In the Fall of 1832 Washington Irving took part in what he called "a month foray beyond the outposts of human habitation, into the wilderness of the Far West." As was his habit, Irving kept a memorandum book, which he later expanded into A Tour on the Prairies, a real-life Western adventure in the third decade of the nineteenth century. His account is fresh and clear. He saw and makes his readers see the frontiersmen, the trappers, the Indians, and the troopers as they actually were in the 1830s.

Brian Jay Jones crafts a deft biography of the author of “The Legend of Sleepy Hollow” and “Rip van Winkle”: quintessential New Yorker, presidential confidant, diplomat, lawyer, and fascinating charmer. The first American writer to make his pen his primary means of support, Washington Irving rocketed to fame at the age of twenty-six. In 1809 he published A History of New York under the pseudonym Diedrich Knickerbocker, to great acclaim. The public’s appetite for all things Irving was insatiable; his name alone guaranteed sales. At the time, he was one of the most famous men in the world, a friend of Dickens, Hawthorne, and Longfellow, as well as Astor, van Buren, and Madison. But his sparkling public persona was only one side of this gentleman author. In brilliant, meticulous strokes, Brian Jay Jones renders Washington Irving in all his flawed splendor—someone who fretted about money and employment, suffered from writer’s block, and doggedly cultivated his reputation. Jones offers a very human portrait of the often contrasting public and private lives of this true American original.

"Now if there is any one class of their authors whom the American people do know rather better than any other, it is the American humorists, from Washington Irving to Bill Nye... We have tried to arrange our Library so as to include passages representative of every period and section." -The Associate Editors in the modern Introduction to Mark Twain's Library of Humor (1888) Mark Twain's Library of Humor (1875) is a collection of short humorous stories compiled by Mark Twain, including his own essays and those of other popular contemporary writers, such as Washington Irving, Harriet Beecher Stowe, Ambrose Bierce, and many others. This jacketed hardcover replica of the 1888 edition of Mark Twain's Library of Humor, with the authentic illustrations by E. W. Kemble, is an entertaining and humorous book for book lovers and Mark Twain aficionados.

A man who sleeps for twenty years in the Catskill Mountains wakes to a much-changed world.

Washington Irving-author, ambassador, Manhattanite, and international celebrity-has largely slipped from America's memory, and yet, his creations are still very well known. With a historian's eye for scope and significance, Andrew Burstein returns Irving to the context of his native nineteenth century where he was a major celebrity-both a colorful comic genius and the first name in our national literature. Though he gave his young nation such enduring tales as “The Legend of Sleepy Hollow” and “Rip Van Winkle,” he was far more than one of our nation's most outsized literary talents. Irving was an American original and a citizen of the world.

The last 50 years have proved a particularly lively period in the history of the short story form. This new collection gives a full picture of the richness and diversity of this most American of genres from its very beginnings to the present day. The collection offers a freshly stimulating combination of old favourites such as Mark Twain's 'Jim Smiley's Jumping Frog' and Edgar Allan Poe's 'The Tell-Tale Heart', unfamiliar works by well-known authors, such as Ernest Hemingway's 'Out of Season', Stephen Crane's 'An Episode of War' and F. Scott Fitzgerald's 'The Lost Decade' , and some remarkable stories by wonderful but less well known writers such as Mary Wilkins Freeman and Charles W. Chestnutt who deserve a wider audience. It's a compact book but it covers a lot of ground. There are 31 stories, covering 199 years (that is, the first story was published in 1807; the last is from 2006). The final three authors are Lorrie Moore, Jhumpa Lahiri and Lydia Davis. Table of contents Washington Irving - The Little Man in Black (1807) Nathaniel Hawthorne - Young Goodman Brown (1835) Edgar Allan Poe - The Tell-Tale Heart (1843) Fanny Fern - Aunt Hetty on Matrimony (1851) Mark Twain - Jim Smiley and His Jumping Frog (1865) Joel Chandler Harris - The Tar Baby Story (1880) Mary Wilkins Freeman - Two Friends (1887) Charles W. Chesnutt - The Wife of his Youth (1898) Henry James - The Real Right Thing (1899) Stephen Crane - An Episode of War (1899) O. Henry - Hearts and Hands (1903) Sherwood Anderson - The Untold Lie (1917) Ernest HemingwayOut of Season (1923) Edith Wharton - Atrophy (1927) Dorothy Parker - New York to Detroit (1928) Eudora Welty - The Whistle (1938) William Faulkner - Barn Burning (1939) F. Scott Fitzgerald - The Lost Decade (1939) Zora Neale Hurston - Now You Cookin' with Gas (1942) Bernard Malamud - The First Seven Years (1950) Flannery O'Connor - A Late Encounter with the Enemy (1953) John Updike - Sunday Teasing (1956) John Cheever - Reunion (1962) Grace Paley - Wants (1971) Alice Walker - The Flowers (1973) Donald Barthelme - I Bought a Little City (1974) Raymond Carver - Collectors (1975) Richard Ford - Communist (1985) Lorrie Moore - Starving Again (1990) Jhumpa Lahiri - The Third and Final Continent (1999) Lydia Davis - The Caterpillar (2006)

Washington Irving's Life of George Washington (published in five volumes in 1856-59) was the product of his last years and remains his most personal work. Christened with the name of the great general, Irving was blessed by Washington while still a boy of seven, and later came to know many of the prominent figures of the Revolution. In these pages he describes them using firsthand source material and observation. The result is a book which is fascinating not only for its subject (the American Revolution), but also for how it reveals in illuminating detail the personality and humanity of a now remote, towering icon. Here is an intimate portrait of Washington the man, from Virginia youth to colonial commander to commander-in-chief of the patriot army to first president and great guiding force of the American federation. But one cannot read Irving's Life without marveling at the supreme art behind it, for his biography is foremost a work of literature. Charles Neider's abridgment and editing of Irving's long out-of-print classic has created a literary work comparable in importance and elegance to the original. George Washington, A Biography, Neider's title for his edition of Irving's Life, makes the work accessible to modern audiences. The extensive introduction provides a detailed analysis of Irving's life and times, and the difficulties he faced as he worked against his own failing health to finish what he felt was his masterpiece. This new edition of the superb biography of America's first citizen by America's first literary artist remains as fresh and unique today as when it was penned.

Rough draughts of some of the following tales and essays were actually written during a residence in the Alhambra; others were subsequently added, founded on notes and observations made there. Care was taken to maintain local coloring and verisimilitude; so that the whole might present a faithful and living picture of that microcosm, that singular little world into which I had been fortuitously thrown; and about which the external world had a very imperfect idea. It was my endeavor scrupulously to depict its half Spanish, half Oriental character; its mixture of the heroic, the poetic, and the grotesque; to revive the traces of grace and beauty fast fading from its walls; to record the regal and chivalrous traditions concerning those who once trod its courts; and the whimsical and superstitious legends of the motley race now burrowing among its ruins.