This interdisciplinary dissertation explores the archetype of the "ape-man" from a phenomenological perspective, with its genesis and present continuation dependent on extant and accreted human behavior and morphology. In order to ascertain the embedded components of the ape-man archetype, an identikit ape-man as a discrete phenomenon is derived after the examination of cross-cultural examples world-wide. Next, this discrete phenomenon and its constituent parts are compared both to extant ape species' behavior and morphology and the paleoanthropological evidence to determine in what ways -- if any -- components of each are reflected accurately in the phenomenon. Utilizing concepts in the fields of cultural and physical anthropology, ethology, psychology, and philosophy, this dissertation asserts as its conclusion that the archetype of the ape-man is a result of accreted and enacted collective memories, and reflects an important phenomenon integral to human thought and form.

Rufus is back at Grammy’s for the summer, and just in time another part of the forest is about to be razed for a golf course. He needs the magic totem that the ravens stole, so he can transform into Bigfoot Boy again. But how can he find the ravens? And why is he plagued by strange dreams of a monstrous bird? It’s a race against time and bulldozers in this final adventure of the Bigfoot Boy series!

America's favorite cultural historian and author of Ghostland takes a "thought-provoking and delicoiusly unsettling" (Publisher's Weekly) tour of the country's most persistent "unexplained" phenomena In a world where rational, scientific explanations are more available than ever, belief in the unprovable and irrational--in fringe--is on the rise: from Atlantis to aliens, from Flat Earth to the Loch Ness monster, the list goes on. It seems the more our maps of the known world get filled in, the more we crave mysterious locations full of strange creatures. Enter Colin Dickey, Cultural Historian and Tour Guide of the Weird. With the same curiosity and insight that made Ghostland a hit with readers and critics, Colin looks at what all fringe beliefs have in common, explaining that today's Illuminati is yesterday's Flat Earth: the attempt to find meaning in a world stripped of wonder. Dickey visits the wacky sites of America's wildest fringe beliefs--from the famed Mount Shasta where the ancient race (or extra-terrestrials, or possibly both, depending on who you ask) called Lemurians are said to roam, to the museum containing the last remaining "evidence" of the great Kentucky Meat Shower--investigating how these theories come about, why they take hold, and why as Americans we keep inventing and re-inventing them decade after decade. The Unidentified is Colin Dickey at his best: curious, wry, brilliant in his analysis, yet eminently readable.

NEW YORK TIMES BESTSELLER • The #1 New York Times bestselling author of World War Z is back with “the Bigfoot thriller you didn’t know you needed in your life, and one of the greatest horror novels I’ve ever read” (Blake Crouch, author of Dark Matter and Recursion). FINALIST FOR THE LOCUS AWARD As the ash and chaos from Mount Rainier’s eruption swirled and finally settled, the story of the Greenloop massacre has passed unnoticed, unexamined . . . until now. The journals of resident Kate Holland, recovered from the town’s bloody wreckage, capture a tale too harrowing—and too earth-shattering in its implications—to be forgotten. In these pages, Max Brooks brings Kate’s extraordinary account to light for the first time, faithfully reproducing her words alongside his own extensive investigations into the massacre and the legendary beasts behind it. Kate’s is a tale of unexpected strength and resilience, of humanity’s defiance in the face of a terrible predator’s gaze, and, inevitably, of savagery and death. Yet it is also far more than that. Because if what Kate Holland saw in those days is real, then we must accept the impossible. We must accept that the creature known as Bigfoot walks among us—and that it is a beast of terrible strength and ferocity. Part survival narrative, part bloody horror tale, part scientific journey into the boundaries between truth and fiction, this is a Bigfoot story as only Max Brooks could chronicle it—and like none you’ve ever read before. Praise for Devolution “Delightful . . . [A] tale of supernatural mayhem that fans of King and Crichton alike will enjoy.”—Kirkus Reviews (starred review) “The story is told in such a compelling manner that horror fans will want to believe and, perhaps, take the warning to heart.”—Booklist (starred review)

This volume supplements the acclaimed three volume set published in 1986 and consists of an annotated listing of American Studies monographs published between 1984 and 1988. There are more than 6,000 descriptive entries in a wide range of categories: anthropology and folklore, art and architecture, history, literature, music, political science, popular culture, psychology, religion, science and technology, and sociology.

From the author of Hour of the Bees comes another captivating story that deftly blurs the line between reality and magic — and will leave you wondering What if? The Loch Ness Monster. The Frogman. Bigfoot. Twelve-year-old Miranda Cho used to believe in it all, used to love poring over every strange footprint, every stray hair, everything that proved that the world was full of wonders. But that was before her mother’s obsession with monsters cost Miranda her friends and her perfect school record, before Miranda found the stack of unopened bills and notices of foreclosure in the silverware drawer. Now the fact that her mom’s a cryptozoologist doesn’t seem wonderful — it’s embarrassing and irresponsible, and it could cost them everything. So Miranda agrees to go on one last creature hunt, determined to use all her scientific know-how to prove to her mother, once and for all, that Bigfoot isn’t real. Then her mom will have no choice but to grow up and get a real job — one that will pay the mortgage and allow Miranda to attend the leadership camp of her dreams. But when the trip goes horribly awry, will it be Miranda who’s forced to question everything she believes?

