How can people work on trains? Read on trains? There is so much happening outside! With these words, World Fantasy and Hugo Award-nominated artist Kathleen Jennings opens the door to a graceful, nuanced world of travel vignettes. With an affinity for words that’s equal to her celebrated artwork, Jennings captures the passing landscape with an illustrator’s eye for detail and a poet’s command of rich language and startling metaphors. Originally published over the span of three years while travelling across Massachusetts, New York State, and England, Travelogues collects Kathleen’s travel vignettes together for the first time. Each of these nine journeys is infused with wonder and rich, unfamiliar landscapes, and those who climb aboard will forever look at train travel with new eyes.

In Hajj Travelogues: Texts and Contexts from the 12th Century until 1950 Richard van Leeuwen maps the corpus of hajj accounts from the Muslim world and Europe. The work outlines the main issues in a field of study which has largely been neglected. A large number of hajj travelogues are described as a textual type integrating religious discourse into the form of the journey. Special attention is given to their intertextual embedding in the broader discursive tradition of the hajj. Since the corpus is seen as dynamic and responsive to historical developments, the texts are situated in their historical context and the subsequent phases of globalisation. It is shown how in travelogues forms of religious subjectivity are constructed and expressed.

The history of Baghdad in the 18th and 19th centuries had predominantly been written by two groups. The first group is Baghdadi scholars, and the second group is travellers. These two resources complement each other; while the literature of Baghdadi scholars provides insights from inside, travelogues provide observations from outside. By implementing this interlocking method of investigation, we can reach a comprehensive understanding of the history of Baghdad. Having investigated some sources from inside in my previous book; Baghdad: an urban history through the lens of literature, the focus of this book is on travel literature. The history of travelogues throughout different periods of Baghdad’s history is highlighted, with a particular focus on 18th and 19th century travelogues. This period was a critical epoch of change, not just in Baghdad, but across the world. Nevertheless, this book does not intend to provide a documentary of the travellers who visited Baghdad. It is rather an analytical study of the colonial literature in relation to the historiography of Baghdad.

This book is about the travels of Laszlo Gyermek, MD, PhD, a retired physician and researcher who has immigrated to the USA from Hungary in 1957 after the defeat of the uprising against the Soviet occupation and oppression of his native country. The source of his travelogues has been the numerous trips he has taken from the United States to more than sixty countries, particularly in the last three decades, which encompass mostly recreational trips/vacations, reflecting the authors wide-ranging interests in geographic and cultural explorations all over the world, but particularly in Europe, where he has established two regional residences: one in Southern France in 1983 and another one in Budapest, Hungary, in 2000. From these bases he originated many of these trips. The book is narrated in a unique, perhaps scattered and unusual, style, considering the many destinations in different time frames, often repeatedly, and covering the common, practical aspects of todays travels into foreign lands: from ticket purchases to challenges during travel-e.g., jet lag and other health problems. There is varied information from many social, economical, educational, and artistic aspects about many European countries first and, in the second half of the book, encountered in several overseas countries on five continents. The last part of the book deals with episodes in selected cities in the United States and abroad, often with a humoristic veneer. In essence, the reader is presented with a lot of material and with analytically aspired, but often critical and subjective, stories. Still, the author believes that the contents are worth going through and pondering about.