An exploration of how gift exchange serves as a critical component in the preservation and perpetuation of one Native American tribe. Upon winning the CMA Book Award, Wedding Clothes and the Osage Community was praised as “a book that transcends its subject matter and helps us all see the possibilities of museum anthropology.” This study of the Osage Nation’s foundational cultural practice begins with an in-depth examination of the Mízhin form of marriage, which bound two extended Osage families together for economic, biologic, and social reasons intended to produce value and community cohesion for the larger society. Swan and Cooley then follow the movement of Osage bridal regalia from the Mízhin form of marriage into the “Paying for the Drum” ceremony of the Osage Ilonshka—a variant of the Plains Grass Dance, which is a nativistic movement that spread throughout the Plains and Prairie regions of the United States in the 1890s. The Ilonshka dance and its associated organization provide a spiritual charter for the survival of the ancient Osage physical divisions, or “districts” as they are called today. Swan and Cooley demonstrate how the process of re-chartering elements of material culture and their associated meanings from one ceremony to another serves as an example of the ways in which the Osage people have adapted their cultural values to changing economic and political conditions. At the core of this historical trajectory is a broad system of Osage social relations predicated on status, reciprocity, and cooperation. Through Osage weddings and the Ilonshka dance the Osage people reinforce and strengthen the social relations that provide a foundation for their respective communities.

Hidden away for years in a trunk welded shut, one wedding dress ties four brides together across time in their hour of decision. As Charlotte unravels the mystery of the dress and its prior owners, her own heart begins to reveal its truth. Charlotte owns a chic Birmingham bridal boutique. Dressing brides for their big day is her gift—and her passion. But with her own wedding day approaching, why can’t she find the perfect dress—or feel certain she should marry Tim? Then Charlotte purchases a vintage dress in a battered trunk at an estate sale. It looks brand-new, shimmering with pearls and satin, hand-stitched and timeless in its design. But where did it come from? Who wore it? Charlotte’s search for the gown’s history—and its new bride—begins as a distraction from her sputtering love life. But it takes on a life of its own as she comes to know the women who have worn the dress. Emily from 1912. Mary Grace from 1939. Hillary from 1968. Each with something unique to share. For woven within the threads of the beautiful hundred-year-old gown is the truth about Charlotte’s heritage, the power of courage and faith, and the beauty of finding true love. From?New York Times?bestseller and award-winning author Rachel Hauck comes a timeless tale of truth love and hearts desires. Multiple POV and timelines A clean and wholesome no spice romance with religious undertones Perfect for book clubs - featuring reading group discussion questions An excellent gift for birthdays, Christmas and holidays, or other occasions

Create a fantasy! Susan Khalje guides readers through the principles and techniques of designing, constructing, and embellishing wedding gowns and evening wear. Ideal for the bride-to-be or seamstress. Learn how to choose the right fabric, work with lace, and problem solve tricky construction issues.

For fashion buffs, romantics, and brides-to-be, a fascinating collection of wedding garb and glamour through pop culture and history. The Way We Wed: A History of Wedding Fashion presents styles and stories from the Renaissance to the present day, chronicling evolving fashions, classes, and expectations. And because all wedding attire has a tale to tell, The Way We Wed also reveals fascinating personal stories of those who wore it. While the book is a rich source of bridal inspiration for all seasons, it's far from a monotonous parade of white gowns. The Way We Wed showcases wedding gowns of all colors and styles from around the world, as well as going-away dresses, accessories (shoes, veils, hats, and tiaras), and clothes worn by flower girls, bridesmaids, mothers of the bride, and grooms. Same-sex weddings are represented along with royal weddings, wartime brides, White House weddings, remarriage, Hollywood weddings, and more. The book features celebrity and historical couples as well as everyday people. A few of the included names: Angelina Jolie Frida Kahlo Elizabeth Taylor Princess Diana Martha Washington Solange Knowles Ellen DeGeneres Meghan Markle Illustrated with 100 gorgeous photos, The Way We Wed is a rich celebration of the art of wedding fashion across time and cultures, and those whose style and circumstances made a statement.

This New York Times bestselling book is filled with hundreds of fun, deceptively simple, budget-friendly ideas for sprucing up your home. With two home renovations under their (tool) belts and millions of hits per month on their blog YoungHouseLove.com, Sherry and John Petersik are home-improvement enthusiasts primed to pass on a slew of projects, tricks, and techniques to do-it-yourselfers of all levels. Packed with 243 tips and ideas—both classic and unexpected—and more than 400 photographs and illustrations, this is a book that readers will return to again and again for the creative projects and easy-to-follow instructions in the relatable voice the Petersiks are known for. Learn to trick out a thrift-store mirror, spice up plain old roller shades, "hack" your Ikea table to create three distinct looks, and so much more.

From hand drawn sketches to stylised photographs at fashion shows, from backstage shots to close ups of accessories and details of the fabrics, the book contains an ample and varied selection of illustrations from renowned designers.

