This book provides fresh perspectives on the object world, embodied experience and materiality in nineteenth-century literature and culture. Contributors explore canonical works by Austen, Brontë, Dickens and James, alongside less-familiar texts and a range of objects including nineteenth-century automata, scrapbooks, museum exhibits and antiques.

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'Will you write in my album?' Many Romantic poets were asked this question by women who collected contributions in their manuscript books. Those who obliged included Byron, Scott, Wordsworth, and Lamb, but also Felicia Hemans, Amelia Opie, and Sara Coleridge. Album Verses and Romantic Literary Culture presents the first critical and cultural history of this forgotten phenomenon. It asks a series of questions. Where did 1820s 'albo-mania' come from, and why was it satirized as a women's 'mania'? What was the relation between visitors' books associated with great institutions and country houses, personal albums belonging to individuals, and the poetry written in both? What caused albums' re-gendering from earlier friendship books kept by male students and gentlemen on the Grand Tour to a 'feminized' practice identified mainly with young women? When albums were central to women's culture, why were so many published album poems by men? How did amateur and professional poets engage differently with albums? What does album culture's privileging of 'original poetry' have to say about attitudes towards creativity and poetic practice in the age of print? This volume recovers a distinctive subgenre of occasional poetry composed to be read in manuscript, with its own characteristic formal features, conventions, themes, and cultural significance. Unique albums examined include that kept at the Grande Chartreuse, those owned by Regency socialite Lady Sarah Jersey, and those kept by Lake poets' daughters. As Album Verses and Romantic Literary Culture shows, album poetry reflects changing attitudes to identity, gender, class, politics, poetry, family dynamics, and social relations in the Romantic period.

This Element develops a close reading of 'Britain's leading late modernist poet', J.H. Prynne. Examining the political and literary contexts of Prynne's work of the 1980s, the Element offers an intervention into the existing scholarship on Prynne through close attention to the ways in which his poems respond to the social and political forces that define both modern Britain and the wider world of financialized capitalism.

Ecclesiastes Through the Centuries “A rich tour down many significant streams of Western interpretation of this fascinating biblical book… Heartily recommended, without reservation.” Bible and Critical Theory “A fundamental resource on biblical interpretation, especially in the modern world, this book is a winner.” International Review of Biblical Studies “The introduction and commentary proper cover many topics, from patristic and rabbinic exegesis through to modern science-fiction, with numerous stops on the way… Very well written and accessible…an excellent book.” Society for Old Testament Study Book List Over the centuries, Ecclesiastes has influenced numerous aspects of life and thought. Ecclesiastes Through the Centuries assesses the diverse effects of the book on culture in religion, art, and social contexts. Ecclesiastes shaped the life of European abbeys of the middle ages. For Renaissance thinkers, it provided a sceptical line of inquiry weighted with the disquieting authority of Scripture. It has inspired the imaginations of artists, musicians, and poets from the Renaissance to the present day. The influence of Ecclesiastes on literature has engaged authors as diverse as Bacon, Donne, Eliot, Hardy, Melville, and numerous Elizabethan poets. This commentary traces these influences as well as the fascinating range of Jewish and Christian readings. The result is an informative and broad-ranging approach to the impact of this book through the centuries that will engage all those studying the Bible. For further information about the Blackwell Bible Commentaries please visit www.bbibcomm.net.