This study presents the myths, beliefs and customs of the indigenous peoples in North America. This collection is comprised of many bodies of traditional narratives associated with religion from a mythographical perspective. Contents: The Myths of the North American Indians Myths of the Cherokee Myths of the Iroquois A Study of Siouan Cults Outlines of Zuñi Creation Myths The Mountain Chant - A Navajo Ceremony

The purpose of the Jesup North Pacific Expedition (1897-1902) to Siberia, Alaska, and the north west coast of Canada was to investigate relationships between the peoples on either side of the Bering Strait. It was sponsored by Morris Jesup (president of the American Museum of Natural History), and planned and directed by Franz Boas.

As fur traders were driven across northern North America by economic motivations, the landscape over which they plied their trade was punctuated by sound: shouting, singing, dancing, gunpowder, rattles, jingles, drums, fiddles, and – very occasionally – bagpipes. Fur trade interactions were, in a word, noisy. Daniel Laxer unearths traces of music, performance, and other intangible cultural phenomena long since silenced, allowing us to hear the fur trade for the first time. Listening to the Fur Trade uses the written record, oral history, and material culture to reveal histories of sound and music in an era before sound recording. The trading post was a noisy nexus, populated by a polyglot crowd of highly mobile people from different national, linguistic, religious, cultural, and class backgrounds. They found ways to interact every time they met, and facilitating material interests and survival went beyond the simple exchange of goods. Trust and good relations often entailed gift-giving: reciprocity was performed with dances, songs, and firearm salutes. Indigenous protocols of ceremony and treaty-making were widely adopted by fur traders, who supplied materials and technologies that sometimes changed how these ceremonies sounded. Within trading companies, masters and servants were on opposite ends of the social ladder but shared songs in the canoes and lively dances during the long winters at the trading posts. While the fur trade was propelled by economic and political interests, Listening to the Fur Trade uncovers the songs and ceremonies of First Nations people, the paddling songs of the voyageurs, and the fiddle music and step-dancing at the trading posts that provided its pulse.

The 'Native American Mythology' anthology represents a seminal collection of narratives that illuminate the rich tapestry of indigenous cultures across North America. The works within span a remarkable variety of literary styles, from the mythic to the historical, encapsulating the depth and diversity of Native American storytelling traditions. This compilation stands out not only for the breadth of its scope but also for its inclusion of significant pieces that showcase the intricate belief systems and cosmologies unique to different Native American communities, offering readers a comprehensive insight into the foundational stories that have shaped these cultures. The contributing authors and editors, including the likes of Lewis Spence and James Mooney, are renowned scholars and ethnographers whose lifework has significantly contributed to the preservation and understanding of Native American cultures. Their collective expertise lends the anthology an unmatched authenticity and scholarly diligence, aligning it with significant cultural and literary movements aimed at recognizing and celebrating indigenous narratives. The varied backgrounds of these contributors ensure a rich, multifaceted exploration of themes, from creation myths to hero tales, providing a panoramic view of the cultural heritage of Native American peoples. 'Readers of 'Native American Mythology' are offered an unparalleled journey into the heart of indigenous storytelling traditions, enriched by the diverse methodologies and perspectives of its contributors. This anthology is an indispensable resource for anyone seeking a deeper understanding of the cultural narratives that have shaped and sustained Native American communities through time. It invites a thoughtful exploration of the complex interplay between myth, culture, and identity in indigenous societies, making it a must-read for scholars, students, and anyone with a keen interest in Native American heritage and storytelling practices.