Describes how to select a pet rat, what to feed it, and when to take it to the vet, as well as how to keep a pet scrapbook.

Making Mice blends scientific biography, institutional history, and cultural history to show how genetically standardized mice came to play a central role in contemporary American biomedical research. Karen Rader introduces us to mouse "fanciers" who bred mice for different characteristics, to scientific entrepreneurs like geneticist C. C. Little, and to the emerging structures of modern biomedical research centered around the National Institutes of Health. Throughout Making Mice, Rader explains how the story of mouse research illuminates our understanding of key issues in the history of science such as the role of model organisms in furthering scientific thought. Ultimately, genetically standardized mice became icons of standardization in biomedicine by successfully negotiating the tension between the natural and the man-made in experimental practice. This book will become a landmark work for its understanding of the cultural and institutional origins of modern biomedical research. It will appeal not only to historians of science but also to biologists and medical researchers.

Since time immemorial mankind has taken it upon himself to wage war against nature -- against those species of birds and mammals which he believes conflict with his livelihood. This remarkable book documents the history of that battle in England and Wales from the Middle Ages, shedding a new light on the history of our much-loved wildlife.

A manual for constructing talismans, mixing magical compounds, summoning planetary spirits, and determining astrological conditions, Picatrix is a cornerstone of Western esotericism. It offers important insights not only into occult practices and beliefs but also into the transmission of magical ideas from antiquity to the present. Dan Attrell and David Porreca’s English translation opens the world of this vital medieval treatise to modern-day scholars and lay readers. The original text, Ghāyat al-Ḥakīm, was compiled in Arabic from over two hundred sources in the latter half of the tenth century. It was translated into Castilian Spanish in the mid-thirteenth century, and shortly thereafter into Latin. Based on David Pingree’s edition of the Latin text, this translation captures the spirit of Picatrix’s role in the European tradition. In the world of Picatrix, we see a seamless integration of practical magic, earnest piety, and traditional philosophy. The detailed introduction considers the text’s reception through multiple iterations and includes an enlightening statistical breakdown of the rituals described in the book. Framed by extensive research on the ancient and medieval context that gave rise to the Latin version of the text, this translation of Picatrix will be an indispensable volume for students and scholars of the history of science, magic, and religion and will fascinate anyone interested in the occult.

'A triumphant family memoir' Hallie Rubenhold 'Powerfully told...an impressive work' The Times 'Gives a voice to the voiceless' Australian Book Review In this remarkable book, Carmen Callil discovers the story of her British ancestors, beginning with her great-great grandmother Sary Lacey, born in 1808, an impoverished stocking frame worker. Through detailed research, we follow Sary from slum to tenement and from pregnancy to pregnancy. We also meet George Conquest, a canal worker and the father of one of Sary's children. George was sentenced - for a minor theft - to seven years' transportation to Australia, where he faced the extraordinary brutality of convict life. But for George, as for so many disenfranchised British people like him, Australia turned out to be his Happy Day. He survived, prospered and eventually returned to England, where he met Sary again, after nearly thirty years. He brought her out to Australia, and they were never parted again. A miracle of research and fuelled by righteous anger, Oh Happy Day is a story of Empire, migration and the inequality and injustice of nineteenth-century England. 'A remarkable tale...drawing chilling parallels to the inequalities of our times' Observer