This book is the one. The Wedding Dress: How to Make the Perfect One for You offers many indispensable tips - Advice on dresses to flatter every body shape All the information you will need on equipment Fabrics: selection and types Sewing techniques How to work from patterns How to alter patterns Say "Yes" to the dressmaker. Professional dressmaker Becky Drinan guides you through the entire process of making your own made-to-measure wedding dress Picture Perfect. 500 stunning, colorful and enlightening photographs and 45 illustrations will help you create the perfect gown. In addition to the three beautiful and elegant gown patterns, you will learn to sew: a lace bolero three veil styles Presenting 3 gorgeous gowns. These gowns embody the key styles featured in a number of the designs throughout the book. You can get to work right away: Three pull-out pattern sheets are enclosed in a clever pocket at the back of the book.

In the tradition of beloved anthologies of women's essay writing, this collection offers twenty-six true stories from well-known writers and fresh new literary voices writing about a touchstone garment in a women’s lives--the wedding dress. These are intimate stories about relationships; not just those between men and women, but between women and their mothers, friends and children. And, of course, with their wedding attire – a relationship that is sometimes simple, sometimes complex, but always fascinating in what it tells us about individual lives and aspirations. Some of the tales are humorous – the bride whose skin turns fuchsia on her wedding night or the woman whose shopping-savvy aunt takes her to New York’s garment district. Some are romantic – the woman who puts on her dress eight years after her wedding only to be caught by her husband when he comes home early from work or the quickie immigration wedding that turned into the real thing. Some are devastating – the bride who loses her mother to illness only days before her wedding or the woman whose mother tells of being kidnapped by her future husband. And some are revealing – the woman who wears her first wedding dress for her initiation ceremony into a convent and her second to marry her beloved; the dress that waited patiently in a shop window and then hidden in a box on a closet shelf; the same-sex wedding at age eighty; the thrift shop wedding dress that gets used for everything but a wedding. All are honest, personal and profoundly moving. “Something Old” looks at how traditions like honouring one’s ancestors affected wedding dress choices, from a grandmother’s gift to a father’s old leather jacket, but also at how such traditions can play a role in ways you least expect. The pieces in “Something New” focus on dreams for the future, whether that means breaking away from the expectations of one’s family or choosing/creating a wedding dress (and a future) on your own. In “Something Borrowed,” writers tell of all the reasons behind borrowing (or trying to borrow!) dresses, for whatever reason, and “Something Blue . . . Or Peach . . . Or Striped . . . Or Floral . . .” looks at exactly that–the non-traditional choices women have made, and why. These stories run the gamut of experiences connected to the iconic dress and day. If we work away at the seams, even the simplest of wedding outfits reveals all manner of memories and meanings. And whether you’ve ever worn a wedding dress or not, the stories in this collection will have you looking with new eyes on your own life, and exploring what the words “wedding dress” mean to you. Contributors: Joanne Arnott Anita Rau Badami Adwoa Badoe Amy Cameron Stevie Cameron Sandra Campbell Anne Laurel Carter Lorna Crozier Rebecca Cunningham Laurie Elmquist Alisa Gordaneer Jessica Ruth Harris Kathleen Boyle Hatcher Rosemary Hood Michele Landsberg Mary T. Malone Jenny Manzer Ami McKay Jane Munro Margaret Goudie Parsons Gianna Patriarca Elyse Pomeranz Edeet Ravel Kerri Sakamoto Ilana Stanger-Ross Darla Tenold Susan Whelehan Jamie Zeppa

The Art of Clothing: A Pacific Experience is a collection of richly textured and tremendously engaging empirical studies of cloth and clothing in colonial and post-colonial Pacific contexts. By challenging readers to reconsider the very nature of the materiality of clothing, the editors productively situate this volume at the intersection of a number of ongoing interdisciplinary projects that are coalescing around an interest in cloth and clothing. The book as a whole speaks lucidly to issues of current concern in a wide range of academic fields - including cultural studies, material culture, Pacific history, art history, history of religions, and museum studies.

Beginning with the story of her mother's wedding dress, a perfect black French cocktail dress bought in 1960, writer and former Vogue editor Justine Picardie affirms what all of us may have suspected: that the real value of our wardrobes lies in the history and associations woven into our clothes. Combining tales of her own family and friends, intimate stories from the fashion business, and reflections on clothes in literature and pop culture, Picardie uncovers the truths that lie underneath what we wear. She reflects on the strange disappearance of garments we love; the allure of uniforms; the house that Chanel built; the bridal and ghostly qualities of women in white; the fate of a ring belonging to Charlotte Brontë; the power of scarlet clothing; how Donatella Versace, Karl Lagerfeld, and Claude Montana dress themselves; and how the clothes we inherit from loved ones link us to the departed. Rich with fascinating stories from the public and private worlds of fashion, My Mother's Wedding Dress is a gorgeously written book about what clothes cover up, and what they reveal. Justine Picardie is a journalist, novelist, and editor who lives in London. She is the author of If the Spirit Moves You: Life and Love After Death and the novel Wish I May, and the cowriter or editor of several other books. She was formerly the features editor of British Vogue and editor of the Observer magazine.