This vintage book contains a fascinating treatise on the customs and traditions of England, with information on its folklore, history, and more. From folk rhymes and funeral customs to brewing ale and the occult, this volume contains a wealth if information that will appeal to those with an interest in England and it's people. Contents include: "The Farmer and his Men", "Family Life: Marriage", "Christening and Birth Customs", "Children's Complaints", "Women's Indoor Work-Baking", "Brewing", "Washing", "Death and Funeral Customs", "The Husband and Wife", "Dress", "Farm Buildings", "The farm-house and Cottage", et cetera. Many vintage books such as this are increasingly scarce and expensive. We are republishing this volume now in an affordable, modern, high-quality edition complete with its original artwork and text. First published in 1929.

"Traditions, Superstitions and Folk-lore" by Charles Hardwick. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Across all cultures and spanning centuries, superstitions rooted in cultural legends and myths have formed and influenced daily life. Superstitions: A Handbook of Folklore, Myths, and Legends from around the World​ explains how and why these legends and the associated behaviors behind them developed, accompanied by beautiful illustrations. In this definitive reference, you’ll learn the fascinating and often bizarre histories of a comprehensive range of superstitions from around the world. For example, the belief that one will have seven years' bad luck if you break a mirror is said to come from the Romans, who were the first to create glass mirrors. And in Japanese culture, cutting your nails at night is thought to lead to a quick death because the two phrases sound similar. You’ll also find out why some superstitions vary from culture to culture. For instance, the “unlucky” number 13 is considered a bad omen in some countries, like the US, and “lucky” in other countries, like Italy—where the number 17 is considered unlucky. The information is organized by country, so you can easily investigate the popular superstitions linked to your own or other specific ethnic heritage or cultural identity. Satisfy your burning curiosity with this complete guide to superstitions, folklore, and myths. The Mystical Handbook series from Wellfleet takes you on a magical journey through the wonderful world of spellcraft and spellcasting. Explore a new practice with each volume and learn how to incorporate spells, rituals, blessings, and cleansings into your daily routine. These portable companions feature beautiful foil-detail covers and color-saturated interiors on a premium paper blend. Other titles in the series include: Witchcraft, Love Spells, Moon Magic, Knot Magic, and House Magic.

Ghosts and Goosebumps is a rich collection of folktales and superstitions that capture the oral traditions of central and southeastern Alabama. In its pages one can glimpse the long-lost horse-and-buggy times, when people sat up all night with the dead and dying, hoed and handpicked cotton, drew water from wells, and met the devil rather regularly. The book is divided into three parts--tales, superstitions, and slave narratives. The spirits of treasure-keepers, poltergeists, murderers and the murdered, wicked men and good-men-and-true float through the book's first section. Sue Peacock, for example, recalls seeing the ghost of her brother, and E.C. Nevin describes a mysterious light in a swamp. In other tales, reports of supernatural experiences are proved to be rationally explicable--Lee Wilson's devil in the cemetery turns out to be a cow and chains rattling near New Tabernacle Church in Coffee County belong not to specters but to hogs. The superstitions are arranged according to subject and include such topics as love and marriage, weather and the seasons, wish making, bad luck, signs, and portents. Anonymous tellers confide that it is bad luck to carry ashes out after dark, to let a locust holler in your hand, to rock an empty rocking chair, to let your fishing pole cross someone else's, or to have a two-dollar bill (unless one corner has been removed). The slave narratives, selected from the Works Progress Administration Folklore Collection, are substantial and yield a fascinating view of nineteenth century African-American folk life, replete with sillies and lazy men, preachers and witches, brave little boys, and reluctant bridegrooms. Although the times and places have changed, the spirit of the folk is unaltered. Taken together, these folktales are marvelously diverse--by turns fearsome, fantastical, witty, ribald, charmingly innocent--showing people from all backgrounds, their endless vices and occasional virtues, their hopes, fears, and loves.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.