: Walt Whitman makes the work engaging and easy to understand. Walt Whitman is considered by many to be one of the most prolific poets in American history. What better time to introduce your children to the written word than now? This collection of thirty-five of Walt's best works has been carefully curated for kids. Each piece of work is lovingly illustrated, and are both presented and explained by New York University professor Karen Karbenier, PhD, a primary authority Whitman's poetry. Walt Whitman includes enlightening commentary for each poem, definitions of key words, and a foreword by the expert so that kids, or even parents new to poems, will understand. Starting off with "I Hear America Singing," the collection includes excerpts from "Song of Myself," "O Captain! My Captain!", poems from Leaves of Grass, and many more thought-provoking, descriptive, and kid-friendly selections.

Winner of the Publishing Triangle Judy Grahn Award for Lesbian Nonfiction, Phi Beta Kappa Christian Gauss Award, and a Lambda Literary Award Finalist for the National Book Award Longlisted for the Andrew Carnegie Medal for Excellence in Nonfiction How do you tell the real story of someone misremembered—an icon and idol—alongside your own? Jenn Shapland’s celebrated debut is both question and answer: an immersive, surprising exploration of one of America’s most beloved writers, alongside a genre-defying examination of identity, queerness, memory, obsession, and love. Shapland is a graduate student when she first uncovers letters written to Carson McCullers by a woman named Annemarie. Though Shapland recognizes herself in the letters, which are intimate and unabashed in their feelings, she does not see McCullers as history has portrayed her. Her curiosity gives way to fixation, not just with this newly discovered side of McCullers’s life, but with how we tell queer love stories. Why, Shapland asks, are the stories of women paved over by others’ narratives? What happens when constant revision is required of queer women trying to navigate and self-actualize in straight spaces? And what might the tracing of McCullers’s life—her history, her secrets, her legacy—reveal to Shapland about herself? In smart, illuminating prose, Shapland interweaves her own story with McCullers’s to create a vital new portrait of one of our nation’s greatest literary treasures, and shows us how the writers we love and the stories we tell about ourselves make us who we are.

This bold, wide-ranging new collection - Mark Doty's sixth book of poems - demonstrates the unmistakable lyricism, fierce observation, and force of feeling that has made his poems matter to readers on both sides of the Atlantic. The new poems in Source deepen Doty's exploration of the paradox of selfhood. Are we edgeless and unbounded, or locked within our own singularity? What is it to be one person in the world's great multiplicity of selves? Source investigates matters of public life - the degradation of Walt Whitman's vision of a democratic America; a child's display of longing on a New York sidewalk; Provincetown's restless summer crowds. But the poems also turn toward the realm of private struggle: how the self is claimed and lost through desire, how the dapple of light on a hotel windowsill makes a claim for the life of the soul. Source is a complex, boldly coloured self-portrait; its muscular lines argue fiercely with the fact of limit and pulse with the drama of perception, the quest for forging meaning.

"Earth, My Likeness is a collection of poetry by Walt Whitman that focuses on nature and contains much of his best and most vital work accompanied by beautiful watercolor illustrations"--Provided by publisher.