Kate MacLeod writes both fantasy and science fiction. This book collects her nine previously published short stories as well as two new bonus stories. These tales span from Heian era Japan to the near reaches of space, from alternate world fantasies inspired by Babylon and Mohenjo-Daro to post-apocalyptic air ships that never touch the ground, from light-hearted fare like "Trifle" to the darker "On Desperate Seas", based on the ill-fated John Franklin Expedition. This collection includes: Blood and Ink Oil Fire Gardens of Wind Seagull and Raven Mother River Tale of a Fox Full Circle On Desperate Seas Trifle The Onmyoji's Wife Din Ba Din (This short story appeared on the 2013 Locus Magazine Recommended Reading List, was given an honorable Mention in Gardner Dozois' The Year's Best Science Fiction: Tenth Annual Collection, and was recommended reading in Rich Horton's The Year's Best Science Fiction & Fantasy, 2014 Edition.)

Arctic researcher, author, and photographer Norman Hallendy’s journey to the far north began in 1958, when many Inuit, who traditionally lived on the land, were moving to permanent settlements created by the Canadian government. In this unique memoir, Hallendy writes of his adventures, experiences with strange Arctic phenomena, encounters with wildlife, and deep friendships with Inuit elders. Very few have worked so closely with the Inuit to document their traditions, and, in this book, Hallendy preserves their voices and paints an incomparable portrait of a vibrant culture in a remote landscape.

Kate MacLeod has been published in both fantasy and science fiction. This books collects four of her previously published short stories as well as one new bonus story. These tales span from Heian era Japan to north of the Arctic circle, from light-hearted fare like "Trifle" to the darker "The Onmyoji’s Wife”. This collection includes: Tale of a Fox Blood and Ink The Onmyoji's Wife Seagull and Raven Trifle

Tulugaq held his hand up the sky and counted his heartbeats. It took twelve beats for the light to move from the tip of his little finger to the end of his thumb. A very strange omen, the shaman said. Not so strange as Tulugaq’s dreams of his missing sister, so near he can smell her and yet not hear her words. A cry for help, or a warning? The answer lies where the light fell, across miles of snow and ice, sure death in the long Arctic night.

From shipments of Canadian waste rotting in developing countries to overflowing landfills and ineffective recycling programs, Canada is facing a waste crisis. Canadians are becoming increasingly aware that waste is an acute environmental and human health issue – and a complex one, the solutions to which are often contradictory. Canada's Waste Flows is an honest look at the production and movement of Canadian waste, from region to region and across the globe, and its consequences. Through a series of timely empirical case studies, the book reveals waste as less of a technological problem and more of a material, economic, political, historical, and cultural concern. Canada's Waste Flows demonstrates that Canadians are misdirecting their attention to post-consumer waste and their responsibility for minimizing it through recycling; waste must be understood as a social justice issue, and in particular as a symptom of ongoing settler colonialism. Through a comparative study of waste management in southern and northern Canadian communities, Myra Hird argues that we will only resolve our waste crisis through democratic engagement. A critical and compelling book that will generate conversation and incite change, Canada's Waste Flows uncovers how Canada's role as a global leader in waste production and export is key to changing Canada's waste future.

The rich storytelling tradition of the Inupiat of Alaska is showcased in this remarkable collection of over eighty stories. Meticulously compiled from six villages in Northwest Alaska between 1966 and 1987, the stories are presented as part of a living tradition, complete with biographies, photos, and introductory remarks by Native storytellers. Each story provides insight into the Iñupiaq worldview, human-animal relationships, and the organization of family life. The Dall Sheep Dinner Guest includes a new version of the Qayaq cycle, one of the best-known legends from the region, as well as stories such as “The Fast Runner.” A major contribution to the Native literature of Alaska, this collection includes two introductory essays by Wanni W. Anderson that provide historical background and a foundation for understanding gender, age, and regional differences and the narrative context of storytelling. Stories include The Girl Who Had No Wish to Marry by Willie Goodwin, Sr., The Goose Maiden by Nora Norton, The Last War with the Indians by Wesley Woods, The Orphan with No Clothes by Emma Skin, The Qayaq Cycle by Nora Norton, and Raven Who Brought Back the Land by Robert Cleveland (selected Iñupiaq Storyteller by the Inupiat of Northwest Alaska). Additional storytellers include John Brown, Leslie Burnett, Flora Cleveland, Lois Cleveland, Maude Cleveland, Kitty Foster, Sarah Goode, Minnie Gray, Beatrice Mouse, Nellie Russell, and Andrew Skin.

