At a few minutes past seven on the evening of Thursday, 14 November 1940, the historic industrial city of Coventry was subjected to the longest, most devastating air raid Britain had yet experienced. Only after eleven hours of continual bombardment by the German Luftwaffe could its people emerge from their half-sunk Anderson shelters and their cellars, from under their stairs or kitchen tables, to venture up into their wounded city. That long night of destruction marked a critical moment in the Second World War. It heralded a new kind of air warfare, one which abandoned the pursuit of immediate military goals and instead focused on obliterating all aspects of city life. It also provided the push America needed to join Britain in the war. But while the Coventry raid was furiously condemned publically, such effective enemy tactics provided Britain's politicians and military establishment with a 'blueprint for obliteration', to be adapted and turned against Germany. A merciless four-year war of attrition had begun. In this important work of history Frederick Taylor draws upon numerous sources, including eye witness interviews from the archives of the BBC which are published here for the first time, to reveal the true repercussions of the bombing of Coventry in 1940. He teases out the truth behind the persistent rumours and conspiracy theories that Churchill knew the raid was coming, assesses this significant turning point in modern warfare, looks at how it affected Britain's status in the war, and considers finally whether this attack really could provide justification for the horror of Dresden, 1945.

This book examines the industrial monuments of twentieth- century Britain. Each chapter takes a specific theme and examines it in the context of the buildings and structure of the twentieth century. The authors are both leading experts in the field, having written widely on various aspects of the subject. In this new and comprehensive survey they respond to the growing interest in twentieth-century architecture and industrial archaeology. The book is well illustrated with superb and unique illustrations drawn from the archives of the Royal Commission on the Historical Monuments of England. It will mark and celebrate the end of the century with a tribute to its remarkable built industrial heritage.

The Coventry Blitz of 14 November 1940 was a key event of the Second World War and in the growth of public consciousness of the destructive power of warfare. The medieval city, already undergoing rapid change, was largely destroyed on that night. The destruction was seen as an opportunity by some including the then City Architect, Donald Gibson. The result was the first of the master plans for post-war redevelopment of Britain's bombed city centres. The redevelopment of Coventry city centre to plans by Gibson and his successors provided an intensely urban and civilised centre, embodying new planning principles. Post-war Coventry was hugely influential and Gibson's ideas helped to shape the rebuilding of other city centres, the post-war new towns and developments in Europe. Despite incremental change in the subsequent decades the planning and architecture of Gibson's city centre are still clearly legible. The modern demands of a growing city on its centre are now very different from those of the post-war years. Coventry needs to grow and plan for its future and change will inevitably affect the city centre. This book aims to inform the public and decision makers of the significance of Coventry, and especially its centre, so that change can be managed in ways that will continue the life, use and enjoyment of the best of Coventry's remarkable post-war heritage.

An illustrated history one of England’s finest cities - Coventry.

The image of Coventry in flames was one of the most haunting of the Second World War. Yet the excitement and optimism of the 1950s and 1960s were succeeded by a quarter century of urban blight and economic slump. The collapse of manufacturing industry - machine tools, aeroplanes, cars - left a proud community adrift and demoralised. Today a revitalised twenty-first century city, Coventry has embraced the new millennium and evolved from bleak post-industrial desert to vibrant cultural oasis, in the process rediscovering a sense of purpose and a vision for the future. "The City of Coventry" tells the story of an experiment in social democracy carried out by a Labour-controlled council which envisaged the bomb shattered city as a model of urban regeneration and imaginative planning. Post-war reconstruction could be a striking success, as in the pedestrian-friendly Precinct and the bold new cathedral, or a notable failure as in the ever more intrusive ring roads and grim high-rise flats. In offering a fresh perspective on the city, this innovative volume of essays rediscovers Coventry as an inspiration for poets and painters such as Philip Larkin and Terry Frost, musicians as varied as Benjamin Britten and The Specials, and film-makers such as Humphrey Jennings, whose "Heart of Britain" was shot in the immediate aftermath of the Blitz. Adrian Smith skilfully mixes memoir, family history and meticulous scholarship to paint a complete and incisive portrait of Coventry. Drawing on new research into topics as diverse as the place of Surrealism in West Midlands culture and the shadowy presence of rugby league in a union bastion, Smith brings a unique insight into the recent history of his native city. Attractively presented, highly readable and with broad appeal, "The City of Coventry" is a lively re-examination of an iconic city of the twentieth century illuminating the profound changes that engulfed industrial England during and after the Second World War.

This book examines how IR’s European realist tradition evolved in Europe and, due to emigration, in the United States in the 20th century. It includes an introduction and eight chapters, focusing on historical classical and contemporary structural branches of realist IR theorizing in historical and political contexts in which realist thinking did develop. It reminds us of realist key figures, such as Edward H. Carr, John H. Herz or Hans J. Morgenthau, but also of almost forgotten realists such as Raymond Aron, Stanley Hoffmann or Nicholas J. Spykman. Given IR mainstream textbooks introducing realism as a conservative American Cold War theory, this selection aims to reintroduce realism as a primarily and distinctively European, liberal, normative and critical tradition. A tradition that is almost always misunderstood as a guide for practitioners how to maximize or at least preserve power in the name of the national interest no matter the cost, but that is in fact an argument against reckless and crude power politics, ideology and totalitarianism. This book is an invaluable resource for scholars, practitioners and students interested in the realist tradition in IR.

NPR's Favorite Books of 2019 Rachel Cusk redrew the boundaries of fiction with the Outline Trilogy, three “literary masterpieces” (The Washington Post) whose narrator, Faye, perceives the world with a glinting, unsparing intelligence while remaining opaque to the reader. Lauded for the precision of her prose and the quality of her insight, Cusk is a writer of uncommon brilliance. Now, in Coventry, she gathers a selection of her nonfiction writings that both offers new insights on the themes at the heart of her fiction and forges a startling critical voice on some of our most urgent personal, social, and artistic questions. Coventry encompasses memoir, cultural criticism, and writing about literature, with pieces on family life, gender, and politics, and on D. H. Lawrence, Françoise Sagan, and Kazuo Ishiguro. Named for an essay Cusk published in Granta (“Every so often, for offences actual or hypothetical, my mother and father stop speaking to me. There’s a funny phrase for this phenomenon in England: it’s called being sent to Coventry”), this collection is pure Cusk and essential reading for our age: fearless, unrepentantly erudite, and dazzling to behold.

The Little History Of Coventry packs into its pages the colour and incident of a thousand years, telling the story of a city that has perhaps been overlooked by mainstream historians, but has often been at the heart of this country's great events. From the testing ground of the saintly Godiva to fourteenth-century boom town, from Second World War Blitz victim to the next UK City of Culture, Coventry has always been an inventive place with an unerring ability to bounce back from misfortune and make its mark. This is a truly eye-opening journey through the events and characters that have shaped its story and made the city one of England's hidden jewels.

This title was first published in 2000: Coventry is synonymous with both the creation and relative decline of the British motor car industry. This volume utilises the extensive range of primary sources on the subject to explore the relationship between the car industry in its local context and the wider economic, social and political environment. It analyses the emergence and early dominance of Coventry’s motor manufacturers, the rise of volume production in the 1930s and the instabilities and renaissance of the post-war era. Specific chapters deal with the industry’s response to the demands created by the two world wars. A number of themes run throughout the book including the structure of the industry and the relationship between its various sectors, resource provision, management and labour relations, and the nature and response to market demand. The book also provides fascinating insights into the history of some of the most evocative marques in the car industry, including Daimler, Jaguar, Alvis, Siddeley, Standard and Rover.