Winner of the Frederick Jackson Turner Award Winner of James H. Broussard Best First Book Prize, SHEAR Winner of the Kemper and Leila Williams Prize in Louisiana History Winner of the Humanities Book of the Year Award, Louisiana Endowment for the Humanities “A brilliant book...This transformative work is a pivotal addition to the scholarship on American slavery.” —Annette Gordon-Reed “A stunning account of ‘high-risk, high-reward’ profiteering in the yellow fever–ridden Crescent City...a world in which a deadly virus altered every aspect of a brutal social system, exacerbating savage inequalities of enslavement, race, and class.” —John Fabian Witt, author of American Contagions “Olivarius’s new perspectives on yellow fever, immunocapitalism, and the politics of acclimation...will influence a generation of scholars to come on the intersections of racism, slavery, and public health.” —The Lancet In antebellum New Orleans, at the heart of America’s slave and cotton kingdoms, epidemics of yellow fever killed as many as 150,000 people. With little understanding of the origins of the illness—and meager public health infrastructure—one’s only hope if infected was to survive, providing the lucky few with a mysterious form of immunity. Repeated epidemics bolstered New Orleans’s strict racial hierarchy by introducing another hierarchy, a form of “immunocapital,” as white survivors leveraged their immunity to pursue economic and political advancement while enslaved Blacks were relegated to the most grueling labor. The question of health—who has it, who doesn’t, and why—is always in part political. Necropolis shows how powerful nineteenth-century Orleanians constructed a society that capitalized on mortal risk and benefited from the chaos that ensued.

From Roman burial rites to the horrors of the plague, from the founding of the great Victorian cemeteries to the development of cremation and the current approach of metropolitan society towards death and bereavement -- including more recent trends to displays of collective grief and the cult of mourning, such as that surrounding the death of Diana, Princess of Wales -- NECROPOLIS: LONDON AND ITS DEAD offers a vivid historical narrative of this great city's attitude to going the way of all flesh. As layer upon layer of London soil reveals burials from pre-historic and medieval times, the city is revealed as one giant grave, filled with the remains of previous eras -- pagan, Roman, medieval, Victorian. This fascinating blend of archaeology, architecture and anecdote includes such phenomena as the rise of the undertaking trade and the pageantry of state funerals; public executions and bodysnatching. Ghoulishly entertaining and full of fascinating nuggets of information, Necropolis leaves no headstone unturned in its exploration of our changing attitudes to the deceased among us. Both anecdotal history and cultural commentary, Necropolis will take its place alongside classics of the city such as Peter Ackroyd's LONDON.

A "dark and funny debut"(Seattle-Times) about a young police officer struggling to maintain a sense of reality in a town where the dead outnumber the living. Colma, California, the "cemetery city" serving San Francisco, is the resting place of the likes of Joe DiMaggio, Wyatt Earp, and William Randolph Hearst. It is also the home of Michael Mercer, a by-the-book rookie cop struggling to settle comfortably into adult life. Instead, he becomes obsessed with the mysterious fate of his predecessor, Sergeant Wes Featherstone, who spent his last years policing the dead as well as the living. As Mercer attempts to navigate the drama of his own daily life, his own grip on reality starts to slip-either that, or Colma's more famous residents are not resting in peace as they should be.

An author visiting Jerusalem is pulled into a stranger’s mysterious death in this gripping, moving novel by one of Colombia’s major literary voices. Winner of the La Otra Orilla Literary Award Upon recovering from a prolonged illness, an author is invited to a literary gathering in Jerusalem that turns out to be a most unusual affair. In the conference rooms of a luxury hotel, as war rages outside, he listens to a series of extraordinary life stories: the saga of a chess-playing duo, the tale of an Italian porn star with a socialist agenda, the drama of a Colombian industrialist who has been waging a longstanding battle with local paramilitaries, and many more. But it is José Maturana—evangelical pastor, recovering drug addict, ex-con—with his story of redemption at the hands of a charismatic tattooed messiah from Miami, Florida, who fascinates the author more than any other. Maturana’s language is potent and vital, and his story captivating. Hours after his stirring presentation to a rapt audience, however, Maturana is found dead in his hotel room. At first it seems likely that he has taken his own life. But there are a few loose ends that don’t support the suicide hypothesis, and the author is moved by Maturana’s life story to discover the truth about his death, in a literary mystery from “one of the most interesting Latin American writers . . . his most ambitious novel yet” (La Nación). “A modern Decameron.” —La Liberté

