"Daniel Randolph Deal is a Southern aristocrat, having the required bloodline, but little of the nobility. A man resistant to the folly of ethics, he prefers a selective, self-indulgent morality. He is a confessed hedonist, albeit responsibly so."--Back cover

Rosemary Sutcliff's starkly simple retelling of the uniquely tragic and romantic story of the warrior Tristan and his love for the fair Iseult of Ireland, his uncle's chosen bride.

Only daughter of Ireland's ruling queen, Isolde has always known that she will take over the rule of the sacred Island of the West when her time comes. Until then she practises her skills as a healer and struggles to hold back her mother, a passionate, headstrong woman under the sway of her champion, Sir Marhaus, who is determined to make war. Attacking Cornwall, Sir Marhaus wounds the king's nephew, Sir Tristan of Lyonesse, so badly that he can only be saved by Isolde, the most noted healer of the isles. And when the King of Cornwall decides to marry Isolde, unaware of the young couple's growing love, the stage is set for the mythic tale of star-crossed lovers that the world knows so well. Like Arthur's queen Guenevere, her friend from their girlhood days on Avalon, Isolde is fated to a lifelong struggle between duty and desire before finding peace. Tristan too relies on his dearest friend at the Round Table, Sir Lancelot of the Lake, as he strives to balance his loyalty to his king against the dictates of his heart. Set in Ireland, Cornwall and Camelot, ISOLDE offers a compelling new version of the familiar legend rich in Celtic magic and mythology, yet firmly grounded in the well-loved Arthurian world. Merlin, Arthur, Guenevere, and all their knights appear once again to delight those who enjoyed Rosalind Miles's previous forays into this enchanted terrain.

A contemporary requiem--an earthy yet elegant reconsideration of the Tristan and Iseult story, from the former poet laureate of Brooklyn. In D. Nurkse's wood of Morois, the Forest of Love, there's a fine line between the real and the imaginary, the archaic and the actual, poetry and news. The poems feature the voices of the lovers and all parties around them, including the servant Brangien; Tristan's horse, Beau Joueur; even the living spring that flows through the tale ("in my breathing shadow / the lovers hear their voices / confused with mine / promising a slate roof, / a gate, a child . . . "). Nurkse brings us an Iseult who has more power than she wants over Tristan's imagination, and a Tristan who understands his fate early on: "That charm was so strong, no luck could free us." For these lovers, time closes like a book, but it remains open for us as we hear both new tones and familiar voices, eerily like our own, in this age-old story made new again.

When two boys save an old man from robbers, they learn of a competition in Londinium to decide the next king of Britain. The elder, Kay, is determined to prove himself worthy as a knight or a king. The younger is Arthur, a farm boy through and through - until he sees the sword in the stone.

Rare edition with unique illustrations. A tale of chivalry and doomed, transcendent love, The Romance of Tristan and Iseult is one of the most resonant works of Western literature, as well as the basis for our enduring idea of romance. The story of the Cornish knight and the Irish princess who meet by deception, fall in love by magic, and pursue that love in defiance of heavenly and earthly law has inspired artists from Matthew Arnold to Richard Wagner. But nowhere has it been retold with greater eloquence and dignity than in Joseph Bedier's edition, which weaves several medieval sources into a seamless whole, elegantly translated by Hilaire Belloc and Paul Rosenfeld.

A tale of forbidden love and inevitable death, the medieval legend of Tristan and Isolde recounts the story of two lovers unknowingly drinking a magic potion and ultimately dying in one another's arms. While critics have lauded Wagner's Tristan and Isolde for the originality and subtlety of the music, they have denounced the drama as a "mere trifle"--a rendering of Wagner's forbidden love for Matilde Wesendonck, the wife of a banker who supported him during his exile in Switzerland. Death-Devoted Heart explodes this established interpretation, proving the drama to be more than just a sublimation of the composer's love for Wesendonck or a wistful romantic dream. Scruton boldly attests that Tristan and Isolde has profound religious meaning and remains as relevant today as it was to Wagner's contemporaries. He also offers keen insight into the nature of erotic love, the sacred qualities of human passion, and the peculiar place of the erotic in our culture. His argument touches on the nature of tragedy, the significance of ritual sacrifice, and the meaning of redemption, providing a fresh interpretation of Wagner's masterpiece. Roger Scruton has written an original and provocative account of Wagner's music drama, which blends philosophy, criticism, and musicology in order to show the work's importance in the twenty-first century.

