"No matter how fast they run...time is running out. Can the Creekside Crew reach their friends before it’s too late? There are some things scarier than zombies. For the people of Fort Ross, it's the raiders who have arrived on their doorstep. Kate and her companions are their only hope. But the road to Fort Ross isn't easy. There are wildfires . . .and intelligent alpha zombies. Can Kate outmaneuver the alpha zoms and get to Fort Ross before it's too late?"--Back cover.

Explores the intersection of the vampire and zombie with 21st Century dystopian and post-apocalyptic cinemaTwenty-first century film and television is overwhelmed with images of the undead. Vampires and zombies have often been seen as oppositional: one alluring, the other repellant; one seductive, the other infectious. With case studies of films like I Am Legend and 28 Days Later, as well as TV programmes like Angel and The Walking Dead, this book challenges these popular assumptions and reveals the increasing interconnection of undead genres. Exploring how the figure of the vampire has been infused with the language of science, disease and apocalypse, while the zombie text has increasingly been influenced by the trope of the areluctant vampire, Stacey Abbott shows how both archetypes are actually two sides of the same undead coin. When considered together they present a dystopian, sometimes apocalyptic, vision of twenty-first century existence.Key featuresRather than seeing them as separate or oppositional, this book explores the intersection and dialogue between the vampire and zombie across film and televisionMuch contemporary scholarship on the vampire focuses on Dark Romance, while this book explores the more horror-based end of the genreOffers a detailed discussion of the development of zombie televisionProvides a detailed examination of Richard Mathesons I Am Legend, including the novel, the script, the adaptations and the BBFCs response to Mathesons script

"Soules's excellent book makes sense of the capitalist forces we all feel but cannot always name... Icebergs, Zombies, and the Ultra Thin arms architects and the general public with an essential understanding of how capitalism makes property. Required reading for those who think tomorrow can be different from today."— Jack Self, coeditor of Real Estates: Life Without Debt In Icebergs, Zombies, and the Ultra Thin, Matthew Soules issues an indictment of how finance capitalism dramatically alters not only architectural forms but also the very nature of our cities and societies. We rarely consider architecture to be an important factor in contemporary economic and political debates, yet sparsely occupied ultra-thin "pencil towers" develop in our cities, functioning as speculative wealth storage for the superrich, and cavernous "iceberg" homes extend architectural assets many stories below street level. Meanwhile, communities around the globe are blighted by zombie and ghost urbanism, marked by unoccupied neighborhoods and abandoned housing developments. Learn how the use of architecture as an investment tool has accelerated in recent years, heightening inequality and contributing to worldwide financial instability: • See how investment imperatives shape what and how we build, changing the very structure of our communities • Delve into high-profile projects, like the luxury apartments of architect Rafael Viñoly's 432 Park Avenue • Understand the convergence of technology, finance, and spirituality, which together are configuring the financialized walls within which we eat, sleep, and work Includes dozens of photos and drawings of architectural phenomena that have changed the way we live. Essential reading for anyone interested in architecture, design, economics, and understanding the way our world is formed.

Celebrates zombie pop culture that has evolved since "Night of the Living Dead," tracing early mythological origins in African folklore and Haitian voodoo as well as modern incarnations in film, literature, and video gaming.

Phenomenal Cosmic Power...Itty Bitty Moral Compass With paranormal activity at an all-time high, Arturo Brooks and Edward Smith decide to stop working for others and form their own paranormal detective agency. They're not the only ones. The market is saturated, and they struggle to find even a single client. That changes following a chance encounter with a genie that doesn't grant wishes so much as do whatever the hell it wants. The detectives' reality is completely upended—for better and worse. Better for them. Worse for the world. Brooks and Smith have to set things right, but their attempts at doing so are complicated by a genie-thieving venture capitalist, self-sabotage, and a newer, stupider detective in town. Some wishes really can’t come true. About the Series From the mind of award-winning author* Martina Fetzer, the Brooks & Smith series brings fast-paced science fiction and fantasy with an emphasis on humor. It follows two detectives and their makeshift family on a series of increasingly absurd adventures. These books are often silly, sometimes dark, and never child friendly. *1996, 1997, 1998 Oakview Elementary Perfect Attendance Award

Zombies, killer dresses, and ancient curses prove that Halloween in Threadville can be sew spooky… It’s early October, and hordes of visitors have descended on the tiny, celebrated village of Threadville, Pennsylvania, to attend a Halloween crafts fair, a zombie retreat, and the wedding of Edna Battersby—dear friend to Willow Vanderling, owner of the chic machine embroidery boutique, In Stitches. As a friendly prank for Edna’s wedding, Willow and the rest of the Threadville gang have fashioned an overly extravagant hoopskirt, complete with lights and music. But in a bizarre turn of events, the garish gown is implicated in a mysterious lakeside murder. Now Willow must follow a trail of glow-in-the-dark thread, delve into ancient Egyptian curses, and creep through a haunted graveyard to unearth a killer—before she becomes the next fashion victim…

Godzilla, a traditional natural monster and representation of cinema’s subgenre of natural attack, also provides a cautionary symbol of the dangerous consequences of mistreating the natural world—monstrous nature on the attack. Horror films such as Godzilla invite an exploration of the complexities of a monstrous nature that humanity both creates and embodies. Robin L. Murray and Joseph K. Heumann demonstrate how the horror film and its offshoots can often be understood in relation to a monstrous nature that has evolved either deliberately or by accident and that generates fear in humanity as both character and audience. This connection between fear and the natural world opens up possibilities for ecocritical readings often missing from research on monstrous nature, the environment, and the horror film. Organized in relation to four recurring environmental themes in films that construct nature as a monster—anthropomorphism, human ecology, evolution, and gendered landscapes—the authors apply ecocritical perspectives to reveal the multiple ways nature is constructed as monstrous or in which the natural world itself constructs monsters. This interdisciplinary approach to film studies fuses cultural, theological, and scientific critiques to explore when and why nature becomes monstrous.

Zombie Movies is an essential purchase for all those who love (or fear) horror cinema’s most popular and terrifying creation. This thorough and authoritative yet uproarious guide • reviews and rates nearly 300 zombie films—from Bela Lugosi’s White Zombie (1932) to George A. Romero’s Diary of the Dead (2008) • traces the evolution of the zombie over the decades, from voodoo slave to brain-eating undead to raging infected • lays out what makes a zombie a zombie, as opposed to a ghost, ghoul, vampire, mummy, pod person, rabid sicko, or Frankenstein’s monster • includes a detailed and chilling journal from the filming of Land of the Dead • lists the oddest and most gruesome things ever seen in undead cinema • covers not only mainstream American movies but also small independent productions, Spanish and Italian exploitation pictures, and bizarre offerings from Japan and Hong Kong • provides a detailed rundown of the 25 greatest zombie films ever made • features in-depth interviews with actors, directors, makeup effects wizards, and other zombie experts For serious fans and casual moviegoers alike, Zombie Movies will provide plenty of informative and entertaining brain food.

Four novellas present different versions of the classic zombie invasion: a mob hitman in Aruba must hide from zombies, his fellow mobsters, and creatures in the water; a man awakens in a zombie-swarmed alley with no memory of his past; three art students are terrified by the legacy of what lives beneath a New England cemetary; and a CIA agent discovers that zombies are being controlled by someone with a new bio-weapon up for bid on the black market.

What has the zombie metaphor meant in the past? Why does it continue to be, so prevalent in our culture? This collection seeks to provide an archaeology of the zombietracing its lineage from Haiti, mapping its various cultural transformations, and suggesting the post-humanist direction in which the zombie is ultimately heading.