Dragons, unicorns, mermaids ... all the famous creatures of myth and legend are to be found in the Torah, Talmud and Midrash. But what are we to make of them? Do they really exist? Did the Torah scholars of old believe in their existence? And if not, why did they describe these creatures? Sacred Monsters is a thoroughly revised and vastly expanded edition of the bestselling book Mysterious Creatures. Rabbi Natan Slifkin, the famous "Zoo Rabbi," revisits all the creatures of that work as well as a host of new ones, including werewolves, giants, dwarfs, two-headed mutants, and the enigmatic shamir-worm. Sacred Monsters explores these cases in detail and discusses a range of different approaches for understanding them. Aside from the fascinating insights into these cryptic creatures, Sacred Monsters also presents a framework within which to approach any conflict between classical Jewish texts and the modern scientific worldview. Complete with extraordinary photographs and fascinating ancient illustrations, Sacred Monsters is a scholarly yet stimulating work that will be a treasured addition to your bookshelf

Holy Monsters, Sacred Grotesques examines the intersection of religion and monstrosity in a variety of different time periods in the hopes of addressing two gaps in scholarship within the field of monster studies. The first part of the volume—running from the medieval to the Early Modern period—focuses upon the view of the monster through non-majority voices and accounts from those who were themselves branded as monsters. Overlapping partially with the Early Modern and proceeding to the present day, the contributions of the second part of the volume attempt to problematize the dichotomy of secular/religious through a close look at the monsters this period has wrought.

Edmund White is one of our most celebrated novelists. He is also a brilliant journalist and cultural commentator on the arts, contributing to publications as varied The New Yorker, Vanity Fair, the New York Times, the Washington Post, House and Garden, and the New York Review of Books. In Sacred Monsters, White collects more than twenty of his most recent writings on artists and authors, including John Cheever, Patti Smith, Henry James, Mary Cassatt, Paul Bowles, Andy Warhol, John Singer Sargent, Vladimir Nabokov, Auguste Rodin, Edith Wharton, Christopher Isherwood, Martin Amis, Allen Ginsberg, Marguerite Duras, John Rechy, Ford Maddox Ford, David Hockney, Reynolds Price, E.M. Forster, James Abbott McNeil Whistler, and Marcel Proust, among others.

When the supernatural forces maintaining the fragile balance of power in this world start to unravel, Josh Miller, a young college grad and expectant father, is caught in the middle of a vast conspiracy threatening to tear apart the foundations of humanity as we know it. As myth and reality collide, Josh finds himself on the frontline of a battle against an enemy dating back to the beginning of time itself. Comic legends KLAUS JANSON (Daredevil, Dark Knight Returns) and PABLO RAIMONDI (X-Factor, Book of Doom) proudly present SACRED CREATURES, their first-ever creator-owned series. Collects SACRED CREATURES #1-6

Insightful and opinionated, erudite and amusing, this collection by the author of "A Life of Picasso" provides a personal, close-up look at a marvelously eclectic mix of artists and writers, tastemakers and tycoons.

Adrian makes a phone call. Josh gets some answers.

Religion's great and powerful mystery fascinates us, but it also terrifies. So too the monsters that haunt the stories of the Judeo-Christian mythos and earlier traditions: Leviathan, Behemoth, dragons, and other beasts. In this unusual and provocative book, Timothy K. Beal writes about the monsters that lurk in our religious texts, and about how monsters and religion are deeply entwined. Horror and faith are inextricable. Ans as monsters are part of religious texts and traditions, so religion lurks in the modern horror genre, from its birth in Dante's Inferno to the contemporary spookiness of H.P. Lovecraft and the Hellraiser films. Religion and Its Monsters is essential reading for students of religion and popular culture, as well as any readers with an interest in horror.

Stelios Galatopoulos first met Maria Callas as a fan, at a performance of La Giocononda in 1947. Aged 24, she was still a large woman, hiding the gaunt dramatic figure she was to become. Galatopoulos was there at her debut at Covent Garden in 1952, and by 1957 had become a friend.

Updated with nearly forty new selections to reflect the tremendous growth and transformation of scholarly, theological, and activist religious environmentalism, the second edition of This Sacred Earth is an unparalleled resource for the study of religion's complex relationship to the environment.

Rescued from being a lost book, this history's last manuscript lay deep within the Vatican Archives, this classic historical text is now, for the first time, being published for the modern reader. Sulpicius Severus is best known for his biography of St. Martin of Tours and his Sacred History (also known as the Chronicle.) Sacred History is a brief history of the world from the beginning to his own time and in the latter portions focuses on the Priscillianist heresy that disordered his home province of Aquitaina which is in modern day France, as well as the Arian controversy. Severus prefers a purely historical interpretation of the scriptures in reaction to the gnostic philosophy that entrenched his region that reduced the sacred history to mere allegory. The Sacred History is written in classic style, such as what is found in Tacitus, and is intended to introduce lovers of history to the histories of the Bible.