Earth Matters on Stage: Ecology and Environment in American Theater tells the story of how American theater has shaped popular understandings of the environment throughout the twentieth century as it argues for theater’s potential power in the age of climate change. Using cultural and environmental history, seven chapters interrogate key moments in American theater and American environmentalism over the course of the twentieth century in the United States. It focuses, in particular, on how drama has represented environmental injustice and how inequality has become part of the American environmental landscape. As the first book-length ecocritical study of American theater, Earth Matters examines both familiar dramas and lesser-known grassroots plays in an effort to show that theater can be a powerful force for social change from frontier drama of the late nineteenth century to the eco-theater movement. This book argues that theater has always and already been part of the history of environmental ideas and action in the United States. Earth Matters also maps the rise of an ecocritical thought and eco-theater practice – what the author calls ecodramaturgy – showing how theater has informed environmental perceptions and policies. Through key plays and productions, it identifies strategies for artists who want their work to contribute to cultural transformation in the face of climate change.

Arctic historian Ken McGoogan approaches the legacy of nineteenth-century explorer Sir John Franklin from a contemporary perspective and offers a surprising new explanation of an enduring Northern mystery. Two of Arctic explorer Sir John Franklin’s expeditions were monumental failures—the last one leading to more than a hundred deaths, including his own. Yet many still see the Royal Navy man as a heroic figure who sacrificed himself to discovering the Northwest Passage. This book, McGoogan's sixth about Arctic exploration, challenges that vision. It rejects old orthodoxies, incorporates the latest discoveries, and interweaves two main narratives. The first treats the Royal Navy’s Arctic Overland Expedition of 1819, a harbinger-misadventure during which Franklin rejected the advice of Dene and Metis leaders and lost eleven of his twenty-one men to exhaustion, starvation, and murder. The second discovers a startling new answer to that greatest of Arctic mysteries: what was the root cause of the catastrophe that engulfed Franklin’s last expedition? The well-preserved wrecks of Erebus and Terror—located in 2014 and 2016—promise to yield more clues about what cost the lives of the expedition members, some of whom were reduced to cannibalism. Contemporary researchers, rejecting theories of lead poisoning and botulism, continue to seek conclusive evidence both underwater and on land. Drawing on his own research and Inuit oral accounts, McGoogan teases out many intriguing aspects of Franklin’s expeditions, including the explorer’s lethal hubris in ignoring the expert advice of the Dene leader Akaitcho. Franklin disappeared into the Arctic in 1845, yet people remain fascinated with his final doomed voyage: what happened? McGoogan will captivate readers with his first-hand account of traveling to relevant locations, visiting the graves of dead sailors, and experiencing the Arctic—one of the most dramatic and challenging landscapes on the planet.

This is a splendid presentation of an ancient northern story cycle, brought to life by Lela Kiana Oman, who has been retelling and writing the legends of the Inupiat of the Kobuk Valley, Alaska, nearly all her adult life. In the mid-1940s, she heard these tales from storytellers passing through the mining town of Candle, and translated them from Inupiaq into English. Now, after fifty years, they illuminate one of the world's most vibrant mythologies. The hero is Qayaq, and the cycle traces his wanderings by kayak and on foot along four rivers - the Selawik, the Kobuk, the Noatak and the Yukon - up along the Arctic Ocean to Barrow, over to Herschel Island in Canada, and south to a Tlingit Indian village. Along the way he battles with jealous fathers-in-law and other powerful adversaries; discovers cultural implements (the copper-headed spear and the birchbark canoe); transforms himself into animals, birds and fish, and meets animals who appear to be human.

Based on actual events and real people, ALICIA (Unworthy Life) is the self-empowering story of a teenage girl from Spanish Harlem who qualifies in today's throw- away society as an 'unworthy life.'