DigiCat Publishing presents to you this special edition of "Magic by the Lake" by Edward Eager. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

A significant expansion of the critically acclaimed first edition, Classics Illustrated: A Cultural History, 2d ed., carries the story of the Kanter family's series of comics-style adaptations of literary masterpieces from 1941 into the 21st century. This book features additional material on the 70-year history of Classics Illustrated and the careers and contributions of such artists as Alex A. Blum, Lou Cameron, George Evans, Henry C. Kiefer, Gray Morrow, Rudolph Palais, and Louis Zansky. New chapters cover the recent Jack Lake and Papercutz revivals of the series, the evolution of Classics collecting, and the unsung role of William Kanter in advancing the fortunes of his father Albert's worldwide enterprise. Enhancing the lively account of the growth of "the World's Finest Juvenile Publication" are new interviews and correspondence with editor Helene Lecar, publicist Eleanor Lidofsky, artist Mort K�nstler, and the founder's grandson John "Buzz" Kanter. Detailed appendices provide artist attributions, issue contents and, for the principal Classics Illustrated-related series, a listing of each printing identified by month, year, and highest reorder number. New U.S., Canadian and British series have been added. More than 300 illustrations--most of them new to this edition--include photographs of artists and production staff, comic-book covers and interiors, and a substantial number of original cover paintings and line drawings.

First published as a serialized children's story in 1881-1882, Robert Louis Stevenson's Treasure Island has become an enduring classic. It has all the elements of a great adventure story: a plot full of twists and turns, an escalating sense of treachery and impending disaster, and a quintessential villain. Teenager Jim Hawkins finds a map titled "Treasure Island" in the belongings of a stricken lodger at the Admiral Benbow Inn in 1750s England. He soon finds himself aboard the schooner Hispaniola with a crew of disguised pirates headed to the Caribbean on a quest to find buried treasure. Long John Silver, the peg-legged cook, is the leader of this wretched crew. He is both engaging and ruthless, feared by even his barbarous accomplices, and a shape-shifter, pretending to be Jim's good friend and enemy, secretly plotting a mutiny. When mutiny begins, Jim must save the day. This beloved adventure story is pure fiction--but fiction well grounded in historical and geographical reality. In The Annotated Treasure Island, editor and researcher Simon Barker-Benfield meticulously and lovingly annotates this voyage, offering crucial factual information, a sociopolitical context, and clear technical explanations that bring you closer to the action. Lavishly illustrated with pictures of nautical equipment, parts of ships, and period maps, The Annotated Treasure Island brings the seafaring vernacular to life. You'll learn about "blocks," "backstays," and "shrouds." And you'll see Jim and the crew handle the Hispaniola, whether it's the "simple" chore of raising the anchor--which in a similar, real vessel could require three hours'-worth of hauling in a very slimy cable six inches at a time--or the difficulty and meaning of "warping" and "putting a man in the chains" in order to take depth soundings. The story illustrations by Louis Rhead (1857-1926) deftly draw out the escalating dramatic tension. Would all the risk and hardship have been worth it? Just how much treasure was the crew after? What could one have bought with 700,000 pounds sterling in the 1700s? Even that question is answered in this newly annotated edition: it would have been enough to buy and outfit a fleet of eleven 104-gun battleships of the period. Seven hundred thousand pounds sterling was serious money, enough money that some men would do almost anything to get it.

This book examines illustrations created to accompany fictions written by several of the most popular authors published in Britain and America between 1885 and 1920. By studying the lavish illustrations that complemented not only initial serializations, but also subsequent publications of fictions by H. Rider Haggard, Rudyard Kipling, James De Mille, Robert Louis Stevenson, and H. G. Wells, the book demonstrates the significance of images to the fin de siècle romance form. In order to make fantastic plots seem possible, graphic artists worked hand in hand with authors to not only fill gaps in audience understanding, but also expand and deepen the meaning of these marvels. The book will be of interest to scholars working in art history, visual culture, illustration studies, British and American history, and British and American literature.

Treasure Island, published in 1883, popularized the now familiar characters of pirates and brought them to rum-swilling life. When an old sailor named Billy Bones dies in the inn belonging to young Jim Hawkins’s parents, he leaves a greasy old map on which an “X” marks the spot where treasure is buried. Jim joins the crew of a ship in pursuit of Bones’s treasure, and on the seas meets up with Long John Silver, a peg-legged pirate who has infiltrated their ranks. Jim must survive mutinies and counter-mutinies, face hand-to-hand combat with drunken sailors, and outwit double-crossing thieves before the treasure can be his.

This book investigates the mystery and legend of Jonathan Swift of Alexandria, Virginia, a merchant with legendary silver mines, and the probable connection between the Swift silver mine legend and Robert Louis Stevenson's Treasure Island.