A beautifully illustrated look at the evolution of surgery, as revealed through rare technical illustrations, sketches, and oil paintings The nineteenth century saw major advances in the practice of surgery. In 1750, the anatomist John Hunter described it as “a humiliating spectacle of the futility of science”; yet, over the next 150 years the feared, practical men of medicine benefited from a revolution in scientific progress and the increased availability of instructional textbooks. Anesthesia and antisepsis were introduced. Newly established medical schools improved surgeons’ understanding of the human body. For the first time, surgical techniques were refined, illustrated in color, and disseminated on the printed page. Crucial Interventions follows this evolution, drawing from magnificent examples of rare surgical textbooks from the mid-nineteenth century. Graphic and sometimes unnerving yet beautifully rendered, these fascinating illustrations, acquired from the Wellcome Collection’s extensive archives, include step-by-step surgical techniques paired with depictions of medical instruments and depictions of operations in progress. Arranged for the layman (from head to toe) Crucial Interventions is a captivating look at the early history of one of the world’s most mysterious and macabre professions.

Reprint of the original, first published in 1873.

The medieval origins of current medical practice continue to be a subject of great interest. Tony Hunt has undertaken pioneer work in this field, and now presents, for the first time, the complete set of illustrations which accompany a 13th-century Anglo-Norman translation of Roger of Parma's Surgery (c. 1180), which was the first original treatise on surgery to be written in the medieval West. His commentary on the illustrations relates the drawings precisely to the sections of text they illustrate and thus provides more accurate identification of the different medical treatments depicted by the artist than has previously been the case. These distinctive drawings, almost without parallel in 13th-century England, show a consummate medical illustrator at work, uniquely combining technical, aesthetic and psychological interests. While the illustrations, which were added after the manuscript had been executed, performed a useful function as guide-marks to the contents of the surgical treatise, they are above all an intriguing and delightful monument to an anonymous artist of rare technical accomplishment. It is not only students of medicine who will find much of interest in these early pictorial representations of the medieval pharmacy and the range of therapeutic treatments covered by the surgeon in an age which had not yet produced any clear demarcation between surgery and general medicine.