Modern Orthodox theology represents a continuity of the Eastern Christian theological tradition stretching back to the early Church and especially to the Ancient Fathers of the Church. This volume considers the full range of modern Orthodox theology. The first chapters of the book offer a chronological study of the development of modern Orthodox theology, beginning with a survey of Orthodox theology from the fall of Constantinople in 1453 until the early 19th century. Ladouceur then focuses on theology in imperial Russia, the Russian religious renaissance at the beginning of the 20th century, and the origins and nature of neopatristic theology, as well as the new theology in Greece and Romania, and tradition and the restoration of patristic thought. Subsequent chapters examine specific major themes: - God and Creation - Divine-humanity, personhood and human rights - The Church of Christ - Ecumenical theology and religious diversity - The 'Christification' of life - Social and Political Theology - The 'Name-of-God' conflict - The ordination of women The volume concludes with assessments of major approaches of modern Orthodox theology and reflections on the current status and future of Orthodox theology. Designed for classroom use, the book features: - case studies - a detailed index - a list of recommended readings for each chapter

Explores the role played by Athos in the spread of Orthodoxy and Orthodox monasticism throughout Eastern Europe and beyond.

The Oxford Handbook of Christian Monasticism addresses, for the first time in one volume, multiple strands of Christian monastic practice. Forty-four essays consider historical and thematic aspects of the Catholic, Eastern Orthodox, Oriental Orthodox, Protestant, and Anglican traditions, as well as contemporary 'new monasticism'.

Uniquely authoritative and wide-ranging in its scope, The Oxford Dictionary of the Christian Church is the indispensable reference work on all aspects of the Christian Church. It contains over 6,500 cross-referenced A-Z entries, and offers unrivalled coverage of all aspects of this vast and often complex subject, from theology; churches and denominations; patristic scholarship; and the bible; to the church calendar and its organization; popes; archbishops; other church leaders; saints; and mystics. In this new edition, great efforts have been made to increase and strengthen coverage of non-Anglican denominations (for example non-Western European Christianity), as well as broadening the focus on Christianity and the history of churches in areas beyond Western Europe. In particular, there have been extensive additions with regards to the Christian Church in Asia, Africa, Latin America, North America, and Australasia. Significant updates have also been included on topics such as liturgy, Canon Law, recent international developments, non-Anglican missionary activity, and the increasingly important area of moral and pastoral theology, among many others. Since its first appearance in 1957, the ODCC has established itself as an essential resource for ordinands, clergy, and members of religious orders, and an invaluable tool for academics, teachers, and students of church history and theology, as well as for the general reader.

Who are the Vlachs? For the first time, Mirela Roznoveanu has put Europe's original people—her people—on the map. Living for millennia hidden high in the Balkan and Dalmatian mountains, above the shifting tides of empires, the Vlachs, or Armâns, have fiercely guarded the unity in variety of their ancient way of life. Their long silence breaks at last, overflowing with mythology, history, landscape, folklore, food, customs, clothing, music, magical realism, intrigue, passion, cruelty, poetry, tragedy, and comedy. Vlachica is a force of nature—total immersion in a rich, lost world.

This book explores the history and evolution of Inochentism, a controversial new religious movement that emerged in the Russian and Romanian borderlands of what is now Moldova and Ukraine in the context of the Russian revolutionary period. Inochentism centres around the charismatic preaching of Inochentie, a monk of the Orthodox Church, who inspired an apocalyptic movement that was soon labelled heretical by the Orthodox Church and persecuted as socially and politically subversive by Soviet and Romanian state authorities. Inochentism and Orthodox Christianity charts the emergence and development of Inochentism through the twentieth century based on hagiographies, oral testimonies, press reports, state legislation and a wealth of previously unstudied police and secret police archival material. Focusing on the role that religious persecution and social marginalization played in the transformation of this understudied and much vilified group, the author explores a series of counter-narratives that challenge the mainstream historiography of the movement and highlight the significance of the concept of ‘liminality’ in relation to the study of new religious movements and Orthodoxy. This book constitutes a systematic historical study of an Eastern European ‘home-grown’ religious movement taking a ‘grass-roots’ approach to the problem of minority religious identities in twentieth century Eastern Europe. Consequently, it will be of great interest to scholars of new religions movements, religious history and Russian and Eastern European studies.

The subject of this book arises from recent developments in the inventory, preservation and study of mural paintings from the Middle Ages and the Renaissance, particularly those from what can be considered the periphery of Europe. The aim of this book is to demonstrate the vitality that the study of wall painting in peripheral regions can bring to the discipline of Art History. The articles collected in this book are overwhelmingly about wall paintings that would be hard pressed to be considered part of the master narrative of Art History. They are studies regarding regions and themes that are rarely present in the mainstream of the discipline, but their common thread is their focus on the functional dimension of mural paintings and on the complex interrelation between image, audience, social context and everyday life. From Denmark to Portugal, from graffiti to secular painting, from the orthodox monasteries of Moldavia to the noble residences of Tirol, from Giotto to anonymous and sometimes almost amateur painters, the studies gathered in this book place very distinct artistic realities side by side offering complementary perspectives and insights. The book will make a valuable contribution to the literature on Medieval and Renaissance mural painting, combining theoretical essays with others more descriptive. As the eighteen studies collected in this book deal with paintings from a range of European regions, from Denmark to Portugal and Romania, the book will find its way in Europe and abroad, both in the field of art history and that of Medieval and Early Modern history. The wealth of plates and figures will make the book also accessible to a broad audience interested in the history of painting, architecture and cultural heritage.

Instant Romanian for Parents and Caregivers is a supplemental language guide for people who will be living or working with Romanian-speaking children. The book focusses on practical social communication, with an emphasis on emotional regulation and attachment skills. Originally designed for adoptive parents, the book has been revised to help health care workers, teachers, missionaries and others who work with Romanian children find the information they need to do what they love. The format of the book is similar to standard phrase books, with unique, child-friendly vocabulary that is not available in travel books and dictionaries. Extensive grammar and vocabulary tables provide an easy reference for instant communication between Romanian and English speakers, after the translators have gone.

This book presents an original way of articulating a discussion of Mircea Eliade’s journalism, a lesser-known chapter in the literary biography of the celebrated philosopher of religion. As it shows, Eliade’s articles serve as the starting point of interesting comments regarding the movement of ideas in the interwar era, historical and cultural contexts, Romania’s cultural life and its relation to European modernism, the dramatic destiny of Mircea Eliade and his generational colleagues under the pressure of a succession of totalitarian regimes, the post-war Romanian diaspora, and the reception of Eliade in Romania and abroad. It shows how Eliade’s approach to culture is subject to a phenomenological variation, examining it from a range of perspectives.