Discusses over forty stories of improbable events told as true and embelished with local details which the author calls urban legends.

Uniquely covering literary, visual and performative expressions of culture, this volume aims to correlate the conjunctions of nation building, gender and representation in late 19th and early 20th century China and Japan. Focusing on gender formation, the chapters explore the changing constructs of masculinities and femininities in China and Japan from the early modern up to the 1930s. Chapters focus on the dynamism that links the remodeling of traditional arts and media to the political and cultural power relations between China, Japan, and the Western world. A true tribute to multidisciplinary studies.

In Intoxicating Shanghai, Paul Bevan explores the work of a number of Chinese modernist figures in the fields of literature and the visual arts, with an emphasis on the literary group the New-sensationists and its equivalents in the Shanghai art world, examining the work of these figures as it appeared in pictorial magazines. It undertakes a detailed examination into the significance of the pictorial magazine as a medium for the dissemination of literature and art during the 1930s. The research locates the work of these artists and writers within the context of wider literary and art production in Shanghai, focusing on art, literature, cinema, music, and dance hall culture, with a specific emphasis on 1934 – ‘The Year of the Magazine’.

font size="+1" 'Genius... Fetto delves deep into her knowledge of the ultimate make-up and skincare essentials for women of colour. Read for the tips, ogle for the illustrations' ELLE/font size font size="+1"'The beauty bible we've all been dreaming of' BUSTLE/font size font size="+1"'Dedicated to women of colour, but one that we all can learn from' CAROLINE HIRONS/font size font size="+1"'A sophisticated and timeless book' STRATEGIST/font size AS FEATURED IN GLAMOUR, METRO, DAILY TELEGRAPH AND OBSERVER AN INDEPENDENT SELECTION FOR AUTUMN 2019 A GRAZIA BEAUTY BOOK CLUB PICK 'This ground-breaking, first-of-its-kind book is not only destined to become the beauty bible for women of colour everywhere, it is also a significant, relevant and influential voice in the conversation around inclusivity. Essential reading' EDWARD ENNINFUL The idea for Palette came to Vogue Contributing Beauty Editor Funmi Fetto after years of being asked by friends, family and strangers on the street for advice on products suitable for women of colour, who often find themselves excluded from mainstream beauty coverage. Following on from her career in journalism where she has extended the beauty conversation in publications such as the Observer - for whom she writes a weekly column - and written in an honest, elegant and engaging style, Fetto covers all the hair, skincare, makeup and body products available today which really work for women of colour. 'If anyone is going to decode beauty's most inclusive and brilliant products, it should be Funmi. This woman really knows her stuff and delivers it in such warm and chatty way. It's a bit like going shopping with your very beauty savvy best friend who happens to have a wicked sense of humour' LISA ELDRIDGE 'Warm, witty and welcoming' GAL-DEM

The groundbreaking book that launched America's urban legend obsession! Folklore scholar Jan Harold Brunvand assembles the best-known urban legends—including "The Hook," "The Spider in the Hairdo," and "The Baby-Sitter and the Man Upstairs"—and provides an enlightening and entertaining analysis of their variants and evolution. The Vanishing Hitchhiker was Professor Brunvand's first popular book on urban legends, and it remains a classic. The culmination of twenty years of collection and research, this book is a must-have for urban legend lovers.

Photographer Nick Baer presents his today's male models! Thirty-six models, in their 20s and 30s, athletic and artistic models, of a variety of ethnic backgrounds. Full frontal male nudity, color, 40 pages.

This book presents practical guidelines and recommendations for the design in seismic-prone regions. It is based on extensive research and it includes original drawings and sketches at the macro and micro levels. It is the first time that an attempt has been made to publish a book on urban design in the seismic-prone regions, covering the needs of government officials, planners, economists, architects, engineers and scientists, with the purpose of planning for seismic risk reduction and the practical implementation of methodologies and findings in earthquake affected regions. The guidelines presented are expected to be immensely beneficial to all countries in the earthquake prone regions, particularly in the developing world.

Inhalt: Birgit TAUTZ: Introduction: Color and Ethnic Difference or Ways of Seeing Part I: 1800 Gudrun HENTGES: Die Erfindung der 'Rasse' um 1800 - Klima, Säfte und Phlogiston in de Rassentheorie Immanuel Kants Wendy SUTHERLAND: Black Skin, White Skin and the Aesthetics of the Female Body in: Karl Friedrich Wilhelm Ziegler's Die Mohrinn Daniel PURDY: The Whiteness of Beauty: Weimar Neo-Classicism and the Sculptural Transcendence of Color Assenka OKSILOFF: The Eye of the Ethnographer: Adalbert von Chamisso's Voyage Around the World Part II: 1900 Thomas R. MILLER: Seeing Eyes, Reading Bodies: Visuality, Race and Color Perception or a Threshold in the History of Human Sciences Andreas MICHEL: "Our European Arrogance": Wilhelm Worringer and Carl Einstein on Non-European Art Nana BADENBERG: Mohrenwäschen, Völkerschauen: Der Konsum des Schwarzen um 1900 Fatima EL-TAYEB: "We are Germans, We are Whites, and We Want to Stay White!" African Germans and Citizenship in the early 20th Century Part III: 2000 Uli LINKE: Shame on the Skin: Post-Holocaust Memory and the German Aesthetics of Whiteness Christine ACHINGER: Colouring the invisible: The figure of the 'black drug dealer' as a projection of socially produced fears Helen CAFFERTY: Orfeo and Sam: Racial, Sexual, and Ethnic Otherness in Dörrie's Keiner liebt mich (1994) and Sanoussi-Bliss' Zurück auf los (1999) Birgit TAUTZ: Epilog: Farblose Räume