With Booty Green dead and Julius Jr. being framed for his murder, Naje , Devon and Angelica scramble to keep Julius from spending the rest of his life in prison. Yellow Shoes and Rabbit want them dead, the Barrera brothers need them alive and their women just want them safe. But Devon and Julius are making more enemies than friends. Angelica is pregnant with Julius child and all she wants and needs is a normal life, but the Gage family is far from normal. They are a family caught up in lust, wrath, greed, pride, and envy. Five of the seven deadly sins that threaten to tear their family to shreds in this high powered tale of treachery, deceit and murder.

Camp Mother, Camp Leader, the two Kens - characters from deep in the NZ heartland from the irrepressible Jools and Linda Topp. The Topp Twins' concerts and television programmes have been described as 'pitched somewhere between Heartland and a sitcom with songs'. This hilarious, over-the-top illustrated book, their first, is based on these characters. The book begins with a photo of the Topps as babies, along with a couple of cute country teenagers with a giant pig. Then it's over to Camp Mother, Camp Leader, the two Kens, The Gingham Sisters and Raelene and Brenda. We have recipes, jokes, yarns, tips for happy camp life, songs, crosswords, poems and more yarns, and dozens of photographs. The crazy Topp Twins pace never flags. It's a laugh a minute.

This is the never-before-told story of George Orwell's first wife, Eileen, a woman who shaped, supported, and even saved the life of one of the twentieth century's greatest writers. In 1934, Eileen O'Shaughnessy's futuristic poem, 'End of the Century, 1984', was published. The next year, she would meet George Orwell, then known as Eric Blair, at a party. 'Now that is the kind of girl I would like to marry!' he remarked that night. Years later, Orwell would name his greatest work, Nineteen Eighty-Four, in homage to the memory of Eileen, the woman who shaped his life and his art in ways that have never been acknowledged by history, until now. From the time they spent in a tiny village tending goats and chickens, through the Spanish Civil War, to the couple's narrow escape from the destruction of their London flat during a German bombing raid, and their adoption of a baby boy, Eileen is the first account of the Blairs' nine-year marriage. It is also a vivid picture of bohemianism, political engagement, and sexual freedom in the 1930s and '40s. Through impressive depth of research, illustrated throughout with photos and images from the time, this captivating and inspiring biography offers a completely new perspective on Orwell himself, and most importantly tells the life story of an exceptional woman who has been unjustly overlooked.

Admiral Topp's memoirs reflect the faith, hopes, errors, and transformations in a man's life, indeed those of a whole generation whose understanding of history and ideology were held captive by the myth of power. The terrible annihilation in World War II and, even more so, the unimaginable destructive potential of nuclear weapons, have resulted in a change in the use of power. The author's diaries and journals, along with their contemporary interpretation, illustrate the political dimension of this change. Topp wrote this book to illuminate a segment of twentieth century history which can only be portrayed truthfully by those who themselves have lived and suffered through it. Topp also describes freely the era of the Third Reich. Even today, after long years of occupying positions of leadership, the author feels the burden of historical responsibility. In this sense his book is a statement about the ambivalence of human existence. It provides answers to the question of why a whole generation of Germans followed the mesmerizing siren song of a totalitarian regime, an experience which still looms like a shadow over the living.

"Anna's job is simple: prevent the unexpected from happening and do everything better than perfectly. An artist at heart, Anna works a day job as a private assistant for Bambi Von Bizmark, a megarich Upper East Side matriarch who's about to be honored at the illustrious Opera Ball. Caught between the staid world of great wealth and her unconventional life as an artist, Anna struggles with her true calling. If she's supposed to be a painter, why is she so much more successful as a personal assistant? When her boyfriend lands a fancy new job, it throws their future as a couple into doubt and intensifies Anna's identity crisis. All she has to do is ensure everything runs smoothly and hold herself together until the Opera Ball is over. How hard could that be?"--Inside jacket.

Nativities from around the world in a dazzling variety of styles Nearly one hundred nativities from all over the world—most of which have never before appeared in any book—are collected here. Artisans from locales as diverse as the Czech Republic, Guyana, Burkina Faso, and Bangladesh are represented. There are nativities made with materials ranging from hand-carved wood, blown glass, and wool, to more unique materials such as salt dough, dried maguey cactus, and recycled bicycle parts. The artistry, ingenuity, and diversity of these creations are greatly prized by thousands of nativity collectors worldwide, many of whom have graciously allowed pieces from their own collections to be photographed for this book. Susan Topp Weber has owned and operated Susan’s Christmas Shop in Santa Fe, New Mexico, for more than thirty years. She has a prized collection of nativities herself, which began with a gift in 1965, and has sold nativities at her shop since 1978. She is the author of Christmas in Santa Fe.

Tom Topp is looking forward to the adventure of a lifetime. But when he suddenly breaks his leg at soccer training, everything changes. Instead of going water skiing, rock climbing and ice skating with his brothers, Tom finds himself in a shopping centre with his mum where the most embarrassing things start to happen. Worst of all, he's stuck in an old wheelchair that smells like rotten eggs! How will this unexpected turn of events ultimately become the best adventure of all?

Spurred by ideals of individual liberty that took hold in the Western world in the late nineteenth century, psychiatrists and public officials sought to reinvent asylums as large-scale, totally designed institutions that offered a level of freedom and normality impossible in the outside world. This volume explores the “caged freedom” that this new psychiatric ethos represented by analyzing seven such buildings established in the Austro-Hungarian monarchy between the late 1890s and World War I. In the last two decades of the Habsburg Empire, architects of asylums began to abandon traditional corridor-based plans in favor of looser formations of connected villas, echoing through design the urban- and freedom-oriented impulse of the progressive architecture of the time. Leslie Topp considers the paradoxical position of designs that promoted an illusion of freedom even as they exercised careful social and spatial control over patients. In addition to discussing the physical and social aspects of these institutions, Topp shows how the commissioned buildings were symptomatic of larger cultural changes and of the modern asylum’s straining against its ideological anchorage in a premodern past of “unenlightened” restraint on human liberty. Working at the intersection of the history of architecture and the history of psychiatry, Freedom and the Cage broadens our understanding of the complexity and fluidity of modern architecture’s engagement with the state, with social and medical projects, and with mental health, psychiatry, and psychology.

From a brutal and traumatizing rape, a nearly flawless and brilliant soul is conceived, destined for greatness beyond the unapologetic, harsh, and gritty streets of South Dallas. Through his unique, God-given gift of poetry, Innoxent, the name his mother chose for him with purpose to purify his conception, finds his life's calling and strives to fulfill the promise that he will become somebody by any means despite his beginning. But first, Innoxent must navigate through the obstacles that come along with simply being young, male, and black in urban America. His life becomes even more complicated when his mama, his heartbeat and rock, seeks the love and affection she so desperately desires in the wrong man. His uncle, the sole positive male in his life, disappointedly falls prey to fast-moneyand criminal activity that leads to a prison stint. With his mama being blinded by love, his family in chaos, and his best friend on the run, Innoxent finds comfort in his gift of words. And then he meets them, a girl he initially believes is out of his league, and a couple of accomplished black men who see his real potential to become more than the world expects of him. However, he's still not immune to tragedy nor is he prepared for it. So, when it strikes, his world is shattered and the pain is insurmountable. "Some black boys don't get to be heroes in the movie." Innoxent Monroe