A classic romantic tale with a modern twist, this dazzling Indies Introduce pick follows two New York teenagers as they secretly fall in love for the first time. Izzy, a practical-minded teen who intends to become a doctor, isn't happy about her recent move from the Lower East Side across the river to Brooklyn. She feels distanced from her family, especially her increasingly incomprehensible twin brother, as well as her new neighborhood. And then she meets Tristan. Tristan is a chess prodigy who lives with his aunt and looks up to his cousin, Marcus, who has watched out for him over the years. When he and Izzy meet one fateful night, together they tumble into a story as old and unstoppable as love itself. In debut author Shannon Dunlap's capable hands, the romance that has enthralled for 800 years is spun new. Told from several points of view, Izzy + Tristan is a love story for the ages and a love story for this very moment. This fast-paced novel is at once a gripping tale of first love and a sprawling epic about the bonds that tie us together and pull us apart and the different cultures and tensions that fill the contemporary American landscape.

"I believe this fluent, accurate, readable translation of Tristan and Isolde will become the standard English edition of Gottfried's literary masterpiece. Wisely choosing not to recreate the end rhyme of the original, Whobrey has created a text that stays true to the original Middle High German while rendering it into modern English prose. The inclusion of Ulrich von Türheim’s Continuation is a great strength of this book. For the first time, English speakers will be able to read Gottfried's work in tandem with Ulrich's and explore—via Whobrey’s discussion of Ulrich’s sources—the rich Tristan literary tradition in the Middle Ages and the ways in which Gottfried’s achievement resonated well after his death. The footnotes provide helpful cultural, historical, and interpretive information, and Whobrey's Introduction offers a nice overview of Gottfried’s biography, a discussion of Gottfried's important literary excursus, his place within the literature and genres of his time, and the source material for his Tristan. Particularly useful is Whobrey’s discussion of the intricate and masterful structure of Gottfried’s text." —Scott Pincikowski, Hood College

The legend of Tristan and Isolde -- the archetypal narrative about the turbulent effects of all-consuming, passionate love -- achieved its most complete and profound rendering in the German poet Gottfried von Strassburg's verse romance Tristan (ca. 1200-1210). Along with his great literary rival Wolfram von Eschenbach and his versatile predecessor Hartmann von Aue, Gottfried is considered one of three greatest poets produced by medieval Germany, and over the centuries his Tristan has lost none of its ability to attract with the beauty of its poetry and to challenge -- if not provoke -- with its sympathetic depiction of adulterous love. The essays, written by a dozen leading Gottfried specialists in Europe and North America, provide definitive treatments of significant aspects of this most important and challenging high medieval version of the Tristan legend. They examine aspects of Gottfried's unparalleled narrative artistry; the important connections between Gottfried's Tristan and the socio-cultural situation in which it was composed; and the reception of Gottfried's challenging romance both by later poets in the Middle Ages and by nineteenth- and twentieth-century authors, composers, and artists -- particularly Richard Wagner. The volume also contains new interpretations of significant figures, episodes, and elements (Riwalin and Blanscheflur, Isolde of the White Hands, the Love Potion, the performance of love, the female figures) in Gottfried's revolutionary romance, which provocatively elevates a sexual, human love to a summum bonum. Will Hasty is Professor of German at the University of Florida. He is the editor of Companion to Wolfram's "Parzival," (Camden House, 1999).