By the 1890s, Siam (Thailand) was the last holdout against European imperialism in Southeast Asia. But the kingdom's exceptional status came with a substantial caveat: Bangkok, its bustling capital, was a port city that was subject to many of the same legal and fiscal constraints as other colonial treaty ports. Sovereign Necropolis offers new insight into turn-of-the-century Thai history by disinterring the forgotten stories of those who died "unnatural deaths" during this period and the work of the Siamese state to assert their rights in a pluralistic legal arena. Based on a neglected cache of inquest files compiled by the Siamese Ministry of the Capital, official correspondence, and newspaper accounts, Trais Pearson documents the piecemeal introduction of new forms of legal and medical concern for the dead. He reveals that the investigation of unnatural death demanded testimony from diverse strata of society: from the unlettered masses to the king himself. These cases raised questions about how to handle the dead—were they spirits to be placated or legal subjects whose deaths demanded compensation?—as well as questions about jurisdiction, rights, and liability. Exhuming the history of imperial politics, transnational commerce, technology, and expertise, Sovereign Necropolis demonstrates how the state's response to global flows transformed the nature of legal subjectivity and politics in lasting ways. A compelling exploration of the troubling lives of the dead in a cosmopolitan treaty port, the book is a notable contribution to the growing corpus of studies in science, law, and society in the non-Western world.

Although Benjamin is psyched to be living in Lemuria full time, he knows he needs to find his last brother soon.

A fascinating history of Undercliffe Victorian Cemetery - 'works of art', created as much for the living as they were for the dead.

“An elegant page-turner of nineteenth-century detective fiction.” –The Washington Post Book World One rainy morning in 1871 in lower Manhattan, Martin Pemberton a freelance writer, sees in a passing stagecoach several elderly men, one of whom he recognizes as his supposedly dead and buried father. While trying to unravel the mystery, Pemberton disappears, sending McIlvaine, his employer, the editor of an evening paper, in pursuit of the truth behind his freelancer’s fate. Layer by layer, McIlvaine reveals a modern metropolis surging with primordial urges and sins, where the Tweed Ring operates the city for its own profit and a conspicuously self-satisfied nouveau-riche ignores the poverty and squalor that surrounds them. In E. L. Doctorow’s skilled hands, The Waterworks becomes, in the words of The New York Times, “a dark moral tale . . . an eloquently troubling evocation of our past.” “Startling and spellbinding . . . The waters that lave the narrative all run to the great confluence, where the deepest issues of life and death are borne along on the swift, sure vessel of [Doctorow’s] poetic imagination.” –The New York Times Book Review “Hypnotic . . . a dazzling romp, an extraordinary read, given strength and grace by the telling, by the poetic voice and controlled cynical lyricism of its streetwise and world-weary narrator.” –The Philadelphia Inquirer “A gem of a novel, intimate as chamber music . . . a thriller guaranteed to leave readers with residual chills and shudders.” –Boston Sunday Herald “Enthralling . . . a story of debauchery and redemption that is spellbinding from first page to last.” –Chicago Sun-Times “An immense, extraordinary achievement.” –San Francisco Chronicle

The great medieval necropolis of Cairo, comprising two main areas that together stretch twelve kilometers from north to south, constitutes a major feature of the city's urban landscape. With monumental and smaller-scale mausolea dating from all eras since early medieval times, and boasting some of the finest examples of Mamluk architecture not just in the city but in the region, the necropolis is an unparalleled--and until now largely undocumented--architectural treasure trove. In Architecture for the Dead, architect Galila El Kadi and photographer Alain Bonnamy have produced a comprehensive and visually stunning survey of all areas of the necropolis. Through detailed and painstaking research and remarkable photography, in text, maps, plans, and pictures, they describe and illustrate the astonishing variety of architectural styles in the necropolis: from Mamluk to neo-Mamluk via baroque and neo-pharaonic, from the grandest stone buildings with their decorative domes and minarets to the humblest--but elaborately decorated--wooden structures. The book also documents the modern settlement of the necropolis by families creating a space for the living in and among the tombs and architecture for the dead.

Introverted scholar Percival Endicott Whyborne has spent the last few months watching his lover, Griffin Flaherty, come to terms with the rejection of his adoptive family. So when an urgent telegram from Christine summons them to Egypt, Whyborne is reluctant to risk the fragile peace they've established. Until, that is, a man who seems as much animal as human tries to murder Whyborne in the museum.Amidst the ancient ruins of the pharaohs, they must join Christine and face betrayal, murder, and a legendary sorceress risen from the dead. In the forge of the desert heat, the trio will either face their fears and stand together-or shatter the bonds between them forever.