H.C. Bailey's detective Reggie Fortune was one of the most popular protagonists of the Golden Age of detective fiction. Fortune appeared in nine novels yet it was in a series of 84 short stories that were published from 1920 to 1940 where he truly shone, combining elements of several popular archetypes--the eccentric logician, the forensic investigator, the hard-boiled interrogator, the psychological profiler, the defender of justice. This critical study examines the Fortune stories in the context of other popular detective fiction of the era. Bailey's classics are distinguished by well-clued puzzles, brilliant sleuthing, vivid description and social critique, with Fortune evoking images of Don Quixote and the Arthurian Knights in his pursuit of truth and justice in an uncaring world.

In both British and American detective fiction the police detective has emerged as a fictional protagonist. However, the American policemen have not achieved the prominence of their British counterparts. The thirteen essays in this volume indicate some of the principle elements which appear again and again in both British and American police procedurals.

Father Brown, an ordinary priest whose unremarkable exterior conceals extraordinary crime-solving ability, is celebrated for his solutions to metaphysical mysteries, a genre perfected by his creator, G. K. Chesterton. More than lighthearted comedies built around puzzling crimes, these superbly written tales contain deeply perceptive philosophical reflections. The Innocence of Father Brown (1911) was the first collection of stories featuring the ecclesiastical sleuth and is widely considered the best. In this annotated edition of the collection, the Chesterton scholar Martin Gardner provides detailed notes and background information on various aspects of such stories as "The Blue Cross," "The Secret Garden," "The Invisible Man," "The Hammer of God," "The Eye of Apollo," and seven more, as well as an informative introduction and an extensive bibliography. Included also are eight illustrations reproduced from the first edition. The result is an indispensable companion for all Chesterton enthusiasts and a perfect introduction for anyone who has yet to meet the incomparable Father Brown.

This invaluable resource provides information about and sources for researching 50 of the top crime genre writers, including websites and other online resources. Crime Writers: A Research Guide is an easy-to-use launch pad for learning more about crime fiction authors, including those who write traditional mystery novels, suspense novels, and thrillers with crime elements. Emphasizing the best and most popular writers, the book covers approximately 50 contemporary authors, plus a few classics like Agatha Christie. Each entry provides a brief quotation that gives some indication of writing style; a biographical sketch; lists of major works and awards; and research sources, including websites, biographies, criticism, and research guides. There are also read-alikes for selected authors. Of special note is the inclusion of websites and other online resources, such as blogs and social networking sites, which are often overlooked in author-reference sources. The book also provides an overview of the genre and subgenres, a timeline, and a comprehensive bibliography. An ideal resource for genre studies and literature classes, this guide will also be invaluable to readers' advisors, book club leaders, students, and genre fans.

The detective story--the classic whodunit with its time-displacement structure of crime--according to most literary historians, is of relatively recent origin. Early in its development, the whodunit was harshly criticized for its tightly formula-bound structure. Many critics prematurely proclaimed "the death of the whodunit" and even of detective fiction altogether. Yet today, the genre is alive, as contemporary authors have brought it into modern times through a significant integration of elaborate character development and psychology. With the modern psychological detective story emerging from the historical cauldron of detective fiction and early psychology, the genre continues to develop a complexity that reflects and guides the literary sophistication needed. This book, the first of its kind, analyzes over 150 whodunit novels and short stories across the decades, from The Moonstone to the contemporary novels that saved the genre from an ignominious death.

Dove states that the purpose of this book is "to develop a theoretical base for a critical approach to the interpretation of the formula story." Such an approach should take into account the relationship between author and reader that determines such tacit agreements as the two axioms of formula fiction, the reader-knowledge convention, and the signals that pass between author and reader. Specifically, the chief concern of this book will be the criticism/interpretation of the mystery.

Tiny Tim, Clym Yeobright, Long John Silver---what underlies nineteenth-century British literature's fixation with disability? Melodramatic representations of disability pervaded not only novels by Dickens, but also doctors' treatises on blindness, educators' arguments for "special" education, and even the writing of disabled people themselves. Drawing on extensive primary research, Martha Stoddard Holmes introduces readers to popular literary and dramatic works that explored culturally risky questions like "can disabled men work?" and "should disabled women have babies?" and makes connections between literary plots and medical, social, and educational debates of the day. The first book of its kind, Fictions of Affliction contributes a new emphasis to Victorian literary and cultural studies and offers new readings of works by canonic and becoming-canonic writers like Dickens, Wilkie Collins, and others.

The humor of Sherlock Holmes, Donald Westlake, Agatha Christie, Michael Innes, and Edmund Crispin are just a few of those discussed. A major point highlighted by this book is simply that wit, slapstick. laughter, and an anything-can-happen motif appear in a significant amount of fiction about crime.

Ken Follett had the purest of motives when he began writing fiction: he did it for the money. But after ^IEye of the Needle^R catapulted him to success and secured his reputation as a master of the spy thriller, he both built on that success with other spy thrillers and experimented equally successfully with other genres such as the family saga and the historical romance. This is the first full-length study of his work and it includes individual examinations of each of his major novels, from Eye of the Needle (1978) to A Place Called Freedom (1995), as well as his early novels. Following a chapter on Follett's life and career, Turner discusses in depth Follett's early novels and his one nonfiction work, On the Wings of Eagles. A genre chapter examines Follett's use of historical settings and his use of the genres of spy thriller, saga, and historical romance in his novels. The rest of the study is devoted to an individual examination of each of his novels in turn, with subsections on plot, character, theme, point of view, and literary devices. Turner also offers an alternative critical approach to reading each novel, such as psychoanalytical, Marxist, or reader response, to give the reader another perspective from which to read and discuss it. A complete bibliography of Follett's fiction, general criticism and biographical sources, and listings of reviews of all the novels examined in the study completes the work. The only study of one of the best-selling writers today, who appeals to adults and young adults alike, this is a key purchase for schools and public libraries.