Rufus has returned to Grammy's for the weekend, and he's brought along the wooden Q'achi totem he uncovered on his last visit. After setting out to find his pal Penny in the woods and losing his way, Rufus once again turns to the totem for help. Unfortunately, Talon and Beak, a pair of greedy ravens, are watching from the trees as Rufus uses the powerful totem to transform into Bigfoot Boy. Imagining ?the things we could do with that totem,? Talon decides his flock of ravens must steal the totem. Though Rufus and Penny desperately try to thwart their plans, the ravens are tricky, deceitful and determined to do whatever it takes to get what they want. Will Rufus, Penny and their squirrel friend, Sidney, find themselves outsmarted by a bunch of birds? This is the second book in the terrifically entertaining trilogy of graphic novels by award-winning author J. Torres. Here, the mystery surrounding the totem deepens as readers learn of its origins and Rufus's connection to its creator. The artwork by the renowned Faith Erin Hicks is rich with depictions of the Pacific Northwest landscape and its legends and mythology, which underlie and set the tone for the premise of the series. These books work well for teaching environmental awareness, as saving the woods from development becomes a central mission for Rufus and Penny. There are also important lessons to be gleaned on solving problems and on forming and maintaining friendships.

This innovative study reveals the creative world of a Native community. Once seminomadic hunters and gatherers who traveled by horse wagon, canoe, and dog sled, the Dene Tha of northern Canada today live in government-built homes in the settlement of Chateh. Their lives are a distinct blend of old and new, in which traditional forms of social control, healing, and praying entwine with services supplied by the Royal Canadian Mounted Police, a nursing station, and a Roman Catholic church. Many older cultural beliefs and practices remain: ghosts linger, reincarnating and sometimes causing deaths; past and future are interpreted through the Prophet Dance; ?animal helpers? become lifelong companions and sources of power; and personal visions and experiences are considered the roots of true knowledge. Why and how are such striking beliefs and practices still vital to the Dene Tha? Drawing on extensive fieldwork at Chateh, anthropologist Jean-Guy Goulet delineates the interconnections between the strands of meaning and experience with which the Dene Tha constitute and creatively engage their world. Goulet?s insights into the Dene Tha?s ways of knowing were gained through directly experiencing their lifeway rather than through formal instruction. This experiential perspective makes his study especially illuminating, providing an intimate glimpse of a remarkable and enduring Native community.

What is it like living among and learning about the cultural realities of other people for the first time? Northern Passage uses the motif of apprenticeship to reveal the humbling, childlike quest of the novice ethnographer, on the one hand, and the trials of an active participant learning the intricacies of bush life and livelihood from subarctic Indian hunting partners and teachers, on the other hand. In the process, Jarvenpas reflexive narrative presents a compelling vision of northern Dene or Athapaskan society. The Han people of the Yukon Territory and eastern Alaska and the Chipewyan of northern Saskatchewan emerge as vividly drawn actors in a cultural landscape distinctly influenced by gold miners, fur traders, missionaries, conservation officers, and other post-colonial agents. This candid but sensitive treatment deals with issues such as trapping economies, knowledge of the environment, dreaming and hunting power, permission and informed consent, language learning, accusations of spying, alcohol use, economic development, partnerships, note-taking, and the pros and cons of active participation. Jarvenpas early field experiences unfold as a primer on false leads, setbacks and revealing discoveries building to a suspenseful aftershock.

The thirteenth Tarot card is Death, and he is a symbol not of the end, but of transformation and rebirth. This is the genesis and root of Thirteen: Stories of Transformation. The twenty-eight authors of this collection are voices—new and old—who are not afraid to explore what comes next. Whether it be a life after death, a life without love, a life filled with hunger, or the life shared by a ghost. These are stories of the weird, the mythic, the fantastic, the futuristic, the supernatural, and the horrific. The ghosts of the past have been eaten by the children of the future: this endless cycle of birth, death, and renewal is the magic of thirteen. Do not fear change. Embrace it. Let Thirteen be the handbook for the new you. With stories from: Liz Argall M. David Blake Richard Bowes George Cotronis Amanda C. Davis Julie C. Day Jetse de Vries Jennifer Giesbrecht Daryl Gregory Rik Hoskin Rebecca Kuder Claude Lalumière Marc Levinthal Grá Linnaea Alex Dally MacFarlane Juli Mallett Lyn McConchie Fiona Moore Gregory L. Norris Adrienne J. Odasso Cat Rambo Andrew Penn Romine David Tallerman Tais Teng Richard Thomas Fran Wilde A. C. Wise Christie Yant