In Unruly Words, Diana Raffman advances a new theory of vagueness which, unlike previous accounts, is genuinely semantic while preserving bivalence. According to this new approach, called the multiple range theory, vagueness consists essentially in a term's being applicable in multiple arbitrarily different, but equally competent, ways, even when contextual factors are fixed.

This is a major descriptive study of linguistic vagueness. It argues that strategies for being vague constitute a key aspect of the communicative competence of the native speaker of English.

As planners and designers have turned their attentions to the blighted, vacant areas of the city, the concept of "terrain vague," has become increasingly important. Terrain Vague seeks to explore the ambiguous spaces of the city -- the places that exist outside the cultural, social, and economic circuits of urban life. From vacant lots and railroad tracks, to more diverse interstitial spaces, this collection of original essays and cases presents innovative ways of looking at marginal urban space, with studies from the United States, Europe and the Middle East, from a diverse group of planners, geographers, and urban designers. Terrain Vague is a cooperative effort to redefine these marginal spaces as a central concept for urban planning and design. Presenting innovative ways of looking at marginal urban space, and focusing on its positive uses and aspects, the book will be of interest to all those wishing to understand our increasingly complex everyday surroundings, from planners, cultural theorists, and academics, to designers and architects.

VAGUE DIRECTION: A 12,000 mile bicycle ride, and the meaning of life. Watch the book trailer on YouTube: https://youtu.be/L4qGBNJkr5c The road. A place to escape, learn, and grow. A place where experiences are had, and memories formed, all of which will stay with you forever. This is the story of a year long North American bicycle journey. After all, there's a lot that happens when you get burned out, quit your job, sell everything, and leave to ride a bike for thousands of miles on another continent. You learn a lot - about yourself, about the fascinating people you encounter along the way, and maybe, just maybe, about life itself. From guns to God, death to happiness, bears to isolation, murders to crashes, frustration to joy. This book will make you reconsider life's priorities - it tackles some of the big questions in an entertaining and relatable way, and it may just inject a wanderlust and sense of adventure into your everyday thoughts. Come along with Dave as he rides his bicycle for a year, for more than 12,000 miles around North America. Along the way, he consistently meets remarkable people (such as Singing Cowgirls, Hunters, Drug Dealers & Movie Directors), and has an unforgettable experience which we can all learn from. --- "A wake-up call to anyone sleepwalking through life..." Boneshaker Magazine "Different from most cycling epics in the best way. It's more personal, often hilarious, and sometimes heartwarming, and it'll make you want to start your own adventure..." Molly Hurford - Bicycling Magazine "You don't even need to be a cyclist to be enthralled in Dave's experiences and reflections. Told with pace and charm, a wonderful account of a grand adventure." Mark Beaumont - RTW Cycling World Record Holder & BBC Presenter

Vague language ('bags of time', 'doing stuff', 'and all that') is an aspect of communicative competence of considerable social importance. This book examines its function. It spans genre analysis, critical discourse analysis, psycholinguistics and cross-cultural sociolinguistics, and suggests applications in TEFL and directions for future research.

This unique anthology of new, contributed essays offers a range of perspectives on various aspects of ontic vagueness. It seeks to answer core questions pertaining to onticism, the view that vagueness exists in the world itself. The questions to be addressed include whether vague objects must have vague identity, and whether ontic vagueness has a distinctive logic, one that is not shared by semantic or epistemic vagueness. The essays in this volume explain the motivations behind onticism, such as the plausibility of mereological vagueness and indeterminacy in quantum mechanics and they offer various arguments both for and against ontic vagueness; onticism is also compared with other, competing theories of vagueness such as semanticism, the view that vagueness exists only in our linguistic representation of the world. Gareth Evans’s influential paper of 1978, “Can There Be Vague Objects?” gave a simple but cogent argument against the coherence of ontic vagueness. Onticism was subsequently dismissed by many. However, in recent years, researchers have become aware of the logical gaps in Evans’s argument and this has triggered a new wave of interest in onticism. Onticism is now widely regarded as at least a coherent view. Reflecting this growing consensus, the present anthology for the first time puts together essays that are focused on onticism and its various facets and it fills in the lacuna in the literature on vagueness, a much-discussed subject in contemporary philosophy.

