This volume utilizes Catherine Bell's ritual theory to shed new light on the many rituals reflected in ancient Mediterranean texts. In recent decades scholars of religion have come to realize that ritual and bodily practices are just as important for religion as beliefs and doctrine. With the development of ritual studies in the 1990s there arose a critical framework for investigating ritual and practice. Only recently, however, has Bell's theorizing been employed to study the rituals portrayed in ancient texts. This cross-disciplinary examination assesses the utility of Bell's theorizing for studying the textual evidence for rituals of the ancient Near East, the Hebrew Bible, the Dead Sea Scrolls, the New Testament, and other early Christian literature. The contributors to this volume illustrate a path away from regarding rituals as inert and fixed and toward a more complex and vibrant interactive model of ritual behaviour. In this volume, as each scholar works to recover the traces of long-past rituals in a particular set of materials, these and other concepts are consciously employed to guide or challenge the investigation, pushing beyond previous conclusions about ancient rituals. The contributors' attention to theory, and especially the social context, practical function, and symbolic interpretation, set this collection apart from studies that consider the rituals in more traditional textual ways.

This volume utilizes Catherine Bell's ritual theory to shed new light on the many rituals reflected in ancient Mediterranean texts. In recent decades scholars of religion have come to realize that ritual and bodily practices are just as important for religion as beliefs and doctrine. With the development of ritual studies in the 1990s there arose a critical framework for investigating ritual and practice. Only recently, however, has Bell's theorizing been employed to study the rituals portrayed in ancient texts. This cross-disciplinary examination assesses the utility of Bell's theorizing for studying the textual evidence for rituals of the ancient Near East, the Hebrew Bible, the Dead Sea Scrolls, the New Testament, and other early Christian literature. The contributors to this volume illustrate a path away from regarding rituals as inert and fixed and toward a more complex and vibrant interactive model of ritual behaviour. In this volume, as each scholar works to recover the traces of long-past rituals in a particular set of materials, these and other concepts are consciously employed to guide or challenge the investigation, pushing beyond previous conclusions about ancient rituals. The contributors' attention to theory, and especially the social context, practical function, and symbolic interpretation, set this collection apart from studies that consider the rituals in more traditional textual ways.

This is a Ph.D. dissertation. This thesis explores the ritual dimensions of the mortuary practices in the Late Mesolithic cemeteries at Skateholm in Southern Sweden and Vedbaeck-Bogebakken in Eastern Denmark. With a combination of methods and theories tha

The forms by which a deceased person may be brought to rest are as many as there are causes of death. In most societies the disposal of the corpse is accompanied by some form of celebration or ritual which may range from a simple act of deportment in solitude to the engagement of large masses of people in laborious and creative festivities. In a funerary context the term ritual may be taken to represent a process that incorporates all the actions performed and thoughts expressed in connection with a dying and dead person, from the preparatory pre-death stages to the final deposition of the corpse and the post-mortem stages of grief and commemoration. The contributions presented here are focused not on the examination of different funerary practices, their function and meaning, but on the changes of such rituals _ how and when they occurred and how they may be explained. Based on case studies from a range of geographical regions and from different prehistoric and historical periods, a range of key themes are examined concerning belief and ritual, body and deposition, place, performance and commemoration, exploring a complex web of practices.

What exactly is “ritual” and why is it inherently a part of Christian public worship? Could we worship without ritual? Does the Christian tradition offer us any perspectives on ritual? These are the questions explored in this book, whose purpose is to serve as a “user’s guide” to ritual for leaders and planners of Christian worship. With the help of various perspectives—the life sciences, the Bible, and Reformation theologians—it seeks to explain ritual objectively, winsomely, and sympathetically. Written by a scholar with many years of experience in teaching liturgics, this book will help readers to appreciate ritual and become comfortable with themselves as participants in ritual.

