Marking the one hundredth anniversary of the discovery of Tutankhamun’s magnificent tomb, its incredible treasures are revealed as never before. In 1922, after fifteen years of searching, archaeologists finally discovered the tomb of King Tutankhamun. There, buried alongside the king’s mummy, they found more than 5,000 unique objects, from the mundane to the extravagant, from the precious to the everyday. Tutankhamun’s spectacular gold mask is justifiably famous, but the rest of the treasures remain largely unknown, their stories untold. In this rich and beautifully illustrated work of history, renowned Egyptologist Toby Wilkinson allows one hundred artifacts from the boy king’s tomb to speak again—not only for themselves, but as witnesses of the civilization that created them. A gold-decorated chariot reveals the impressive scale of Egyptian technology. Loaves of bread, baskets of fruit, and jars of wine hint at the fertility of the Nile Valley and the abundant feasts enjoyed by its people. Ebony and ivory from Nubia and a jewel of Libyan desert glass show the range of Egypt’s trading and diplomatic networks. Shaving equipment and board games provide a window into the everyday lives of the people. And perhaps most poignant of all the objects in the tomb is one that conjures up a lost world of human experience: Tutankhamun’s silver trumpet. Through these treasures, Wilkinson bring us face-to-face with the culture of the pharaohs, its extraordinary development, its remarkable flourishing, and its lasting impact. Filled with surprising insights and vivid details, Tutankhamun’s Trumpet offers an indelible portrait of the history, people, and legacy of ancient Egypt.

The Living Arts Library is specially designed to stimulate children's interest and imagination in all aspects of the international arts. The activity-based approach encourages readers to try for themselves a variety of skills and techniques.

The spectacular treasures from the tomb of Tutankhamun have been admired by millions of visitors to museum exhibitions around the world; this book places these masterpieces in the context of Egyptian art history. In this book, the author shed the light on the history, the art and the Aton religion in Egypt during the period proceeding the reign of Tutankhamun, as well as the impressive discovery of his tomb. This work offers a historical, symbolic and artistic study covering a considerable number of artifacts and masterpieces from the collection of Tutankhamun, the child King.

Children develop their musicality best through engaging and participating, and an effective and enriching music curriculum must focus on the development of practical music-making skills. Jumpstart! Music therefore contains a wealth of ideas and activities that will support any teacher as they aid the musical learning of pupils aged 7 to 14, helping students not only to learn in new and exciting ways, but also to enjoy themselves while they are doing it. Inspiring any young learner to listen to, make and create a range of music, the book includes multiple simple-to-use ideas and activities, with every chapter based around fun and engaging topics, such as: Storytelling History Media Modern music Technology The world With group suggestions as well as opportunities for the students to develop their skills independently, the games and ideas featured in this title all focus on the core skills in learning music – listening, singing, playing, improvising, composing and SMSC (spiritual, moral, social, cultural) – and are all flexible enough to be adapted to fit each individual situation, whatever the resources to hand. Jumpstart! Music is an essential classroom resource for helping young learners develop their musicality and musicianship and will support any teacher in delivering engaging, inclusive and creative music lessons.

First Published in 1990. Routledge is an imprint of Taylor & Francis, an informa company.

The rise of the brass band in 19th-century Britain is a historical, social and cultural phenomenon which represents the foundation of the modern international brass band movement. Authors such as Trevor Herbert, Arnold Myers and Roy Newsome mention and acknowledge the relevance of the Distin Family brass ensemble; however, extensive research has produced new information. This book examines the various Distin projects as the main reason why brass bands of today are established in their current form.

Experimental archaeology is a new approach to the study of early man. By reconstructing and testing models of ancient equipment with the techniques available to early man, we learn how he lived, hunted, fought and built. What did early man eat? How did he store and cook his food? How did he make his tools and weapons and pottery? Such everyday questions, besides the more dramatic mysteries associated with the monuments of Easter Island and Stonehenge and the colonization of Polynesia, can all be explored by experiment.

Published in 1990, Bibliography Of The Amarna Perio is a valuable contribution to the field of Asian Studies.

A bold new history of the discovery of King Tut and the seismic impact it left on modern society. When it was discovered in 1922, in an Egypt newly independent of the British Empire, the 3,300-year-old tomb of Tutankhamun sent shockwaves around the world. The boy-king became a household name overnight and kickstarted an international obsession that continues to this day. From pop culture and politics to tourism and the heritage industry, it’s impossible to imagine the past century without the discovery of Tutankhamun – yet so much of the story remains untold. In Treasured, Christina Riggs weaves compelling historical analysis with tales of lives touched, or changed forever, by an encounter with the boy-king. Who remembers that Jacqueline Kennedy first welcomed the young pharaoh to America? That a Tutankhamun revival in the 1960s helped save the ancient temples of Egyptian Nubia? Or that the British Museum’s landmark Tutankhamun exhibition in 1972 remains its most successful ever? But not everything about ‘King Tut’ glitters: tours of his treasures in the 1970s were linked to Big Oil, his mummified remains have been exploited in the name of science, and accounts of his tomb’s discovery exclude Egyptian archaeologists. Treasured offers a bold new history of the young pharaoh who has as much to tell us about our world as his own.

For everyone who's read the Bible and wondered what David's harp, or Nebuchadnezzar's sackbut and cornett really were, Jeremy Montagu, retired curator of Oxford's Bate Collection of Historical Instruments, has composed an astoundingly thorough investigation and explanation of the musical instruments that pepper the pages of Western Civilization's most holy book. This is a detailed study of all the musical instruments mentioned in the Bible, using the resources of linguistics, organology, and ethnomusicology to identify and describe them. Every reference to an instrument is noted and all the misconceptions of translation are corrected. The Bible, as we know it in English, is a translation, and the history of biblical translations into Aramaic, Greek, Latin and other languages is one of guesswork. The substitution of the musical instruments from the translator's era for those of the original author is as common as it is overlooked. Jubal did not have an organ, nor David a harp. This book uses all the resources available to establish what each instrument really was, what it looked like, and how it was played and is arranged in the same order as the King James Bible, with explanation where this differs from other versions in English. As well as a full bibliography, there are three indexes. The first is of Biblical Citations so that readers may check every mention in the Bible from its chapter and verse. The second is a quadrilingual parallel citation in Hebrew, Greek, Latin, and English, so that each reference can be crosschecked. The third is a general index. The four biblical languages, Hebrew, Aramaic, Greek, and Latin, are used to the full, and the original texts are cited frequently. There are 18 illustrations, some of which are archeological remains, some ethnographic parallels, and one is of the sole biblical instrument still in regular use: the ram's horn which brought down the walls of Jericho. Musical Instruments of the Bible is perfect for university theology and comparative religion depa