This is a reference guide to the most important aspects of the language as it is used by native speakers today.

Chiefly on Urdu poetry.

An introduction to the Urdu language offers lessons on grammar, vocabulary, and the letters of the Urdu alphabet and how they are used in words and sentences.

Colloquial Urdu is easy to use and completely up-to-date. Written by experienced teachers for self-study or class-use, the course offers you a step-by-step approach to spoken and written Urdu.

This book sheds light on the complex relationship between Hindi and Urdu. Through a detailed reading of a representative set of 20th century short stories in both languages, the author leads the reader towards a clear definition of the differences between Hindi and Urdu. The full translations of the stories have been extensively annotated to point out the details in which the Hindi and Urdu versions differ. An overview of early and contemporary Hindi/Urdu and Hindustani grammars and language teaching textbooks demonstrates the problems of correctly naming and identifying the two languages. This book now offers a detailed and systematic database of syntactic, morphological and semantic differences between the selected Hindi and Urdu stories. A useful tool for all scholars of modern Hindi/Urdu fiction, (socio-)linguistics, history or social sciences.

Selected Urdu ghazals with English translation; includes text and introduction.

Mirza Asadu'llah Khan Ghalib was the brightest luminary of his time in the South Asian, Muslim literary community. A poet in Urdu and Persian, he was endowed with exquisite imagination, sparkling wit, and a charming presence. Ghalib was a brilliant conversationalist, skilled in the art of human relations. In the last twenty years of his life, the political conditions of northern India caused the death or dispersion of many of his best friends. He satisfied his gregarious urges by writing exquisite letters in Urdu, in a delightfully conversational style. By these means Ghalib kept in touch with his scattered friends. These letters were so novel in style that the first collection was published only a month after the poet's death. In this book, Daud Rahbar provides thoroughly annotated English versions of 170 Urdu letters. These letters exemplify the possibility of elevating human relations to an art form, and Rahbar's translation reproduces the delicate flavor of the original Urdu prose.

This book takes a detailed look at two differing complex predicates in the South Asian language Urdu. The Urdu permissive in particular brings into focus the problem of the syntax-semantics mismatch. An examination of the syntactic properties of this complex predicate shows that it is formed by the combination of two semantic heads, but that this combination is not mirrored in the syntax in terms of any kind of syntactic or lexical incorporation.

Some of the best Urdu short stories, from the earliest to contemporary works, come together in this anthology; all in brand new translations. Some of the stories included here are available in different anthologies in other translations, but there are also several that have been translated for the first time, specifically for this volume. The book demonstrates the range of the genre in Urdu.