In 1920s Southern California, Lupita Camacho leaves Mexico and settles not far from the border--and so begins the journey of an American family told by a chain of tales stretching across three generations. Early stories track Lupita's concessions to the demands of her new country and her new fish cannery job overseen by a lecherous boss who makes sure Lupita, her friend Rosa, and their Chinese coworkers work long, hard, and, for the most part, in silence, since speaking any language but English is forbidden. The family's first-generation Americans populate later stories as they work toward assimilation, complete with kidney-shaped inground pools, even though their homes and children never quite match those in the pages of Ladies Home Journal. Finally, distanced from the culture of their ancestors and freed from the stigma of accented English, Lupita's grandchildren live lives that are as wide-open as America: hosting karaoke nights, becoming female wrestlers, arriving at high school reunions utterly transformed. However, these modern-day family members discover that despite their freedom, they somehow remain set apart. In a time when the word "immigrant" has become politically charged and sometimes stripped of its earlier sense of dignity, these exquisitely human stories provide welcome restoration. In Hola and Goodbye, Donna Miscolta's altogether fascinating and flawed characters face progress and failure against the backdrop of each new generation--bound together, and to us all, by the search for a place in this world.

Snappsy the alligator is having a normal day when a pesky narrator steps in to spice up the story. Is Snappsy reading a book ... or is he making CRAFTY plans? Is Snappsy on his way to the grocery store ... or is he PROWLING the forest for defenseless birds and fuzzy bunnies? Is Snappsy innocently shopping for a party ... or is he OBSESSED with snack foods that start with the letter P? What's the truth? Snappsy the Alligator (Did Not Ask to Be in This Book) is an irreverent look at storytelling, friendship, and creative differences, perfect for fans of Mo Willems.

Laugh and learn with fun facts about whales, porpoises, dolphins, and more—all told in Dr. Seuss’s beloved rhyming style and starring the Cat in the Hat! “What’s the story today? Funny that you should ask. We’re going to take on a whale of a task!” The Cat in the Hat’s Learning Library series combines beloved characters, engaging rhymes, and Seussian illustrations to introduce children to non-fiction topics from the real world! Go under the sea and discover: • what a cetacean is • how to tell dolphins and porpoises apart • how whales “talk” to one another • and much more! Perfect for story time and for the youngest readers, A Whale of a Tale! All About Porpoises, Dolphins, and Whales also includes an index, glossary, and suggestions for further learning. Look for more books in the Cat in the Hat’s Learning Library series! If I Ran the Horse Show: All About Horses Clam-I-Am! All About the Beach Miles and Miles of Reptiles: All About Reptiles Safari, So Good! All About African Wildlife There's a Map on My Lap! All About Maps Oh, the Lavas That Flow! All About Volcanoes Out of Sight Till Tonight! All About Nocturnal Animals What Cat Is That? All About Cats Once upon a Mastodon: All About Prehistoric Mammals Oh Say Can You Say What's the Weather Today? All About Weather The Cat on the Mat: All About Mindfulness

An instant classic and eerily prescient cultural phenomenon, from “the patron saint of feminist dystopian fiction” (New York Times). Now an award-winning Hulu series starring Elizabeth Moss. In this multi-award-winning, bestselling novel, Margaret Atwood has created a stunning Orwellian vision of the near future. This is the story of Offred, one of the unfortunate “Handmaids” under the new social order who have only one purpose: to breed. In Gilead, where women are prohibited from holding jobs, reading, and forming friendships, Offred’s persistent memories of life in the “time before” and her will to survive are acts of rebellion. Provocative, startling, prophetic, and with Margaret Atwood’s devastating irony, wit, and acute perceptive powers in full force, The Handmaid’s Tale is at once a mordant satire and a dire warning.

It's bedtime on the farmyard, but Salsa the little goat can't sleep. She tries everything until, finally, she asks Mummy to tell her a story. But tonight even Mummy's stories don't work, and in the end it's Salsa's own sweet story which sends her into a peaceful, dreamy sleep . . .

This extraordinary graphic novel is a powerful denunciation of sexual violence against women. As seen through the eyes of a twelve-year-old girl named Una, it takes place in northern England in 1977, as the Yorkshire Ripper, a serial killer of prostitutes, is on the loose and creating panic among the townspeople. As the police struggle in their clumsy attempts to find the killer, and the headlines in the local paper become more urgent, a once self-confident Una teaches herself to "lower her gaze" in order to deflect attention from boys. After she is "slut-shamed" at school for having birth control pills, Una herself is the subject of violent acts for which she comes to blame herself. But as the police finally catch up and identify the killer, Una grapples with the patterns of behavior that led her to believe she was to blame. Becoming Unbecoming combines various styles, press clippings, photo-based illustrations, and splashes of color to convey Una's sense of confusion and rage, as well as sobering statistics on sexual violence against women. The book is a no-holds-barred indictment of sexual violence against women and the shame and blame of its victims that also celebrates the empowerment of those able to gain control over their selves and their bodies. Una (a pseudonym) is an artist, academic, and comics creator. Becoming Unbecoming, which took seven years to create, is her first book. She lives in the United Kingdom.

Olivia is back! She has decided to form a band: a one-pig band, to be exact. And, as we all know, Olivia is certainly capable of making enough noise to sound like an entire orchestra . . . Featuring gatefold flaps, fireworks, experiments with lipstick an a very cross mummy, the fourth Oliviabook is simply and hilariously told and gorgeously rendered - sure to delight Olivia fans of all ages!!

NEW YORK TIMES BESTSELLER • The highly acclaimed, provocative essay on feminism and sexual politics—from the award-winning author of Americanah In this personal, eloquently-argued essay—adapted from the much-admired TEDx talk of the same name—Chimamanda Ngozi Adichie offers readers a unique definition of feminism for the twenty-first century. Drawing extensively on her own experiences and her deep understanding of the often masked realities of sexual politics, here is one remarkable author’s exploration of what it means to be a woman now—and an of-the-moment rallying cry for why we should all be feminists.

A retelling, in parallel English and Spanish text, of the traditional tale told in the Southwest and in Mexico of how the beautiful Maria became a ghost.

From the New York Times bestselling author of The Fall: The Crimson Shadow comes a compelling and suspenseful tale of politics and power set in the universe of Star Trek: Deep Space Nine. Elim Garak has ascended to Castellan of the Cardassian Union...but despite his soaring popularity, the imminent publication of a report exposing his people's war crimes during the occupation on Bajor looks likely to set the military against him. Into this tense situation come Dr. Katherine Pulaski—visiting Cardassia Prime to accept an award on behalf of the team that solved the Andorian genetic crisis—and Dr. Peter Alden, formerly of Starfleet Intelligence. The two soon find themselves at odds with Garak and embroiled in the politics of the prestigious University of the Union, where a new head is about to be appointed. Among the front-runners is one of Cardassia’s most respected public figures: Professor Natima Lang. But the discovery of a hidden archive from the last years before the Dominion War could destroy Lang’s reputation. As Pulaski and Alden become drawn into a deadly game to exonerate Lang, their confrontation escalates with Castellan Garak—a conflicted leader treading a fine line between the bright hopes for Cardassia’s future and the dark secrets still buried in its past... ™, ®, & © 2016 CBS Studios, Inc. Star Trek and related marks are trademarks of CBS Studios, Inc. All Rights Reserved.