Whether initiating girls or healing cattle, bringing rain or protesting taxation, many in Africa share a vision of a world where the cultural, symbolic and cosmic categories of 'male' and 'female' serve, through ritual, to both reimagine and transform the world. Those Who Play With Fire introduces recent gender theory to the analysis of African ethnography, exploring the ways in which ideational gender categories permeate African systems of thought and ritual practices. Thus, the book provides a powerful framework with which to evaluate previous ethnographic material on Africa. In addition, Those Who Play With Fire presents a broad range of new case studies - of hunter-gatherers, agriculturalists and pastoralists - revealing the varied and complex ways in which African ideas and ideals of what it means to be 'male' and 'female' broadly inform and give meaning to a wide range of transformative rituals.

With contributions spanning from the Neolithic Age to the Iron Age, this book offers important insights into the religions and ritual practices in ancient Egyptian and Near Eastern communities through the lenses of their material remains. The book begins with a theoretical introduction to the concept of material religion and features editor introductions to each of its six parts, which tackle the following themes: the human body; religious architecture; the written word; sacred images; the spirituality of animals; and the sacred role of the landscape. Illustrated with over 100 images, chapters provide insight into every element of religion and materiality, from the largest building to the smallest amulet. This is a benchmark work for further studies on material religion in the ancient Near East and Egypt.

Delo je v izvirniku pod naslovom Zvezdne poti in plesne sledi: Od Platona do romarskega vrtca izdalo Slovensko etnološko društvo leta 2021. Skozi sistematično zasnovana poglavja avtor bralca opremlja z znanji, ki so nujna za umeščanje pojava v kulturno-zgodovinske prostore. Opozarja ga na spreminjajoče se filozofske, moralne, etične, verske in druge predispozicije, ki so vplivale in tudi danes vplivajo na v raziskavi izpostavljene pojave. Da bi odgovoril na zastavljeno vprašanje, avtor zastavi širok zgodovinski prostor, in sicer od razumevanja antične tradicije ter ključnih antičnih filozofskih paradigem, prek zgodnjega krščanstva, do filozofskih in verskih dogem srednjega in novega veka. Upošteva tiste ključne miselne premise, ki so zaznamovale vsakokratna razumevanja plesnih vedênj v odnosu do pojmov, kot so sakralni prostor, sakralna vsebina, telo, gib … Monografija bralcu ponuja do zdaj nepoznane in še neinterpretirane referenčne literaturo, vire in podatke ter jih postavlja v širok okvir večdisciplinarnih razlag pojavov. Avtor je zanimanje iz polja svojih domicilnih ved, etnologije in kulturne antropologije, razširil na splošno zgodovino, zgodovino plesa, filozofijo, zgodovino glasbe in cerkve, teologijo in mitologijo. Gre za lucidno, kritično, teoretsko, metodološko in vsebinsko znanstveno utemeljeno delo o zgodovini umeščanja giba/plesa v kontekst sakralnega.

This volume examines the role of gestures in past societies, exploring both how meaning was communicated through bodily actions, and also how archaeologists can trace the symbolism and significance of ancient gestures, ritual practices and bodily techniques through the material remnants of past human groups. Gesture studies is an area of increasing interest within the social sciences, and the individual chapters not only respond to developments in the field, but push it forward by bringing a wide range of perspectives and approaches into dialogue with one another. Each exhibits a critical and reflexive approach to bodily communication and to re-tracing bodies through the archaeological record (in art, the treatment of the body and material culture), and together they demonstrate the diversity of pioneering global research on gestures in archaeology and related disciplines, with contributions from leading researchers in Aegean, Mediterranean, Mesoamerican, Japanese and Near Eastern archaeology. By bringing case studies from each of these different cultures and regions together and drawing on interdisciplinary insights from anthropology, sociology, psychology, linguistics, design, art history and the performing arts, this volume reveals the similarities and differences in gestures as expressed in cultures around the world, and offers new and valuable perspectives on the nature of bodily communication across both space and time.