Published on the occasion of an exhibition of works from the Harry Ransom Center, University of Texas at Austin, held there, August 15, 2016-January 1, 2017.

The first major monograph on the leading Magnum photographer, Elliott Erwitt.

The Man Booker Prize-winning author of The Sea gives us a brilliant novel about an actor in the twilight of his life and his career: “a devastating account of a boy’s sexual awakening and the loss of his childhood…. Seamless [and] profound ... An unsettling and beautiful work.” —Wall Street Journal Is there a difference between memory and invention? That is the question that haunts Alexander Cleave as he reflects on his first, and perhaps only, love—an underage affair with his best friend’s mother. When his stunted acting career is suddenly, inexplicably revived with a movie role playing a man who may not be who he claims, his young leading lady—famous and fragile—unwittingly gives him the opportunity to see, with startling clarity, the gap between the things he has done and the way he recalls them. Profoundly moving, Ancient Light is written with the depth of character, clarifying lyricism, and heart-wrenching humor that mark all of Man Booker Prize-winning author John Banville’s extraordinary works.

Nick Waplington was born on Bikini Atol and lives and works in London. The Indecisive Memento is his fifth book, previous titles include Safety In Numbers 1997 and Other Edens 1993. He is currently riding his unicycle from London to Beijing to hightlight the plight of paparazzi photographers whose livelihood is being threatened by the advent of digital technology and overzealous protectionist new legislation.

This book has been an opportunity for Erwitt to revisit the photographs he made in his early career and to uncover meaning upon second glance which was not apparent when the image was originally taken. The master of visual one-liners--bold statement images replete with humour, irony and acknowledged absurdity--the photographs selected for this book are quieter, more subtle and suggest Erwitt's increasing confidence in his own eye. By selecting these photographs he has begun to both examine and challenge how his younger self saw the world.

At their best, the pictures add to our understanding of the surface event documented and reveal something profound about the people pushing that history forward. — The Los Angeles Times Available for the first time in an accessible paperback edition, this groundbreaking book presents a remarkable selection of contact sheets and ancillary material, revealing how the most celebrated Magnum photographers capture and edit the very best shots. Addressing key questions of photographic practice, the book illuminates the creative methods, strategies, and editing processes behind some of the world’s most iconic images. Featured are 139 contact sheets from sixty- nine photographers, as well as zoom-in details, selected photographs, press cards, notebooks, and spreads from contemporary publications including Life magazine and Picture Post. Further insight into each contact sheet is provided by texts written by the photographers themselves or by experts chosen by the members’ estates. Many of the acknowledged greats of photography are featured, including Henri Cartier- Bresson, Elliott Erwitt, and Inge Morath, as well as such members of Magnum’s latest generation as Jonas Bendiksen, Alessandra Sanguinetti, and Alec Soth. The contact sheets cover over seventy years of history, from Robert Capa’s Normandy landings and the Paris riots of 1968 via Bruno Barbey, to images of Che Geuvara by René Burri, Malcolm X by Eve Arnold, and portraits of classic New Yorkers by Bruce Gilden.

Elliott Erwitt’s eye for humor catches at the same time the subtle hint of tragedy. Seeing what few others see, and capturing it for all of us, is the essence of Personal Exposures. For this volume Elliott painstakingly culled the work of a lifetime, rediscovering prints he had not seen in years and creating a unified whole that reflects a consistent, mature vision of photography and humanity. Here are men, women, and children in off-guard moments; old people; little girls hamming it up; and even various dogs, who have their own preoccupations. The pictures reflect a lifetime of humorous, ironic observation and sensitivity to the human condition.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

In 1950, Robert Frank left his job as a photographer in New York to travel through Europe with his family. That summer he arrived in Valencia, Spain, which was at the time a humble, bleak place enduring the austere conditions of the postwar period like the rest of the country. The pictures Frank took of Valencia depict the daily life of a fishing village. The photographs in this book, many of which have never been published before, allow dignity to override poverty.