As planners and designers have turned their attentions to the blighted, vacant areas of the city, the concept of "terrain vague," has become increasingly important. Terrain Vague seeks to explore the ambiguous spaces of the city -- the places that exist outside the cultural, social, and economic circuits of urban life. From vacant lots and railroad tracks, to more diverse interstitial spaces, this collection of original essays and cases presents innovative ways of looking at marginal urban space, with studies from the United States, Europe and the Middle East, from a diverse group of planners, geographers, and urban designers. Terrain Vague is a cooperative effort to redefine these marginal spaces as a central concept for urban planning and design. Presenting innovative ways of looking at marginal urban space, and focusing on its positive uses and aspects, the book will be of interest to all those wishing to understand our increasingly complex everyday surroundings, from planners, cultural theorists, and academics, to designers and architects.

In Vague Language, Elasticity Theory and the Use of 'Some', Nguyet Nhu Le and Grace Qiao Zhang present the first comprehensive study of the word 'some', focusing on its elasticity. In particular, they consider how 'some' is both a quantifier and a qualifier, has positive or negative meanings, and has local and global interpretations. They show that the word is used across a meaning continuum and can be used to convey a range of states, including approximation, uncertainty, politeness, and evasion. Finally, they demonstrate that the functions of 'some' are also multi-directional and non-categorical, consisting of four major functions (right amount of information, mitigation, withholding information, and discourse management). Based on naturally-occurring classroom data of L1 (American English) and L2 (Chinese- and Vietnamese-speaking learners of English) speakers, Vague Language shows that L2 speakers used 'some' more than L1 speakers and explores the significance of this, particularly taking account of speakers' language ability and cultural backgrounds. While this book focuses on the single word 'some', the authors' discussion has important implications for language studies more generally, as they call for a rethinking of our approaches to language study and more attention to its elasticity.

"Vague" began, as it happened, a few months after "England's Dreaming" left off: in the post-punk diaspora of late 1979. Turning nineteen years old in sunny Salisbury, Tom Vague began by featuring local punk bands as well as all the major acts that passed through or nearby - the Banshees, the Cure, the Ruts, Joy Division, Red Krayola, the Gang of Four, Clash, Adam and the Ants. It wasn't a pure punk fanzine - it was too late for that - but matched punk irreverence with the overall feeling of experimentation that still existed at the end of the 1970's. Over the first few issues, "Vague" continued to work out the possibilities of independence - in all senses of the word - that had been pioneered in 1976 by Mark Perry (fanzines) and in 1977 by Buzzcocks and the Desperate Bicycles (seven inch records). The whole point about fanzines and DIY singles was that you didn't have to do what everyone else did. So "Vague" mixed up reviews with Perry Harris' cartoons and what Tom describes as 'stream of consciousness prose' that reflected the chaos and the intimacy of the moment. Vague followed the post-punk strands - from the Ants to Goth to Crass to Psychobillies and Positive Punks - through to the mid 80's, and Tom's commentary precisely dates the changes. In the notes for Issue 12, July 1982, he observes that 'it was around this time that the number of exaggerated Mac Curtis haircuts increased around London and Theatre of Hate indirectly started the punkabilly cult, which consisted of disillusioned young Ants fans and reformed punky types, largely Londoners. Suddenly everyone started to look like Kirk Brandon'. Tom Vague recorded the present without any thought to posterity. Because he noted the moment so thoroughly, he became a historian, providing a record of Punk's most obdurate and persistent strands. In documenting the chaos of the 1980's from within, he has preserved a forgotten narrative of that decade: not Live Aid, New Romantic Pop or Thatcher, but a dogged and anarchic strand of youth culture that persisted into the flowering of rave in the early 90's. This collection should be read by any serious enquirer into the period." (Jon Savage : 2017)

This book is a comparative study of vague language based on naturally occurring data of L1 and L2 speakers in academic settings. It explores how L2 learners have diverse and culturally specific needs for vague language compared with L1s, and are generally vaguer.